Big Finish review-The Siege of Big Ben

Jackie Tyler has everything she’s ever wanted: a loving husband and two children. But a terrible, far-reaching plan is underway, and only Jackie and a single friend stand in the way of it.

But the Doctor isn’t the man he was…

The Siege of Big Ben is a highly anticipated release. Ever since we left the Tylers and the meta-crisis tenth Doctor at the end of series 4, (10 years ago!) fans have wondered what happened next. Thankfully, Big Finish has given us some answers with this release.

This can’t have been an easy thing to write. Not only did Joe Lidster have to tell a gripping story that lives up to the fans expectations. He had to re-introduce us to the parallel Earth, or “Pete’s world”.

A base under siege scenario is a stablemate for Doctor Who. But Lidster manages to beautifully subvert what could be a repetitive format and turn it into a glorious character piece.

The script draws parallels between The Doctor being more human, and the human, being more like The Doctor we know and love. Having Jackie be the most Doctor-like character in the story adds an interesting dynamic.

The script is sharp, the direction is smooth and David Roocroft’s sound design is inspired. All in all, The Siege of Big Ben is a story about love, loss and the difficulties that come with moving on. You feel all of these things whilst listening. Camille Coduri oozes charm and instantly reminds you, why we all love Jackie Tyler.

This world is waiting for further exploration and I hope, this leads to some full-cast adventures.

10/10.

The Siege of Big Ben can be purchased here.

Episode 193:The Running Man

In which Martyn and Gerrod discuss the 1987 film ‘The Running Man’.

The podcast can be accessed via different places, including Audioboom, Player fm and Itunes.

Follow the Bad Wilf team:

Martyn – @BadWilf

Pete – @BeeblePete

Gerrod – @gerrod_edward

Also check out the official Bad Wilf Vlog.

Big Finish review-Torchwood: Goodbye Piccadilly

Sgt Andy Davidson wakes up in the 1950s. He’s chained to a bed, his clothes are missing and the building’s on fire. Norton Folgate needs his help. The streets of Soho are swarming with gangsters, rumours and betrayals. Somewhere out there is a mysterious alien artefact, and Andy and Norton have to get to it first. Because tonight they’re going to save Torchwood.

I’ve been looking forward to another adventure with Andy and Norton, since last year’s Ghost Mission. There’s just something about this pairing that works so well.

Goodbye Piccadilly is absolutely gripping, from start to finish, the script is sensational. The direction is smooth, the sound design is flawless. Tom Price, Samuel Barnett and the supporting cast all give pitch-perfect performances.

What’s great about this audio, is that all of the London events-bar the alien invasion and the time travel, are real.

James Goss took his research for this story extremely seriously, he looked at books such as ‘hidden London’ for inspiration and it shows. The life drawing class, the police raids and, gay men being hosed down are all things that actually happened in the 1950’s.

Big Finish has once again proved that Torchwood Big Finish, is Torchwood at its best.

Torchwood contains adult material and may not be suitable for younger listeners.

Price: £10.15
Was: £13.95

Episode 192:Sylvester McCoy and Jim Cummings

In which Martyn and Gerrod bring you an interview with Sylvester McCoy and, Jim “Winnie The Pooh” Cummings.

The podcast can be accessed via different places, including Audioboom, Player fm and Itunes.

Follow the Bad Wilf team:

Martyn- @BadWilf

Pete-@BeeblePete

Gerrod-@gerrod_edward

Also check out the official Bad Wilf Vlog.

Review-Ocean’s Eight

On paper, an all-female instalment in the Ocean’s series, featuring a great cast-lead by Sandra Bullock sounds like everything you need for a great time. In practise however, Ocean’s Eight never really hits the mark.

There’re a lot of parallels in this film to Ocean’s Eleven. The movie starts at the parole hearing of Debbie Ocean (Sandra Bullock). Once released, she reunites with her old partner in crime Lou (Cate Blanchett, Thor: Ragnarok) to pull off a $150 million diamond heist at the Met Gala.

They assemble a heist team; fashion designer Rose Weil (Helena Bonham Carter, Big Fish), jeweller Amita (Mindy Kaling, The Mindy Project), hacker Nine-Ball (Rihanna, Valerian and the City of a Thousand Planets), pickpocket Constance (Awkwafina, Dude) and Tammy (Sarah Paulson, The Post).

The idea behind this film, seems to be to just chuck a bunch of famous names together and see what sticks. The script really doesn’t have anything to say, the camera work is basic and, the characterisations are one-dimensional and this talented cast just go through the motions, with very little to work with.

They really hammer home the George Clooney/Danny Ocean references. I get that they need to establish that this is in the same universe as the previous films, but it’s done incredibly sloppily.

There is clearly a lot of potential here and the cast are clearly having a great time, but they deserve a movie worthy of their talents, Ocean’s Eight isn’t it. Perhaps they can convince Steven Soderbergh to return for Ocean’s Nine…

Jodie Whittaker to appear at SDCC

It’s been confirmed the new cast of Doctor Who, will be appearing at this year’s San Diego Comic con in July.

The Doctor Who panel will feature Jodie Whittaker with two of her three companions Tosin Cole, and Mandip Gill.

They will also be joined by the new Showrunner Chris Chibnall and Executive Producer Matt Strevens.

The panel will be hosted by Chris Hardwick, of Nerdist fame.

There’s been speculation recently, that the series 11 trailer will debut during England’s fist game in the 2018 World Cup, however I would put money on it debuting during the Doctor Who panel at SDCC.

First look at Wonder Woman 1984

Fast forward to the 1980s as Wonder Woman’s next big screen adventure finds her facing an all-new foe: The Cheetah.

