Big Finish review-Torchwood: The Sins of Captain John

The Sins of Captain John is a Torchwood release that boasts a fun and engaging four-episode story arc written by David Llewellyn. From zombies in Restoration London to the gates of Hell crashing a funeral, James Marsters as Captain John Hart leads the audience on a wild, unpredictable ride. This release is not suitable for younger listeners due to its adult themes and language.

James Marsters truly shines in his portrayal of the swashbuckling Captain John, and it’s clear that he has a great deal of affection for the character. He breaks the fourth wall with ease, creating a connection with the audience akin to that of the Whoniverse’s answer to Deadpool. Even the director gets in on the fun in a moment where Captain John laments not being able to hear the theme song. It’s an incredible performance by James Marsters as Captain John Hart. Marsters delivers an absolutely stellar performance, showcasing his versatility as an actor and his ability to portray a wide range of emotions. He has the ability to convey the complex emotions of his character. Captain John is a complex character, and Marsters does an excellent job of portraying his many facets. He can be charming and witty one moment, and then cruel and ruthless the next. It’s a testament to Marsters’ skill as an actor that he is able to make all of these aspects of Captain John feel so believable. It’s evident that Marsters has a deep affection for the character, and he seems to relish every moment of his time as Captain John.

One of the things that makes Marsters’ portrayal of Captain John so enjoyable is his ability to break the fourth wall effortlessly. He talks directly to the audience, often making fun of his own situation and poking fun at the other characters. This creates a unique connection between Captain John and the audience, and it makes the listening experience all the more enjoyable.

David Llewellyn’s script is both fast-paced and funny, and Scott Handcock’s direction expertly matches the tone of the story. The supporting cast is also incredibly talented, each giving a memorable performance without outshining Captain John.

Overall, The Sins of Captain John is an excellent addition to the Torchwood canon, and fans of the show will undoubtedly enjoy this latest instalment. It’s been 12 years since we first met the character, and it’s great to hear James Marsters back in the role, leading us on his own adventures. The only thing left to say is, to roll on to Volume 2!

⭐⭐⭐⭐

Review-Torchwood: Dead man’s switch

One of the most intriguing characters from Torchwood on TV was Bilis Manger, the creepy time traveller portrayed by Murray Melvin. While his potential was never fully realised on the show, Big Finish has once again demonstrated their talent for taking supporting characters and making them shine in this latest production. In Dead Man’s Switch, Bilis is at his best and most sinister.

The story begins with three strangers – an antique dealer, a property developer, and a heartbroken hairdresser – sitting on a train going nowhere. They are soon joined by the enigmatic Bilis, who has a chilling message for them: he wants to tell them how they died.

As with many Big Finish audios, Dead Man’s Switch is a departure from the usual Torchwood fare.

The three guest actors are perfectly cast, but it is Murray Melvin who truly steals the show with his masterful portrayal of Bilis Manger. His gravitas and otherworldly aura are palpable, making his return in future productions eagerly anticipated.

One of the standout features of Dead Man’s Switch is David Llewellyn’s exceptional script. His talent for crafting multi-layered characters and intricate plots is on full display in this production, and he takes full advantage of the audio medium to create a palpable sense of dread and tension throughout.

The dialogue is sharp and evocative, capturing the distinct voices and personalities of each character. The pacing is masterful, with the story slowly building towards its gruesome conclusion. Llewellyn’s attention to detail and willingness to take risks make Dead Man’s Switch one of the most memorable Torchwood audios to date.

Overall, Dead Man’s Switch is a testament to the power of great writing in audio drama. It showcases the incredible potential of the medium to tell gripping stories and immerse listeners in terrifying new worlds.

⭐⭐⭐⭐

Review – Rose Tyler: The Dimension Cannon

The Dimension Cannon gives the character Rose Tyler her own series, in four audio dramas by Big Finish Productions. Billie Piper reprises her role as the first of The Doctor’s travelling companions in 21st century Doctor Who.

Shop girl turned sci-fi action hero Rose Tyler is consigned to a parallel universe with her mum, Jackie (Camille Coduri) and a parallel version of her dear departed dad, Pete (Shaun Dingwall). They’ve turned their attention to helping protect not only their world from extraordinary threats but also many other Earths. They’re following in the footsteps of Rose’s beloved Doctor: the charismatic, time-travelling space alien whose defence of Rose’s Earth left her separated from it – and him.

