In which Martyn and Gerrod bring you an interview with Sylvester McCoy and, Jim “Winnie The Pooh” Cummings.
In which Martyn and Gerrod bring you an interview with Sylvester McCoy and, Jim “Winnie The Pooh” Cummings.
On paper, an all-female instalment in the Ocean’s series, featuring a great cast-lead by Sandra Bullock sounds like everything you need for a great time. In practise however, Ocean’s Eight never really hits the mark.
There’re a lot of parallels in this film to Ocean’s Eleven. The movie starts at the parole hearing of Debbie Ocean (Sandra Bullock). Once released, she reunites with her old partner in crime Lou (Cate Blanchett, Thor: Ragnarok) to pull off a $150 million diamond heist at the Met Gala.
They assemble a heist team; fashion designer Rose Weil (Helena Bonham Carter, Big Fish), jeweller Amita (Mindy Kaling, The Mindy Project), hacker Nine-Ball (Rihanna, Valerian and the City of a Thousand Planets), pickpocket Constance (Awkwafina, Dude) and Tammy (Sarah Paulson, The Post).
The idea behind this film, seems to be to just chuck a bunch of famous names together and see what sticks. The script really doesn’t have anything to say, the camera work is basic and, the characterisations are one-dimensional and this talented cast just go through the motions, with very little to work with.
They really hammer home the George Clooney/Danny Ocean references. I get that they need to establish that this is in the same universe as the previous films, but it’s done incredibly sloppily.
There is clearly a lot of potential here and the cast are clearly having a great time, but they deserve a movie worthy of their talents, Ocean’s Eight isn’t it. Perhaps they can convince Steven Soderbergh to return for Ocean’s Nine…
It’s been confirmed the new cast of Doctor Who, will be appearing at this year’s San Diego Comic con in July.
The Doctor Who panel will feature Jodie Whittaker with two of her three companions Tosin Cole, and Mandip Gill.
They will also be joined by the new Showrunner Chris Chibnall and Executive Producer Matt Strevens.
The panel will be hosted by Chris Hardwick, of Nerdist fame.
There’s been speculation recently, that the series 11 trailer will debut during England’s fist game in the 2018 World Cup, however I would put money on it debuting during the Doctor Who panel at SDCC.
Fast forward to the 1980s as Wonder Woman’s next big screen adventure finds her facing an all-new foe: The Cheetah.
Principal photography is underway on Warner Bros. Pictures’ follow up to the Super Hero’s first outing, last summer’s record-breaking “Wonder Woman,” which took in $822 million at the worldwide box office. “Wonder Woman 1984” will also be helmed by acclaimed director Patty Jenkins, and star Gal Gadot in the title role.
As previously announced, the film also stars Kristen Wiig in the role of the Super-Villain The Cheetah, as well as Pedro Pascal. And Chris Pine returns as Steve Trevor.
Charles Roven, Deborah Snyder, Zack Snyder, Patty Jenkins, Stephen Jones and Gal Gadot are producing the film. Rebecca Roven Oakley, Richard Suckle, Wesley Coller, Geoff Johns and Walter Hamada are the executive producers.
Joining her behind the scenes are several members of Jenkins’ “Wonder Woman” team, including director of photography Matthew Jensen, Oscar-nominated production designer Aline Bonetto (“Amélie”), and Oscar-winning costume designer Lindy Hemming (“Topsy-Turvy”). Oscar-nominated editor Richard Pearson (“United 93”) will cut the film.
Production will take place in Washington, D.C., Alexandria, Virginia, and in the UK, Spain and the Canary Islands.
Set to open in cinemas November 1, 2019, “Wonder Woman 1984” is based on the character created by William Moulton Marston, appearing in comic books published by DC Entertainment. It will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.
Rather shamefully, I knew nothing about Charles Ignatius Sancho prior to this play.
Sancho was born into slavery, but went on to become a classical actor, a composer, an anti-slavery campaigner, property owner, and the first black British person to vote in a general election.
Paterson Joseph begins his one-man play, in a bold and unusual way. He comes out as himself and explains the driving force that made him write the play. He explains that after seeing his contemporaries get cast in costume dramas, he was keen to join them. However, he was constantly told he couldn’t, as there were no black Britons before the Windrush generation.
It’s impossible to not be drawn in by Paterson Joseph’s charm, wit and energy. He’s an extremely characteristic man. His entrance is fantastic and a great way to launch a solo show. There is no fourth wall in this production, Sancho will lock eyes with audience members, pull them up on stage, ask why they’re laughing. The play defies theatre traditions, much like Sancho’s life defies our perception of black history in Britain.
The 70 minutes fly-by, the script is sharp, witty and political. The set and sound design are both exceptional. The backdrops are wooden and help hint and Sancho’s origin. The sounds help truly immerse the audience into the period.
Joseph fully embodies Sancho. He’s clever, witty, a raconteur and ever so slightly camp.
Sancho: An act of remembrance is masterfully acted, beautifully written and reminder about the power of theatre. I left the with a greater knowledge than when I entered. Sancho’s life should be a TV series.
I hope this kick starts a re-evaluation of our history.
