Review-Big Finish: The Wonderful Wizard of Oz

Following their successful adaptations of genre classics such as Dorian Gray and Frankenstein, Big Finish have now produced an audio adventure based Frank Baum’s The World of Oz.

After a tornado hits her home in Kansas, Dorothy and her dog Toto find themselves in the magical Land of Oz.

The house sets down in Munchkin land and accidentally kills the Wicked Witch of the East, by landing on her.

Dorothy and Toto then embark on an epic journey to find the only person who can help them return home, the legendary Wizard of Oz.
They quickly make friends with a brainless Scarecrow, a heartless Tin Man and cowardly Lion. Realising they all want to see the Wizard, the group travel together.

Sadly for Dorothy, The Wicked Witch of the West is seeking revenge for the death of her sister.

Frank Baum’s original novel differs greatly from the 1939 MGM musical and, adaptations of either tend to go two ways, they’re either very faithful, or they try to be edgy and new. Marc Platt has opted to faithfully adapted L. Frank Baum’s original novel.

The performances are all top-notch, Ally Doman shines as Dorothy, as do Stuart Milligan as Oz, Rachel Atkins as The Wicked Witch of the West, and Big Finish regular, Dan Starkey as the Monkey Captain.

Oz purists will love this.

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Big Finish review-The Yes Men

The Yes Men is the first in a new four part series of full cast audio stories called ‘Early Adventures’. These adventures are focusing on the second Doctor and his various different companions.

Fan favourite Frazer Hines reprises his role as Jamie and also plays The Second Doctor. Anneke Wills acts as narrator as well as reprises her role as Polly.
As Michael Craze sadly passed away in the late nineties, the role of Ben Jackson has been recast with Elliot Chapman.

The story starts with the Doctor wanting to visit his old friend Meg Carvossa, on the Earth colony of New Houston. Shortly after arriving, team TARDIS find that Meg has died in a mysterious way. That’s not the only problem, the helper robots have started acting a bit shifty.

What follows is a suspenseful tale of suspicion and death.

I know a lot of hardcore fans are unhappy with the recasting of pivotal roles, I am not one of them. I want Early era Big Finish stories and this is the only way we’re going to get them.

Elliot Chapman is phenomenal as Ben. It’s as if Michael Craze never left us, Chapman plays the role with the upmost respect for Craze, yet he also manages to make the role his own. The result is mesmerising.
I’m a huge fan of Frazer Hines, so I hate to type this. But, I don’t rate his turn as The Second Doctor. He can do a really decent impression of Patrick Troughton but that doesn’t really work for a 2hr audio play.
Other than that, everything else is up to the high standards we’ve come to expect from Big Finish. The script is solid, the direction is flawless and the music adds to the atmosphere. Stephen Critchlow is excellent as the mono toned Yes Men.

I look forward to hearing what the next set of Early Adventures brings us, but I’m especially intrigued to see what Elliot Chapman does with Ben Jackson.

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Episode 143:Torchwood-The Conspiracy 

In which Martyn and Gerrod review the first of the new Torchwood range, by Big Finish.

*The review contains mild spoilers*

Captain Jack Harkness has always had his suspicions about the Committee. And now Wilson is also talking about the Committee. Apparently, the world really is under the control of alien lizards. That’s what Wilson says. People have died, disasters have been staged, the suspicious have disappeared.

It’s outrageous.

Only Jack knows that Wilson is right. The Committee has arrived.

Torchwood contains adult material and may not be suitable for younger listeners.

Next episode includes interviews with Verne Troyer, Ray Panthanki and Adeel Akhtar.

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Review- Big Finish:Terror of the Sontarans

Terror of the Sontarans concludes the trilogy of main range stories for the Seventh Doctor (Sylvester McCoy) and Mel (Bonnie Langford).

The adventure takes place on a mining facility, which is now acting as a Sontaran research base. The Doctor and Mel are responding to a distress beacon and have arrived to find the base seemingly empty. Deep down in the depths of the facility, they stumble across the original crew, whom are being held prisoner.

Something is picking the crew off one-by-one and even the Sontarans are running scared.

