Review-Torchwood: The Sins of Captain John

From zombies in Restoration London to Hell gatecrashing a funeral, rogue Time Agent Captain John Hart leads the universe to rack and ruin in four new adventures written by David Llewellyn.

This release contains adult material and may not be suitable for younger listeners.

Torchwood: The Sins of Captain John is a four-episode story, with James Marsters clearly having the time of his life breaking the fourth wall, as the Whoniverse’s answer to Deadpool. There’s even a fun moment where he complains to director Scott Handcock, that he can’t hear the theme song.

1. The Restored

Captain John is in Restoration England looking for some gauntlets. There’s intrigue in the Tower of London, the dead are walking the streets, and the severed head of Oliver Cromwell has a terrible warning.

2. Escape from Nebazz

Captain John is in a wooden space prison that’s under attack by a strange and terrible life form. Also the catering is truly dreadful and Dr Magpie’s latest discovery may have got a little out of hand.

3. Peach Blossom Heights

Captains John and Jack find themselves stranded on a world that may be actual paradise – the weather is pleasant, the people are friendly, and the giant stuffed animals only come out at night. There’s only one thing the world is missing. No-one has ever explained to any of the population about the birds and the bees. Which is unfortunate.

4. Darker Purposes

Captain John arrives at the funeral of one of the galaxy’s richest men. He died without making a will, and his heirs have some very creative ideas about how this can be put to rights involving murder, necromancy and seduction. Sadly, Captain John is only too happy to oblige.

It’s difficult to believe that it’s been 12 years since we first met the swashbuckling Captain John. James Marsters clearly has a lot of affection for the character, as he absolutely shines in this. It’s great to hear him on his own adventures.

David Llewellyn’s script is fast and funny, with Scott Handcock’s direction matching it all the way. The supporting cast are also incredible, each one of them gives a memorable performance without outshining Captain John.

The Sins of Captain John is everything I hoped it would be and more. Roll on Volume 2.

Review-Torchwood: Dead man’s switch

One of my favourite things about Torchwood on TV, was Bilis Manger. This creepy time traveller (Murray Melvin) had so much potential, that was never fully realised on TV. Thankfully, that’s exactly what Big Finish excel at. They take a supporting character and make them shine and Billis has never shone more brightly than here.

Synopsis: A devious antique dealer, a property developer and a heartbroken hairdresser. Three strangers sit on a train that’s going nowhere.

They are joined by a mysterious figure.

Bilis Manger wants to tell them how they died.

This release contains adult material and may not be suitable for younger listeners.

Dead Man’s Switch is a very different kind of Torchwood story. Dark and sinister. Writer David Llewellyn takes full advantage of the audio medium and offers us up a atmospheric homage to 70’s horror, especially when they reach the twisted ending. This wouldn’t be out of place as an Arrow film.

The three guest actors are perfectly cast, Murray Melvin plays the role with such gravitas and I can’t wait for him to return once more.

Review-Torchwood: The Hope

The Big Finish Torchwood range is always advertised with “This release contains adult material and may not be suitable for younger listeners” never has that statement been truer, than with this release. One of the many things James Goss excels at, is bleak. After giving us all nightmares with Corpse Day. He’s back with The Hope.

Megwyn Jones is one of the most hated women in Britain. She used to run a home for troubled children in an isolated part of Snowdonia called The Hope. For a long time there were rumours about what was happening there, and then one day it was realised that the children had gone missing.

Ever since, Megwyn’s kept her peace. Is she innocent? Is she guilty? Where are the bodies?

An audio play about a convicted child-murderer is never going to be an easy listen. However, James Goss has carved something of a masterpiece here. This is an audio that definitely rewards repeat listening.

Burn Gorman and Tom Price had such brilliant chemistry, in Corpse Day that I’ve been waiting impatiently for a follow up, ever since. Their chemistry is still present and their scenes together are pure gold. Andy’s eternal optimism is a perfect foil for Owen’s eternal pessimism. They also get a chance to shine separately, in scenes that are up there with the most horrific in Torchwood’s history. Siân Phillips is mesmerising as Megwyn Jones, you instantly dislike Megwyn-but you’re also fascinated by her.

The Hope couldn’t be any further away in tone, than last month’s ‘Serenity’. But that’s what makes this series so great. I enjoyed Torchwood on TV. But Big Finish Torchwood, is Torchwood at its absolute best.

Review-Torchwood:Serenity

Serenity Plaza is the most exclusive gated community in South Wales.

Jack and Ianto have gone undercover as a happily married couple. There are rumours that something’s wrong at Serenity Plaza and they’re determined to investigate. But the problem is that Serenity Plaza is just so rigidly normal.