The Dimension Cannon offers Rose a chance to bring The Doctor back into the fight – and into her life again. For short periods of time the cannon allows her to visit other parallel universes that offer clues to the whereabouts of The Doctor. On her first trip she’s reunited with a parallel version of Clive, a conspiracy theorist who was murdered in Rose’s universe. Bark Benton reprises the role of Clive throughout the set and it’s good fun to have him back.

The four stories take us to four new parallel versions of London, where we’re introduced to startling alternate versions of the well-loved characters that head up this series. This collection of audios is not so much a spin-off from Doctor Who as it’s a spiritual follow-on from ‘Father’s Day,’ the episode that introduced us to the ‘original’ Pete Tyler and led us through dark times leading up to his death.

Chasing The Doctor inevitably means getting to know the locals in each different London and Rose finds she already knows many of them all too well. She gets personally involved in the lives of the people she meets, encountering Jackie, Pete and others in slightly different forms. It makes arriving in each universe a treat for the listener – and leaving each of them is tough all round.

Big Finish tie-in plays lure us into the audio realm by offering us characters and situations that are proven successes on television. They honour these successes with intriguing stories that at least equal their predecessors in quality. Rose’s story in Doctor Who has a lot of heart – and heartbreak. These new tales are equally engaging character pieces.

By presenting so many alternate versions of the original roles played by the cast, the normally-invisible work of the actors gets a bit of a peek into the limelight. I was properly immersed in and moved by the drama here but I also enjoyed listening for the subtle differences between the characters parallel to each other.

I’m very much opposed to more for more’s sake; I hate seeing delightful series run down by commercial supplements. You’ll find none of that here in Rose Tyler: The Dimension Cannon. This box set revisits the Tylers in a clever way that gives us more of what we’re counting on in ways that constantly surprise.

Rose Tyler: The Dimension Cannon is available now from Big Finish.

Big Finish review-Torchwood: The Hope

If you’re a fan of the Big Finish Torchwood range, be prepared for their latest release, “The Hope”. As always, the warning “This release contains adult material and may not be suitable for younger listeners” is not just a formality – this audio play by James Goss delves into some dark, unsettling territory.

The story revolves around Megwyn Jones, a notorious figure in Britain due to her role in a scandal involving a home for troubled children in Snowdonia called The Hope. The children disappeared, and Megwyn’s silence about their fate has only fueled speculation about her guilt.

The audio play explores this mystery and raises disturbing questions about what really happened at The Hope.

While the topic of a convicted child-murderer is not an easy one to tackle, James Goss has crafted a masterpiece here. The audio play is deeply unsettling, but also compelling and rewarding. Burn Gorman and Tom Price, who previously showed their chemistry in Corpse Day, are back and deliver stunning performances that are both powerful and chilling.

Siân Phillips is also mesmerising as Megwyn Jones, making the character both detestable and fascinating at the same time.

The Hope stands in stark contrast to last month’s “Serenity”, but that’s what makes the Big Finish Torchwood range so great. This audio play is an example of Torchwood at its absolute best – daring, thought-provoking, and not afraid to delve into the darkest corners of the human psyche.

⭐⭐⭐⭐⭐

Big Finish review-Torchwood:Serenity

Welcome to Serenity Plaza, the most prestigious gated community in South Wales. Jack and Ianto have been sent on an undercover mission to investigate rumors of something sinister happening within its walls. The catch? They have to pretend to be a happy, married couple.

As they delve deeper into the seemingly perfect world of Serenity Plaza, Jack and Ianto begin to face the everyday challenges that normal couples do: sharing household chores, participating in the residents’ baking contest, and vying for the title of Best Kept Lawn. But this is no ordinary competition – this is Serenity Plaza, and some residents are willing to go to extreme lengths to come out on top.

James Moran, writer of the series 2 episode “Sleeper,” has crafted a sequel that builds upon the original threat and adds new layers of complexity. With clever writing that plays to the strengths of the audio medium, Moran has created a logical continuation of the story.

Fans of the popular Jack and Ianto relationship will delight in their interactions here, as John Barrowman and Gareth David-Lloyd showcase their chemistry and comedic timing. Ianto’s Stepford Wife-like behavior and exaggerated Welshness add to the hilarity of the situation.

Overall, Torchwood: Serenity is a laugh-out-loud adventure that will keep fans of the series thoroughly entertained. Don’t miss out on this exciting audio drama!