I’ll admit, I am one of the Doctor Who fans that doesn’t like how the Sontarans have been handled on the TV series recently. But, with this the writers have found an intriguing balance between the seriousness of the classic Sontarans and the silliness of modern Sontarans and the end result is a perfect blend of the two ideologies.

Bonnie Langford and Sylvester McCoy are flawless here, they sound exactly the same as they did in the 80’s, at times it’s as if they’ve just finished recording an episode for the BBC and entered the recording booth for Big Finish.

Langford really suffered on the TV series, but Big Finish have given her some solid material, that really allows her to shine. She is fast becoming my favourite Big Finish companion.

The direction is also spot-on, by the ever-reliable Ken Bentley.

Big Finish have been consistently good this year, I  can’t wait for 2016.

 

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New Torchwood theme

Torchwood returns on audio form today and, Big Finish are ready. To celebrate the release of Torchwood: The Conspiracy they’ve released the new theme on soundcloud.

The man behind the new theme is BAFTA-nominated composer, Blair Mowat.

Blair recently worked with Murray Gold on shows such as Doctor Who and Life Story, and also composed the opening theme for The Doctor Who Fan Show.

Blair said:

“I’ve always been a fan of Torchwood and have been a fan of Doctor Who from before I could even speak. So I know this world very well. I was also delighted to be asked to do a new arrangement of the theme. I spoke with Murray to make sure I was very reverential to his brilliant original, whilst being sure to give it my own twist. The incidental music is also very much in the tonal world of Torchwood that Murray and Ben created together, whilst still allowing room for us to explore new musical ideas and motifs. So expect chugga chugga strings, reversed effects and guitars aplenty. Oh and that biddle biddle thing, or is it takka takka? Anyway that Torchwood noise…don’t worry it’s in there!”

Producer James Goss said:

“We’re so lucky to have Blair. He’s incredibly, unbelievably busy, but has approached the whole project with such enthusiasm. He’s assembled both a tribute act to the original series and a score that’s properly exciting in its own right. The results are something really special.”

I love it, it’s reminiscent and respectful to the original Murray Gold theme, yet completely new and fresh.

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Big Finish Review-Doctor Who: We are the Daleks

“We Are the Daleks” marks the beginning of a new era for Big Finish, which has released over 200 audio dramas and now seeks to provide a fresh entry point for new listeners. Each Doctor will lead a new trilogy of stories, starting with the Seventh Doctor and Mel.

Set in 1987, the UK is a divided nation with striking workers in Bradford and wealthy stockbrokers in the City of London. Alek Zenos, the enigmatic head of the Zenos Corporation, offers an economic miracle to Britain, which proves too tempting for politicians and investors alike. While the Doctor investigates the Warfleet computer game craze, Mel goes undercover to uncover the truth about Zenos’s partners.

The Daleks have a new plan to conquer the universe: economic power through the free market. This old-school Dalek story pays homage to previous Dalek tales of the era while satirizing Thatcherism and the “greed is good” campaign.

McCoy excels as the Seventh Doctor, my personal favourite from the classic era. His final speech to the Daleks is chilling and on par with Matt Smith’s speech in “The Pandorica Opens/The Big Bang.”

Big Finish excels at giving characters a second chance, as seen with Bonnie Langford’s Mel. Underserved on TV, Mel was originally intended to be played as Violet Elizabeth Bot. Big Finish has unlocked Mel’s full potential, turning her into the companion she should have been on screen.

This multi-layered story explores themes of ambition, greed, and exclusion, even taking a jab at Michael Fish. “We Are the Daleks” is an excellent start to Big Finish’s new era.

Big Finish review-Eldrad must die!

The drama is a follow-up to every Doctor Who story aired between 1974 and 1977 that featured an original antagonist, except for three. The story resurrects Eldrad, played by Stephen Thorne, and is the opener for the latest trilogy of audio dramas featuring the Fifth Doctor, Tegan, Turlough, and Nyssa.

While I’m not a big fan of Big Finish’s tendency to exhaust Doctor Who’s past, particularly the Hinchecliffe/Holmes era, I keep an open mind. The Five Companions was enjoyable, The First Sontarans was surprisingly effective, and The Curse of Davros provided a fresh perspective on its titular character. Unfortunately, Eldrad Must Die! falls short of expectations.