Suddenly, Jack and Ianto have to confront the problems that normal couples face. Sharing a house together, doing the washing up, entering the residents’ baking contest, and hoping to win the Best Kept Lawn.

Competition is fierce. Because this is Serenity Plaza. And you’d kill to live there.

Torchwood: Serenity is James Moran’s first Big Finish audio, so it’s fitting that it’s a sequel to his series 2 episode ‘Sleeper’ and this does what any good sequel should, it develops the threat originally presented and adds layers and complexities-all whilst playing to the strengths the medium of audio allows. Moran has crafted a continuation, that logically feels like the next step in the story.

Jack and Ianto’s relationship has always been popular with fans, so it’s great to have an outing featuring the pair. John Barrowman and Gareth David-Lloyd are clearly having a lot of fun here. The script is full of innuendo, with GDL playing Ianto as a Stepford Wife-type. He even gets to turn his Welshness up to 11.

I laughed a lot and I laughed hard with this audio, this is one Torchwood fans won’t want to miss.

Episode 201:Torchwood-Sargasso

In which Martyn flies solo and brings you a review of the latest Torchwood release by Big Finish.

The seas of planet Earth are choked by plastic. Plastic that no-one has a use for and no-one can get rid of. Rhys Williams finds himself stranded on a container ship in a sea of debris. People on board are dying. Because, luckily, someone’s found a solution to Earth’s polluted waters. The Nestene Consciousness can never have too much plastic.

Check out our other Big Finish reviews.

Torchwood contains adult material and may not be suitable for younger listeners.

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Torchwood: The Green Life

At first it seems like Captain Jack Harkness, leader of the ‘beyond the police’ Torchwood organisation and time-travelling Doctor Who companion turned eco-warrior Jo Jones (née Grant) would be quite a contrast when paired. But in ‘Torchwood: The Green Life’ the two are bound as much by what they share as what divides them.

Jo, in this story, is decades older than the girl who once travelled with The Doctor. Everything she learned from her time with UNIT is sewn into this Jo of today and much more besides. This woman is a good match for the immortal Jack, whose dashing young appearance only partially conceals how much of his strength is devoted to enduring a string of painful deaths and centuries. Big Finish audio dramas never shy from the role appearances play in stories when it’s relevant: here we have a pair of lovely fan favourites set amid some gruesome situations.



We’re back in Llanfairfach, the Welsh locale of the 1970s Doctor Who serial, The Green Death. The story then – of pollution-bred giant maggots and a technically-adept evil corporation – continues here. As Jack and Jo clamber over old territory we learn new things about them both.

Katy Manning has kindly returned to play Jo now and again in the past couple of decades – in television and in audio – and each time we get a hint or two about the character’s life since the 1970s. Here there’s quite a bit of her back story, particularly with regards to Llanfairfach. It’s a treat to hear the world of Jo Jones expanding into a mini-franchise of its own.

John Barrowman has been equally generous in his support, for the Torchwood franchise and for the ‘Whoniverse’ in general. He continues his regular contributions to Torchwood on audio here, with a bit of a new challenge: the gentlest members of Jack’s team were never as ‘right on’ as lovely Ms Jones. In Jack’s world, he and his go to some rather harsh extremes, they take their lumps and then find some way to make peace with themselves afterwards. Jo presents him with a world where there are certain lines that are simply not crossed. Where right and wrong don’t often intermingle. Where loyalty is everything.

The legacy elements of this story are taken in genuinely new directions. We get some detail about how the scientific advances of the 70’s Wholeweal community have developed in the years since. We learn a bit more about Llanfairfach as a population centre and its lifestyle in 2019. And we’re presented with something new that has gone very, very wrong. It’ll certainly inform a listener’s first real-world glimpse of a self-driving lorry.

Big Finish review-Torchwood: Goodbye Piccadilly

Sgt Andy Davidson wakes up in the 1950s. He’s chained to a bed, his clothes are missing and the building’s on fire. Norton Folgate needs his help. The streets of Soho are swarming with gangsters, rumours and betrayals. Somewhere out there is a mysterious alien artefact, and Andy and Norton have to get to it first. Because tonight they’re going to save Torchwood.

I’ve been looking forward to another adventure with Andy and Norton, since last year’s Ghost Mission. There’s just something about this pairing that works so well.

Goodbye Piccadilly is absolutely gripping, from start to finish, the script is sensational. The direction is smooth, the sound design is flawless. Tom Price, Samuel Barnett and the supporting cast all give pitch-perfect performances.

What’s great about this audio, is that all of the London events-bar the alien invasion and the time travel, are real.

James Goss took his research for this story extremely seriously, he looked at books such as ‘hidden London’ for inspiration and it shows. The life drawing class, the police raids and, gay men being hosed down are all things that actually happened in the 1950’s.