Principal photography is underway on Warner Bros. Pictures’ follow up to the Super Hero’s first outing, last summer’s record-breaking “Wonder Woman,” which took in $822 million at the worldwide box office.  “Wonder Woman 1984” will also be helmed by acclaimed director Patty Jenkins, and star Gal Gadot in the title role.

As previously announced, the film also stars Kristen Wiig in the role of the Super-Villain The Cheetah, as well as Pedro Pascal.  And Chris Pine returns as Steve Trevor.

Charles Roven, Deborah Snyder, Zack Snyder, Patty Jenkins, Stephen Jones and Gal Gadot are producing the film.  Rebecca Roven Oakley, Richard Suckle, Wesley Coller, Geoff Johns and Walter Hamada are the executive producers.

Joining her behind the scenes are several members of Jenkins’ “Wonder Woman” team, including director of photography Matthew Jensen, Oscar-nominated production designer Aline Bonetto (“Amélie”), and Oscar-winning costume designer Lindy Hemming (“Topsy-Turvy”).  Oscar-nominated editor Richard Pearson (“United 93”) will cut the film.

Production will take place in Washington, D.C., Alexandria, Virginia, and in the UK, Spain and the Canary Islands.

Set to open in cinemas November 1, 2019, “Wonder Woman 1984” is based on the character created by William Moulton Marston, appearing in comic books published by DC Entertainment.  It will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

Review-Sancho: An act of remembrance

Rather shamefully, I knew nothing about Charles Ignatius Sancho prior to this play.

Sancho was born into slavery, but went on to become a classical actor, a composer, an anti-slavery campaigner, property owner, and the first black British person to vote in a general election.

Paterson Joseph begins his one-man play, in a bold and unusual way. He comes out as himself and explains the driving force that made him write the play. He explains that after seeing his contemporaries get cast in costume dramas, he was keen to join them. However, he was constantly told he couldn’t, as there were no black Britons before the Windrush generation.

Image credit-Robert Day

It’s impossible to not be drawn in by Paterson Joseph’s charm, wit and energy. He’s an extremely characteristic man. His entrance is fantastic and a great way to launch a solo show. There is no fourth wall in this production, Sancho will lock eyes with audience members, pull them up on stage, ask why they’re laughing. The play defies theatre traditions, much like Sancho’s life defies our perception of black history in Britain.

The 70 minutes fly-by, the script is sharp, witty and political. The set and sound design are both exceptional. The backdrops are wooden and help hint and Sancho’s origin. The sounds help truly immerse the audience into the period.

Joseph fully embodies Sancho. He’s clever, witty, a raconteur and ever so slightly camp.

Image credit-Robert Day

Sancho: An act of remembrance is masterfully acted, beautifully written and reminder about the power of theatre. I left the with a greater knowledge than when I entered. Sancho’s life should be a TV series.

I hope this kick starts a re-evaluation of our history.

Sancho – An Act of Remembrance is at Wilton’s Music Hall until June 17th. For more information, click here.

Trailer-Halloween

The film will forget the last 9 films and act as a direct sequel to Halloween 2. Not only is Jamie Lee Curtis returning. But the original Michael Myers-Nick Castle is back for the first time since the 1978 original.

The film is directed by David Gordon Green, who also co-wrote the script with Danny McBride. John Carpenter is also involved, as the films creative consultant.

Halloween is realised in the UK on the 19th October.

REVIEW: BIG FINISH: JENNY — THE DOCTOR’S DAUGHTER

She’s got planets to save, civilisations to rescue, creatures to defeat… and an awful lot of running to do!

It’s difficult to believe the character of Jenny debuted in Doctor Who 10 years ago. Since then fans have wondered whatever happened to The Doctor’s daughter?

The character was rife for further exploration and it’s amazing the BBC never thought to bring her back.

Thankfully, we have Big Finish. They’ve taken the character and given her a range of her own.

The scripts are sharp, funny and perfectly honed. A lot of work and love has clearly gone into this box set. The stories are kinetic and full of real world allegories; which in lesser hands could’ve come across as clunky.

Georgia Tennant and Sean Biggerstaff have an instant chemistry as Jenny and Noah. A personal highlight, is the fact that they allow Jenny to be fun. She makes jokes, which work well and relives tension in scenes. The mystery surrounding Noah is intriguing and you finish the audios with even more questions about him.

Big Finish have done it again. The Doctor’s daughter is fantastic, a breath of fresh air. The theme music is epic. familiar but different. It perfectly encapsulates the Doctor’s nature in Jenny. The stories and the cast are engaging. The sound design is flawless.

Jenny-The Doctor’s daughter is firing on all cylinders. A perfect synergy between cast and crew. I’m practically begging for series 2.

Written By: Matt Fitton, John Dorney, Christian Brassington, Adrian Poynton

Directed By: Barnaby Edwards

Cast

Georgia Tennant (Jenny), Sean Biggerstaff (Noah), Siân Phillips (COLT-5000), Stuart Milligan (Garundel), Sarah Woodward (Vesh Taralesh), Clare Corbett (Lukaku), Arabella Weir (Angie Glazebrook), Silas Carson (Ood Leader), Rosalyn Landor (Vanessa Elledge), Olivia Darnley (Emily Cole), John Dorney (John Macguire), Pik-Sen Lim (Old Woman), Arina II (Shoon-Wei), Sara Houghton (Alitta), Paul Courtenay Hyu (Po), Adèle Anderson (Dreyda), Anthony Calf (Cal). Other parts played by members of the cast.

Producer: David Richardson
Associate Producer:Georgia Tennant
Script Editor:John Dorney, Matt Fitton
Executive Producers: Jason Haigh-Ellery and Nicholas Briggs