Out of Time 2 – The Gates of Hell: Doctor Who-Big Finish review

Out of Time 2 – The Gates of Hell is the second in a trilogy of specials, that sees David Tennant’s Tenth Doctor on a farewell tour before he regenerates. In the first audio, he bumped into Tom Baker’s Fourth Doctor. This time around, he’s paired up Peter Davison’s Fifth.

The story kicks off with The Fifth Doctor in Paris in 1809, he’s travelling sans-companion and decides to take a tour of the catacombs. It’s here that he bumps into a Time Agent Tina Drake (Shelley Conn), who for a very brief moment. I thought was Peri. Was that just me? Anyway, Tina is on the trail of a temporal paradox. Whilst in the catacombs, the duo trigger a trap, that sees the Doctor frozen in time.
In 1944, the Tenth Doctor is evading Nazis, in occupied Paris. Looking for a hiding spot, he finds himself in the catacombs, where he encounters his former self. When they return to the surface, they find Paris is overrun with Cybermen.

I was a huge fan of Out of Time and I think it’s safe to say, that this was my most anticipated release of the year. Not only are we getting a multi-Doctor story, but we’re also getting a Time Crash reunion and we’re getting an outstanding script from David Llewellyn.

The story is structured brilliantly and moves along at a swift pace. Whilst Llewellyn’s love for the Fifth Doctor shines through, this feels very much like a David Tennant era adventure. Ken Bently’s direction is smooth and matches the pacing beat for beat. Whist Howard Carter’s music and sound design help elevate the adventure even more.

The two leads have natural chemistry and bounce off each other well, there’s a lot of fun interplay between them.
I had a smile on my face the whole way through this, Lewellyn’s script is peppered with humour, call-backs and historical facts. This is quintessential Doctor Who.

Doctor Who: Out of Time 2 – The Gates of Hell is available on CD and download from Big Finish.

⭐⭐⭐⭐

Episode 194: Back in the saddle

Martyn and Gerrod have reunited for a new episode of their podcast, covering a variety of topics. First, they pay tribute to the recent passing of two entertainment figures, Barry Chuckle and Jon Schnepp.

Then, they discuss some recent pop culture news, including the announcement of a prequel TV series about Batman’s butler Alfred, and the release of Peter Davison’s first Doctor Who series on Blu-Ray.

The conversation takes a turn to a more controversial topic when they debate whether celebrity chef Jamie Oliver is guilty of cultural appropriation. They also touch on a rather risqué subject by asking whether the Doctor Who porn parody is worth watching.

The hosts don’t shy away from discussing social issues either, pointing out the sexist attitude of some Doctor Who fans, who have abused some of Doctor Who magazine’s Time team members simply because they are women.

Lastly, they delve into a debate about whether the classic Doctor Who serial The Talons of Weng-Chiang is racist.

The podcast can also be accessed via different places, including;

Audioboom, Player fm and Itunes.

If you’d like to support the show, then please check out our Ko-Fi, or shop via our Amazon link. A small percentage goes our way, at no extra cost to you.

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How the 50th nearly ended up being Doctor-less

As every Doctor Who fan knows, it’s 52 years ago today that two concerned teachers followed a student into 76 Totters Lane. The rest as they say, is history.


As we all know that the show celebrated its 50th anniversary two years ago. But, what we didn’t know is just how close we came to getting a 50th anniversary episode, that didn’t feature ANY Doctor’s!

Speaking to the Radio Times, current show runner Steven Moffat revealed that as Matt Smith’s contract expired with Name of the Doctor, he was forced to write a plot, in which none of the Doctors featured. The only person still under contract was Jenna Coleman.

“We had to work out what else to do. At that point neither David nor Matt were under contract either. I had Jenna [Coleman]. And I did come up with a plotline that was just Jenna. It was a nightmare. We’re weeks from filming. A production team is assembled, people are doing storyboards and I don’t even know if anyone who has ever played the Doctor is going to be in it”.

In the interview Moffat also reveals just how close we came to seeing Christopher Eccleston return as the ninth Doctor.

“The first version was David [Tennant], Matt [Smith] and Chris [Eccleston] together. With whatever involvement we could contrive for the other Doctors, but – being brutal – it had to be Doctors that still looked like their Doctors. I know I’m a bastard but hey, I think Peter [Davison], Colin [Baker] and Sylvester [McCoy] were better deployed in The Five-ish Doctors [a spoof short film] than they could ever be elsewhere. But I knew that Chris was almost certainly going to say no. I met him a couple of times and he was absolutely lovely. He met with me because he didn’t want to say no through his agent or a phone call or email. He wanted to do it personally. And I three-quarters talked him into it”.


Read the full interview here.

Big Finish review-Eldrad must die!

The drama is a follow-up to every Doctor Who story aired between 1974 and 1977 that featured an original antagonist, except for three. The story resurrects Eldrad, played by Stephen Thorne, and is the opener for the latest trilogy of audio dramas featuring the Fifth Doctor, Tegan, Turlough, and Nyssa.

While I’m not a big fan of Big Finish’s tendency to exhaust Doctor Who’s past, particularly the Hinchecliffe/Holmes era, I keep an open mind. The Five Companions was enjoyable, The First Sontarans was surprisingly effective, and The Curse of Davros provided a fresh perspective on its titular character. Unfortunately, Eldrad Must Die! falls short of expectations.

Marc Platt, who has delivered some inventive stuff in the past, presents a generic storyline with thin characters that fail to engage. The characters run back and forth, talking about crystals, but nothing seems to go anywhere. While there are some intriguing crystalline images, they are communicated clumsily.

Although the story follows up on some elements of Mawdryn Undead and Turlough’s exile from Trion, they don’t add much to the character. The characters lack the spark that makes the best stories of this companion team work. Most of the drama appears to bide its time until Eldrad shows up, which results in Stephen Thorne shouting a lot. The story then comes to an abrupt end.

Eldrad Must Die! is another audio drama that brings back an old foe and assumes it will be sufficient to pique our interest. Unlike The First Sontarans, this is yet another story that fails to deliver.

Wilfredo Acosta’s incidental music is generic orchestral warbling, but he does a great job with the Kastrian crystals. The sound designer is highlighted on the CD Extras, which is unusual.

However, it is worth noting that while Eldrad Must Die! may have its shortcomings, Mark Strickson’s performance as Turlough is outstanding. He brings depth and nuance to the character, elevating the material and making it more engaging. Strickson is one of the best actors to have portrayed a companion in Doctor Who, and his work on audio is no exception. His performance is a highlight of the drama and a testament to his talent as an actor.

In addition to Mark Strickson’s standout performance, the rest of the cast also do a commendable job with their roles. Peter Davison delivers a solid performance as the Fifth Doctor, balancing the character’s intelligence, wit, and compassion in a way that fans have come to expect. Janet Fielding, Sarah Sutton, and Mark Strickson also slip back into their roles as Tegan and Nyssa effortlessly, capturing the essence of their characters from the television series.

The supporting cast, including Julie Graham as Dr. Carter and Matthew Cottle as Rossiter, also contribute strong performances, bringing energy and personality to their roles.

Overall, the cast of Eldrad Must Die! brings a sense of familiarity and comfort to Doctor Who fans, making the audio drama a worthwhile listen for those who want to spend more time with these beloved characters.