Big Finish has once again proved that Torchwood Big Finish, is Torchwood at its best.

Torchwood contains adult material and may not be suitable for younger listeners.

Big Finish review-Torchwood: We always get out alive

Gwen Cooper and Rhys Williams are on the run from a cataclysm. They’re the only survivors, and they’re driving away from the disaster as fast as they can. They’ve got to get away, they’ve got to warn the authorities, and they just can’t be late for the babysitter, again.

Dim problem. After all, they’re Torchwood and they always get out alive. But this time there’s something in the car with them. Isn’t there?

This is actually a difficult audio to review, it’s an absolute joy to listen to. But, I really don’t want to reveal too much about the storyline.

We always get out alive, is another example of perfect synergy between writer and director.

Guy Adams and Scott Handcock have crafted an imaginative story, which in lesser hands could’ve been very boring. 98% of it is just Rhys and Gwen sitting in a car, but it’s gripping and epic-but at the same time keeping it a small, intimate story.

This is strong character driven piece, in which we get to know more about Gwen and Rhys’ family life.

Guy Adams truly delivers here, he uses the natural chemistry between Eve Myles and Kai Owen, the constrictive nature of being in a car and, the medium of audio, to the stories full advantage.

Once more the monthly Torchwood range delivers, this is a must-listen.

10/10.

Big Finish Review-Torchwood:Believe

The Church of the Outsiders believe that mankind is about to evolve, to reach out into the stars. Owen Harper believes that Torchwood has to do whatever it takes to stop them.

Ever since Big Finish obtained the licence to Torchwood, fans have wanted the original team in a full-cast audio and now, we have it. Sort of.

The full team are indeed back together, However the actors recorded their parts separately. For instance, John Barrowman lives in Palm Springs, California, so he recorded his side in America.

But, you can’t tell. It’s flawless. Your ears and your brains will fully believe the team are united and, it’s joyous.

Set someone before the end of series 2; Guy Adams perfectly manages to encapsulate that era. There were moments where I believed I was listening to a previously unreleased episode from 2008.

John Barrowman, Eve Myles, Burn Gorman, Naoko Mori and Gareth David-Lloyd all shine here. Each character gets a decent amount of time to develop, but I think my personal highlight is the Owen/Tosh relationship. Owen makes Tosh do unspeakable things, all whilst trying to prove he can lead a mission.

Prequel stories are notoriously difficult, there can’t be anything in the way of peril, for the original characters-we know their fate and, anyone new is likely to die, as they’re never mentioned in the main series.

However, such is the quality Guy Adams’ script and the performance of Gareth David-Lloyd, there was one moment in particular when I was genuinely concerned for Ianto.

2018 is shaping up to be a great year for Torchwood on audio. 10/10.

Written By: Guy Adams

Directed By: Scott Handcock

Cast

John Barrowman (Captain Jack Harkness), Gareth David-Lloyd (Ianto Jones), Eve Myles (Gwen Cooper), Burn Gorman (Owen Harper), Naoko Mori (Toshiko Sato), Mac McDonald (Steve Ross), Lois Meleri Jones (Andromeda), Mali Harries (Val Ross), Arthur Darvill (Frank Layton), Rhian Blundell (Erin), Chris Rankin (Val’s Assistant), Lloyd Meredith (Davey Russell), Jennifer Sims (Grey), Aled ap Steffan (Grey). Other parts played by members of the cast.

Torchwood contains adult material and may not be suitable for younger listeners.

Producer James Goss

Script Editor Steve Tribe

Executive Producers Jason Haigh-Ellery and Nicholas Briggs

REVIEW:BIG FINISH-Torchwood-The Last Beacon

In Torchwood: The Last Beacon. A signal in a Welsh mountain is calling an ancient battlefleet to Earth. Owen Harper and Ianto Jones head up into the Brecons to stop it.

This story is lighter in tone, than most of the Torchwood stories, in the Big Finnish range. It’s also probably the funniest. This is a buddy comedy. The pairing of Owen and Ianto is an inspired idea. The story pits them against each other, they’re in a small Welsh community-Ianto is in his element. These are his people, whilst Owen is a fish out of water, the locals take an instant distrust to him. Having Owen on the ropes, allows for some deeper character exploration for this mis-matched pair.

Torchwood on Big Finish, is Torchwood at its best and The Last Beacon is quintessentially Big Finish Torchwood. This is a fun story, which further develops the relationship of its leads. It’s difficult to believe this is Gareth David-Lloyd’s first foray into writing an audio play, the story flows like it’s written by a seasoned pro. Let’s hope he writes another. Highly recommended.