Episode 201:Torchwood-Sargasso

In which Martyn flies solo and brings you a review of the latest Torchwood release by Big Finish.

The seas of planet Earth are choked by plastic. Plastic that no-one has a use for and no-one can get rid of. Rhys Williams finds himself stranded on a container ship in a sea of debris. People on board are dying. Because, luckily, someone’s found a solution to Earth’s polluted waters. The Nestene Consciousness can never have too much plastic.

The podcast is available from all good podcast services, such as but not limited to Amazon Music, PodchaserPlayer FM, Stitcher, and Apple Podcasts.

Check out our Youtube.

If you’d like to support the show, then please shop via our Amazon link. A small percentage goes our way, at no extra cost to you.

Check out our other Big Finish reviews.

Torchwood contains adult material and may not be suitable for younger listeners.

Socials:

Twitter:

Martyn – @BadWilf

Gerrod –@InGerrodsMind

Pete – @BeeblePete

Sam-@Sammichaelcomic

Instagram:

Martyn-@BadWilf

Chris-@ChrisWalkerThomsonofficial

Sam-@Sammichaelol

TikTok

Martyn-@BadWilf

Sam-@SamMichaelol



Torchwood: The Green Life

At first it seems like Captain Jack Harkness, leader of the ‘beyond the police’ Torchwood organisation and time-travelling Doctor Who companion turned eco-warrior Jo Jones (née Grant) would be quite a contrast when paired. But in ‘Torchwood: The Green Life’ the two are bound as much by what they share as what divides them.

Jo, in this story, is decades older than the girl who once travelled with The Doctor. Everything she learned from her time with UNIT is sewn into this Jo of today and much more besides. This woman is a good match for the immortal Jack, whose dashing young appearance only partially conceals how much of his strength is devoted to enduring a string of painful deaths and centuries. Big Finish audio dramas never shy from the role appearances play in stories when it’s relevant: here we have a pair of lovely fan favourites set amid some gruesome situations.



We’re back in Llanfairfach, the Welsh locale of the 1970s Doctor Who serial, The Green Death. The story then – of pollution-bred giant maggots and a technically-adept evil corporation – continues here. As Jack and Jo clamber over old territory we learn new things about them both.

Katy Manning has kindly returned to play Jo now and again in the past couple of decades – in television and in audio – and each time we get a hint or two about the character’s life since the 1970s. Here there’s quite a bit of her back story, particularly with regards to Llanfairfach. It’s a treat to hear the world of Jo Jones expanding into a mini-franchise of its own.

John Barrowman has been equally generous in his support, for the Torchwood franchise and for the ‘Whoniverse’ in general. He continues his regular contributions to Torchwood on audio here, with a bit of a new challenge: the gentlest members of Jack’s team were never as ‘right on’ as lovely Ms Jones. In Jack’s world, he and his go to some rather harsh extremes, they take their lumps and then find some way to make peace with themselves afterwards. Jo presents him with a world where there are certain lines that are simply not crossed. Where right and wrong don’t often intermingle. Where loyalty is everything.

The legacy elements of this story are taken in genuinely new directions. We get some detail about how the scientific advances of the 70’s Wholeweal community have developed in the years since. We learn a bit more about Llanfairfach as a population centre and its lifestyle in 2019. And we’re presented with something new that has gone very, very wrong. It’ll certainly inform a listener’s first real-world glimpse of a self-driving lorry.

Big Finish Review-Torchwood: Deadbeat Escape

On a stormy and ominous evening, Hywel Roberts unwittingly steps into a world of terror and danger at a peculiar hotel, where a familiar foe of Torchwood lurks in wait. As the curtains close on the latest series of Torchwood audios, we are left with a collection of exceptional tales that have kept us on the edge of our seats.

In this monthly range, Big Finish has taken a bold step by focusing on a series antagonist, Bilis Manger, and allowing the character to take centre stage without the interference of the Torchwood team. It’s a testament to the confidence that Big Finish has in the Torchwood range and the writers’ ability to create gripping stories.

In “Deadbeat Escape,” we are treated to a spine-chilling tale that could easily fit into a ghostly anthology or Hammer horror film. It’s a departure from the usual Torchwood fare, as we are transported to a more traditional spooky story that doesn’t rely on jokes or pop culture references.

The story is told from the perspective of Hywel Roberts, a relatable and charming new character who unwittingly checks into the eerie hotel. We know from the start that his fate is sealed, which adds to the tension and elevates the stakes of the story.

