Red hot chilli peppers to play the O2

Red hot( get it?) on the heels of headlining the Reading and Leeds Festivals, Grammy® Award-winning Rock and Roll Hall of Fame inductees Red Hot Chili Peppers are to return in December for their first UK tour in five years and will play The O2 on Monday 5th and Tuesday 6th December 2016.

Tickets go on sale at 9am on Friday 2 September and are available at theo2.co.uk or by calling 0844 856 0202.

 

The band will be touring in support of their 11th studio album, The Getaway, out now on Warner Bros. Records, which was #1 in ten countries across Europe and was produced by Danger Mouse and mixed by Nigel Godrich.

Red Hot Chili Peppers have spent the summer performing at a variety of music festivals around the world, including headlining Lollapalooza in Chicago, T In The Park in Scotland, Fuji Rock in Japan and this weekend headlined the Reading and Leeds festival.

Supporting the band across their UK tour will be Japanese sensation BABYMETAL. The J-pop teen metallers have taken the world by storm since their formation in 2010. Their latest album Metal Resistance peaked at number fifteen on the UK Albums Chart, the highest position reached by a Japanese band.

Episode 159:Gladiator Live at The Royal Albert Hall

In which Martyn and Gerrod attend and review Gladiator Live, at The Royal Albert Hall.

Check out the official Bad Wilf Vlog. Check out Gerrod’s Vlog. Check out Pete’s channel.

The podcast can be accessed via different places, including Audioboom, Tunein, Miro, Stiticher, Blubrry, Player fm and Itunes.

Twitter:

Martyn – @BadWilf

Pete – @BeeblePete

Gerrod – @ingerrodsmind

Big Finish review-The Tenth Doctor Adventures:Technophobia

For the past year Big Finish has released a number of audios connected to the modern series of Doctor Who, with the likes of Torchwood, The Churchill years , The War Doctor and The diaries of River Song. However, this is probably the most highly anticipated audio of 2016. Not only does it see the return of the extremely popular David Tennant, as the Tenth Doctor. It sees the return of fan favourite Catherine Tate, as Donna Noble. It also marks the first time Big Finish have been allowed to use a Doctor from ‘Nu-Who’.

Technophobia by Matt Fitton

It’s 2010 and The Doctor and Donna are in London to visit the Technology Museum. Things don’t go to plan and the TARDIS duo quickly find themselves in the thick of it.

Exhibits are attacking visitors, and  people across London are running scared of technology. The most brilliant mind in the UK, can no longer work a pencil. Below the streets of London, the Koggnossenti are plotting and waiting, poised to attack.

Long-time Big Finish writer, Matt Fitton has done it again. This is another outstanding audio from him. It must have been a daunting prospect, to pen the first new story for Tennant and Tate, and he bought his A-game.

Of the three, this is the most remiescent of the Russell T Davies era. Technophobia has the essence, wit, style and emotional substance of Series 4. But rather than try to sound like an episode from that era, Big Finish have found a way to take everything that worked in 2008 and craft it into their own vision.

Fitton also manages to subvert the “technology going wrong” genre. You think the story is going one way, when it goes an unexpected route. This has engaging supporting characters, witty dialogue and a captivating story. Fitton perfectly manages to capture the relationship between the Doctor and Donna.

Review:Torchwood-Zone 10 

One of the many things Big Finish excel at, is exploring characters that were some what underserved on the original show. In my mind, Toshiko Sato was one such character. She was my favourite, but I always felt there was more to tell. Luckily, Big Finish have given her a solo adventure with ‘Zone 10’. She’s free from the Hub and more importantly, the rest of the team.

Toshiko has been investigating a strange phenomenon, known as “The Pulse”. The pulse is a radio signal that has stumped scientists for over four decades. The Russians blame the Americans, the Americans blame the Russians. But up until now, nobody has been able to decipher it.

The pulse leads Tosh to Russia, where she teams up with Maxim Ivanov (Krystian Godlewski) of the KVI, Russia’s version of Torchwood. Together they enter the restricted region ‘Zone 10’.

This is an excellently written drama, David Llewyn has managed to further explore Toshiko, without undermining the way she was portrayed on TV.  It’s a bleak, but powerful and gripping drama. Full of gut-wrenching emotional moments.

The performances and direction and strong, the soundscape is amazing. Naoko Mori is clearly having a blast being back in Toshiko’s shoes, it’s like she has never been away.

Trailer-The two masters 

Below is the trailer for the upcoming Big Finish Audio, the two masters.