Marc Platt, who has delivered some inventive stuff in the past, presents a generic storyline with thin characters that fail to engage. The characters run back and forth, talking about crystals, but nothing seems to go anywhere. While there are some intriguing crystalline images, they are communicated clumsily.

Although the story follows up on some elements of Mawdryn Undead and Turlough’s exile from Trion, they don’t add much to the character. The characters lack the spark that makes the best stories of this companion team work. Most of the drama appears to bide its time until Eldrad shows up, which results in Stephen Thorne shouting a lot. The story then comes to an abrupt end.

Eldrad Must Die! is another audio drama that brings back an old foe and assumes it will be sufficient to pique our interest. Unlike The First Sontarans, this is yet another story that fails to deliver.

Wilfredo Acosta’s incidental music is generic orchestral warbling, but he does a great job with the Kastrian crystals. The sound designer is highlighted on the CD Extras, which is unusual.

However, it is worth noting that while Eldrad Must Die! may have its shortcomings, Mark Strickson’s performance as Turlough is outstanding. He brings depth and nuance to the character, elevating the material and making it more engaging. Strickson is one of the best actors to have portrayed a companion in Doctor Who, and his work on audio is no exception. His performance is a highlight of the drama and a testament to his talent as an actor.

In addition to Mark Strickson’s standout performance, the rest of the cast also do a commendable job with their roles. Peter Davison delivers a solid performance as the Fifth Doctor, balancing the character’s intelligence, wit, and compassion in a way that fans have come to expect. Janet Fielding, Sarah Sutton, and Mark Strickson also slip back into their roles as Tegan and Nyssa effortlessly, capturing the essence of their characters from the television series.

The supporting cast, including Julie Graham as Dr. Carter and Matthew Cottle as Rossiter, also contribute strong performances, bringing energy and personality to their roles.

Overall, the cast of Eldrad Must Die! brings a sense of familiarity and comfort to Doctor Who fans, making the audio drama a worthwhile listen for those who want to spend more time with these beloved characters.

Episode 57: Big Finish-Crime of the Century

In which Martyn and Pete look at the Big Finish production Crime of the Century.

Crime of the Century is the fourth release in the second series of Big Finish Productions’ ‘The Lost Stories’ range. It features Sylvester McCoy as The Seventh Doctor, Sophie Aldred as Ace and, Beth Chalmers as Raine Creevy. It was based upon a television story of the same name, which was not produced due to the series’ cancellation in 1990.



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Woman in Black soundtrack review

The name Marco Beltrami should be a familiar one to fans of horror/thriller films. His name and music have been all over the genre for years.

His work on everything from Scream and the Halloween remake to The Hurt Locker and Jonah Hex have made him the composer of choice for the likes of Wes Craven for two decades.

So when it came to remaking Susan Hill’s disturbingly creepy novella The Woman in Black, Beltrami must have been top of the list for director James Watkins. Continue reading Woman in Black soundtrack review

Review-Fight For The Remote: Episode 2

The Past/Present Predicament

Episode two starts with an argument, Jon and Alice have just had the dinner party that was mentioned in episode one. Jon has been less than the perfect boyfriend and Alice isn’t happy.  Jon at his sarcastic best criticises Alice’s friend’s new doctor boyfriend, with the great line “all those orphans with prosthetic arms and real hands, work that one out”.
The fall-out from the fight lasts a few days, the pair then turn to their friends for advice and the episode soon turns into a sweet and touching flashback. This is the origin of their relationship.



I won’t give away too much of the plot, but this is a brilliant episode. It’s full of pop culture references, from classic kids insults on a bus to Young Frankenstein.
What makes Fight for the remote so great is that Jon and Alice are so familiar to anyone who has been in a long-term relationship. The arguments and conversations feel authentic. The writers have truly managed to capture the mundanity of the long-term relationship; Alice summed it up best when she told Jon “I remember when we used to have a life and not just a Lovefilm account”.

I, erm had something in my eye when Jon made his romantic dash down the stairs.

Fight for the remote is available for download via the website or iTunes

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Ayesha Antoine

Andrew Hayden-Smith

Helen Oakleigh