Murray Melvin as Bilis Manger is as mysterious, charming, and menacing as ever, and Gareth Pierce delivers a standout performance as Hywel Roberts. Despite the absence of the regular Torchwood team, “Deadbeat Escape” still manages to embody the emotive and eerie narrative that we have come to associate with the series.

Deadbeat Escape is a perfect ending to the latest series of Torchwood audios. The exceptional writing and performances leave a lasting impression and cement the series’ place as a master of horror storytelling.

⭐️⭐️⭐️⭐️

Big Finish review-Torchwood: Goodbye Piccadilly

Sgt Andy Davidson wakes up in the 1950s. He’s chained to a bed, his clothes are missing and the building’s on fire. Norton Folgate needs his help. The streets of Soho are swarming with gangsters, rumours and betrayals. Somewhere out there is a mysterious alien artefact, and Andy and Norton have to get to it first. Because tonight they’re going to save Torchwood.

I’ve been looking forward to another adventure with Andy and Norton, since last year’s Ghost Mission. There’s just something about this pairing that works so well. Norton Folgate, played brilliantly by Samuel Barnett, is a welcome addition to the Torchwood range. His witty and flamboyant personality is the perfect foil for Andy’s more serious demeanor.

Goodbye Piccadilly is absolutely gripping, from start to finish, the script is sensational.

The direction is smooth, the sound design is flawless. Tom Price gives another fantastic performance as Andy Davidson, capturing the character’s determination and vulnerability. His chemistry with Samuel Barnett is electric, and their banter is a joy to listen to.

What’s great about this audio, is that all of the London events-bar the alien invasion and the time travel, are real. James Goss took his research for this story extremely seriously, he looked at books such as ‘hidden London’ for inspiration and it shows. The life drawing class, the police raids and, gay men being hosed down are all things that actually happened in the 1950’s.

Big Finish has once again proved that Torchwood Big Finish, is Torchwood at its best. Goodbye Piccadilly is a must-listen for any Torchwood fan. Just remember, Torchwood contains adult material and may not be suitable for younger listeners.

REVIEW: BIG FINISH: JENNY — THE DOCTOR’S DAUGHTER

She’s got planets to save, civilisations to rescue, creatures, to defeat… and an awful lot of running to do!

It’s difficult to believe the character of Jenny debuted in Doctor Who 10 years ago. Since then fans have wondered whatever happened to The Doctor’s daughter?

The character was rife for further exploration and it’s amazing the BBC never thought to bring her back.

Thankfully, we have Big Finish. They’ve taken the character and given her a range of her own.

The scripts are sharp, funny and perfectly honed. A lot of work and love has clearly gone into this box set. The stories are kinetic and full of real-world allegories; which in lesser hands could’ve come across as clunky.

Georgia Tennant and Sean Biggerstaff have instant chemistry as Jenny and Noah. A personal highlight is they allow Jenny to be fun. She makes jokes, which work well and relieves tension in scenes. The mystery surrounding Noah is intriguing and you finish the audios with even more questions about him.

Big Finish has done it again. The Doctor’s daughter is fantastic, a breath of fresh air. The theme music is epic. familiar but different. It perfectly encapsulates the Doctor’s nature in Jenny. The stories and the cast are engaging. The sound design is flawless.

Jenny-The Doctor’s daughter is firing on all cylinders. A perfect synergy between cast and crew. I’m practically begging for series 2.

Written By: Matt Fitton, John Dorney, Christian Brassington, Adrian Poynton

Directed By: Barnaby Edwards

Cast

Georgia Tennant (Jenny), Sean Biggerstaff (Noah), Siân Phillips (COLT-5000), Stuart Milligan (Garundel), Sarah Woodward (Vesh Taralesh), Clare Corbett (Lukaku), Arabella Weir (Angie Glazebrook), Silas Carson (Ood Leader), Rosalyn Landor (Vanessa Elledge), Olivia Darnley (Emily Cole), John Dorney (John Macguire), Pik-Sen Lim (Old Woman), Arina II (Shoon-Wei), Sara Houghton (Alitta), Paul Courtenay Hyu (Po), Adèle Anderson (Dreyda), Anthony Calf (Cal). Other parts played by members of the cast.

Producer: David Richardson
Associate Producer: Georgia Tennant
Script Editor: John Dorney, Matt Fitton
Executive Producers: Jason Haigh-Ellery and Nicholas Briggs