The future is dying. All over the universe, gaps are beginning to appear. From the space lanes terrorised by the rag-tag remnants of the once-mighty Rocket Men, to the empire of the Gorlans, stricken by a terrible civil war. Gaps in space/time, portents of the end of everything.
Only three beings might prevent it. The Doctor, a renegade Time Lord from Gallifrey. The Master, another renegade Time Lord from Gallifrey. And another Master, yet another renegade Time Lord from Gallifrey.
One Doctor. Two Masters. What could possibly go wrong?

Written By: John Dorney

Directed By: Jamie Anderson

Cast
Sylvester McCoy (The Doctor), Geoffrey Beevers (The Old Master), Alex Macqueen (The New Master), Lauren Crace (Jemima), Russ Bain (Blore/Baron Jarvill), Esther Hall (Tazmeena/Bauza/Mum), James Garnon (Sebastian/Gorlan), Neil Edmond (Sarlon/Gorlan/Time Lord). Other parts portrayed by members of the cast.
Producer David Richardson

Script Editor Alan Barnes

Executive Producers Jason Haigh-Ellery and Nicholas Briggs

https://www.bigfinish.com/releases/popout/the-two-masters-1052

Episode 152:Raiders of the lost ark live

In which Martyn and Gerrod talk about Raiders of the lost ark live, at The Royal Albert Hall.

For more information on upcoming events at the Roayl Albert Hall click here.

To Check out Gerrod’s Vlog click here.

To listen to us review the Indiana Jones saga, click here.

The podcast can be accessed via different places, including Audioboom, Tunein, Miro, Stiticher, Blubrry, Player fm and Itunes.

Twitter:

The Royal Albert Hall-@Royalalberthall

The show-@TheBWPodcast

Martyn – @BadWilf

Pete – @BeeblePete

Gerrod – @ingerrodsmind

Email:info@badwilf.com

 

Review-Raiders of the Lost Ark live. 

I’ve been a long-time fan of the Indiana Jones franchise. I remember being transfixed, aged 8-when I saw my first instalment of the Saga (The Last Crusade). Steven Spielberg’s 1981 movie is still as exciting over thirty-years on.
  
This event was a world first, John Williams full score was performed by the 21st century Orchestra and conducted by their founder, Ludwig Wicki. 

I’ll admit, I was sceptical when I first heard about this film/orchestral mash up. Just how would it work? It turns out, tremendously well.
  
The film played on a suspended screen, above the musicians. The dialogue and effect sounds were intact, with the Orchestra performing the soundtrack live. It wasn’t always successful, the Orchestra did very occasionally drown out some of the dialogue, but to combat this the film played with subtitles. 
  
Not only are these amazing musicians a sight to behold on stage, but the evening provided a phenomenal audio experience too-that no Blu-Ray can possibly live up to. I’ve watched Raiders of the Lost Ark, a thousand times over but this felt like the first time.

  
My personal highlight of the evening, was by far the Orchestras performance of The Raiders of the Lost Ark theme, for which they received a four minute standing ovation. 

  
What I took away from this event, is just how beautiful and timeless John Williams’ score is. This is an experience I will cherish for a life time. 

I highly recommend attending one of these screenings. Click here to find out information about the next one. 

Listen to us discuss the event here.

Watch us discuss the event here.

Doctor Who: The Third Doctor Adventures

The natural impulse for genre fans granted new material, before they’ve even enjoyed it, is to put it on the shelf. Its ability to ‘fit in’ seems so important at first but why would we want exactly what we have? What we get with these Third Doctor Adventures isn’t a lonely replay of a dusty videocassette. It’s the fresh sound of a graduate Doctor.

From Peter Davison to David Tennant we’ve seen our favourite performers return in victory laps on audio that have become regular gigs. The actors don’t sound quite like they did on telly but before long the wonder of the experience takes over. Suddenly we’re not reliving the past; we’re experiencing a special sort of future.

The occasional sibilant ‘s’ of Jon Pertwee’s Doctor, the easy confidence, that delightful vocal texture, they’re all there but so is Tim Treloar. The Welsh actor has certainly taken on the southeast England style of Jon Pertwee but most importantly, he’s gone beyond the skill of the impressionist to give us a character that fits right in with the remarkable animal that is this 21st century return to the Pertwee years.

Alongside are Katy Manning as Jo Grant and Richard Frankin as Mike Yates. Having been delighted with their performances as Iris Wildthyme and the retired Captain Yates, it was lovely to hear them cast their voices back a few decades into the characters that made them famous. Of course, we’re getting a graduate Classic Jo and a graduate Classic Yates but this should be no surprise (or worry) to regular listeners to Big Finish audio drama.