Sancho – An Act of Remembrance is at Wilton’s Music Hall until June 17th. For more information, click here.
The film will forget the last 9 films and act as a direct sequel to Halloween 2. Not only is Jamie Lee Curtis returning. But the original Michael Myers-Nick Castle is back for the first time since the 1978 original.
The film is directed by David Gordon Green, who also co-wrote the script with Danny McBride. John Carpenter is also involved, as the films creative consultant.
Halloween is realised in the UK on the 19th October.
She’s got planets to save, civilisations to rescue, creatures to defeat… and an awful lot of running to do!
It’s difficult to believe the character of Jenny debuted in Doctor Who 10 years ago. Since then fans have wondered whatever happened to The Doctor’s daughter?
The character was rife for further exploration and it’s amazing the BBC never thought to bring her back.
Thankfully, we have Big Finish. They’ve taken the character and given her a range of her own.
The scripts are sharp, funny and perfectly honed. A lot of work and love has clearly gone into this box set. The stories are kinetic and full of real world allegories; which in lesser hands could’ve come across as clunky.
Georgia Tennant and Sean Biggerstaff have an instant chemistry as Jenny and Noah. A personal highlight, is the fact that they allow Jenny to be fun. She makes jokes, which work well and relives tension in scenes. The mystery surrounding Noah is intriguing and you finish the audios with even more questions about him.
Big Finish have done it again. The Doctor’s daughter is fantastic, a breath of fresh air. The theme music is epic. familiar but different. It perfectly encapsulates the Doctor’s nature in Jenny. The stories and the cast are engaging. The sound design is flawless.
Jenny-The Doctor’s daughter is firing on all cylinders. A perfect synergy between cast and crew. I’m practically begging for series 2.
Written By: Matt Fitton, John Dorney, Christian Brassington, Adrian Poynton
Directed By: Barnaby Edwards
Georgia Tennant (Jenny), Sean Biggerstaff (Noah), Siân Phillips (COLT-5000), Stuart Milligan (Garundel), Sarah Woodward (Vesh Taralesh), Clare Corbett (Lukaku), Arabella Weir (Angie Glazebrook), Silas Carson (Ood Leader), Rosalyn Landor (Vanessa Elledge), Olivia Darnley (Emily Cole), John Dorney (John Macguire), Pik-Sen Lim (Old Woman), Arina II (Shoon-Wei), Sara Houghton (Alitta), Paul Courtenay Hyu (Po), Adèle Anderson (Dreyda), Anthony Calf (Cal). Other parts played by members of the cast.
Producer: David Richardson
Associate Producer:Georgia Tennant
Script Editor:John Dorney, Matt Fitton
Executive Producers: Jason Haigh-Ellery and Nicholas Briggs
As part of the Royal Albert Hall’s Films in Concert, two showings of Star Trek were shown over the weekend. Saturday showed 2009’s Star Trek. Sunday showed Star Trek:Beyond.
Both screenings were accompanied by the Royal Philharmonic Concert Orchestra and conducted by Ernst van Tiel.
We attended the Saturday event.
I’ve attended concerts like this at The Royal Albert Hall, many times. But some how each time feels like the first.
For those who are unfamiliar with these concerts, the films are played on a suspended screen, above the musicians. The dialogue is intact, with the Orchestra performing the soundtrack and sound effects live.
Not only are these amazing musicians a sight to behold on stage, but the evening provided a phenomenal audio experience that no Blu-Ray can possibly live up to.
My personal highlight of the evening was the Orchestras performance of the Star Trek theme, over Leonard Nimoy’s “space the final frontier” speech. They received a seven minute standing ovation for this.http://badwilf.com/wp-content/uploads/2018/06/trim_8edfaf01-2d0c-47e1-b4dd-cdd8ec012772.mov
What I took away from this event, is just how beautiful and timeless Gene Roddenberry’s vision is. This is an experience I will cherish for a life time.
I highly recommend attending one of these screenings. Click here to find out information about the next one.
Class is back in session – on audio, from Big Finish.
Some readers may know, that this weekend I was lucky enough to interview three of the cast members, whom hinted to me they had signed up to reprise their roles on Big Finish.
The news has now been confirmed, after subscription copies of the new Doctor Who Magazine were sent out early.
The Class range will comprise of two new box sets of adventures.
The original cast; Grey Austin, Fady Elsayed, Sophie Hopkins, Vivian Oparah, Jordan Renzo and, Katherine Kelly will all be reprising their roles. However, they’ll be joined by Sophie Aldred as Ace. They will also face off against some Daleks.
The six stories are by Roy Gill, Jenny T Colgan, Scott Handcock, Tom Foley, Guy Adams, and Tom Leng.
The series will be directed by Scott Handcock. Music will be by the series’ TV composer Blair Mowat.
These audios will be set during the series and will not be resolving the cliffhanger.
I wasn’t really a fan of Class on TV, I felt it didn’t truly live up to its potential. However, I’m excited for this. Big Finish have proved themselves time and time again, I’m confident they’ll make Class the series it should’ve been.
Recorded at London’s MCM expo, here’s an interview with the seventh Doctor himself, Sylvester McCoy.
Check out our podcast interview with the cast of Class.