Before long, The Doctor is disturbing the room as he upbraids a bureaucrat, Jo is making battle armour out of her faith in him and Yates is, well, getting chances to be more heroic than ever. Big Finish is generous like that. And the gap in the shelf behind me is forgotten completely.

Having dropped five paragraphs on why things shouldn’t slavishly imitate our best loved Pertwee adventures, I must mention that the music is absolutely spot on. Prisoners of the Lake has the musical style of The Sea Devils but with a very welcome melodic quality and Havoc of Empires has a Dudley Simpson style with friendly tones evocative of the Third Doctor’s first serial on TV.

The only true oddity is the narration sprinkled throughout the stories which might have been Big Finish treading carefully, couching Treloar as both narrator and Doctor. They needn’t have bothered but certain action sequences play quite well narrated, whereas in dialogue the characters would have had to illustrate the action for us in odd sorts of ways.

Big Finish know well each era of classic Doctor Who and their output is forward-thinking, waxing creative and progressive in precisely the areas of the old series that we’d like expanded or redressed. The Third Doctor Adventures continue this trend. Roll on, Doctor Treloar!

Doctor Who: The Third Doctor Adventures at Big Finish

Doctor Who: The Churchill Years

Reprising his performances during Matt Smith’s era of Doctor Who, IanMc Niece is back as Winston Churchill. Big Finish’s new box set departs from their well-honed format of unmediated aural adventures, with McNiece narrating as well as performing in each episode. The narration does cover a few bits that I felt it shouldn’t, notably an action sequence in the first story and the introduction of a famous historical figure in the third. I mention this to balance what I think has been a refreshing experience and a success overall.

Churchill’s narration includes recounting the words and actions of the first three new series Doctors. This has the brilliant effect of bringing the Christopher Eccleston Doctor to Big Finish, complete with the Ninth Doctor signature tune. As The Doctor changes, the title music changes. Across the stories one can spot the different speech patterns of each Doctor, even as related (and occasionally imitated) by McNiece.

There’s still plenty of full-cast audio action aboard, moved along nicely by the ‘companions’ of Churchill. As his new secretary, Hetty Warner (Emily Atack) leads many scenes apart from Winston and works well with both her employer and The Doctor. Kazran Sardick (Danny Horn) returns from Dr Who’s ‘A Christmas Carol’ and provides good contrast to the 20th century way in which Churchill reacts to being dropped into Roman Britain. In the final piece, another supporting artist from a Matt Smith Christmas special returns, Holly Earl As Lily Arwell. She looks after Winston at a particularly action-packed point in his twilight years.

The first story is the most conventional, with an alien object dropped into wartime Britain. The second shatters that mould as we find Churchill’s Black Dog – his controversial mental issues – woven into the story. In the third, Winston lives amid the subjects of his own historical books and the statesman’s fascination for butterflies is rolled rather surprisingly into the fourth adventure. Additionally, there’s a nice bit of Nick Briggs’ Dalek voice work in this set.

Doctor Who: The Churchill Years brought a delightful, fictionalised Sir Winston into my home over a couple of winter evenings. So pleasant was it that I might just sit down with Churchill’s own writing for just a bit more time with this true-life legend from long ago.

Review-Torchwood:Uncanny valley 

The tale of artificial intelligence is a stablemate of science fiction, but this is the first time the subject matter has been handled so maturely.

The adventure kicks of with Jack unexpectedly arriving at the home of reclusive billionaire/entrepreneur-celebrity, Neil Redmond.

Dubious of Jack’s intention, Richmond distrusts him until the good Captain drops some impossible knowledge. The duo then talk about the events that brought them both to the remote Welsh castle.

Richmond found himself wheelchair bound after being involved in a horrific car crash. A mysterious woman then persuaded him to purchase a company that make “living dolls”. He was then gifted an avatar of himself, which he christened NJ-which would appear at press conferences on his behalf.

Writer David Llewellyn proves again that he can handle Torchwood. this is a mature think piece with non-gratuitous adult moments. In other words, this is Torchwood at its best. It’s quintessential listening.

John Barrowman slips back into Captain Jack’s RAF Greatcoat with ease, he knows this character inside and out. He could do this in his sleep. Special mention must go to Steven Cree (Outlander). He is entirely convincing in his dual roles as Neil and NJ.

I’ve enjoyed each of the Torchwood audios, for different reasons. Each one has scratched a different sort of itch. If you haven’t tried a Big Finish audio before, I recommend jumping on board with this range.