Out of Time 2 – The Gates of Hell: Doctor Who-Big Finish review

Out of Time 2 – The Gates of Hell is the second in a trilogy of specials, that sees David Tennant’s Tenth Doctor on a farewell tour before he regenerates. In the first audio, he bumped into Tom Baker’s Fourth Doctor. This time around, he’s paired up Peter Davison’s Fifth.

The story kicks off with The Fifth Doctor in Paris in 1809, he’s travelling sans-companion and decides to take a tour of the catacombs. It’s here that he bumps into a Time Agent Tina Drake (Shelley Conn), who for a very brief moment. I thought was Peri. Was that just me? Anyway, Tina is on the trail of a temporal paradox. Whilst in the catacombs, the duo trigger a trap, that sees the Doctor frozen in time.
In 1944, the Tenth Doctor is evading Nazis, in occupied Paris. Looking for a hiding spot, he finds himself in the catacombs, where he encounters his former self. When they return to the surface, they find Paris is overrun with Cybermen.

I was a huge fan of Out of Time and I think it’s safe to say, that this was my most anticipated release of the year. Not only are we getting a multi-Doctor story, but we’re also getting a Time Crash reunion and we’re getting an outstanding script from David Llewellyn.

The story is structured brilliantly and moves along at a swift pace. Whilst Llewellyn’s love for the Fifth Doctor shines through, this feels very much like a David Tennant era adventure. Ken Bently’s direction is smooth and matches the pacing beat for beat. Whist Howard Carter’s music and sound design help elevate the adventure even more.

The two leads have natural chemistry and bounce off each other well, there’s a lot of fun interplay between them.
I had a smile on my face the whole way through this, Lewellyn’s script is peppered with humour, call-backs and historical facts. This is quintessential Doctor Who.

Doctor Who: Out of Time 2 – The Gates of Hell is available on CD and download from Big Finish.

⭐⭐⭐⭐

Review-Doctor Who – The Ninth Doctor Adventures Vol 1: Ravagers


It’s hard to deny that the announcement of Christopher Eccleston’s return to the Doctor Who franchise took fans by surprise. After all, it had been sixteen years since his thirteen-episode run reignited the show and brought it to a new generation. But here we are, with The Ninth Doctor Adventures – Ravagers, the first in a four-volume set of audio adventures written and directed by Nicholas Briggs.

On the one hand, Ravagers is an impressive and ambitious set. Eccleston’s return is a significant accomplishment for Big Finish, and it’s evident that he hasn’t lost his touch as the Doctor. The supporting cast, including Camilla Beeput and Jayne McKenna as Nova and Audrey, put in outstanding performances, and Dan Starky’s turn as Marcus Aurelius Gallius is thoroughly enjoyable. The music and sound design match the pace of Briggs’ excellent direction, and his passion for this era of Doctor Who is palpable.

However, the set’s most significant flaw is its plot. The 45-minute episode is stretched over 2 hours and 30 minutes, making the pacing drag at times. While Briggs’ love for the series shines through, the plot feels like an amalgamation of various stories he couldn’t get off the ground. We join the Ninth Doctor in the middle of an adventure and work backwards, a risky move for newcomers to the world of Doctor Who on audio.

Nonetheless, Ravagers is an enjoyable set overall, and fans of the Ninth Doctor will relish the chance to hear him once again. While a more straightforward structure would have been preferable, the set’s future promises exciting possibilities for the range.

⭐⭐

Episode 254: Zack Snyder’s Justice League

Martyn and Gerrod discuss all the latest in geekdom news, then they’re joined by friend of the podcast, Antoni Pearce to discuss the recent release of Zack Snyder’s Justice League.

00:00: Start of show

00:08: Intro and catch up

01:35: RIP Jessica Walter

02:09: New Transformers movie on the way

02:57: Steven Moffat’s new Netflix show

05:07: Big Finish released Ninth Doctor trailer

07:45: The Suicide Squad trailer

08:40: Warner Bros cinema first deal

09:37: Zack Snyder’s plans for Justice League 2+3

10:30: Ron Livingstone cast in The Flash film

11:00: Helen Mirren cast in Shazam 2. Pierce Brosnan cast as Dr Fate for Black Adam

13:02: Black Widow and Cruella going to Disney+ premium

14:03: Scott Pilgrim getting a re-release

14:45 John Wick 4+5 will no longer shoot back-to-back

15:17: Brzkr comic being turned into film and Netflix anime

16:08: Zack Snyder’s Justice League

41:20: End of show

The podcast is available from all good podcast services, such as but not limited to Spotify, Amazon Music, PodchaserPlayer FM, Stitcher, and Apple Podcasts.

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Equipment used in the creation of this feature was purchased through a grant from Graeae and The Paul Hamlyn Foundation.

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Review-Greenland

If you’re looking for a break from the stress of COVID-19 and 2021, you might want to consider watching a world-ending disaster movie. Although the trailer for the film Greenland initially seemed like a generic Gerard Butler disaster movie, it turns out to be a more nuanced take on the genre. The story follows John Garrity, a Scottish structural engineer living in Atlanta, Georgia, as he tries to reunite with his estranged wife and diabetic son amid an impending disaster.

Unlike many disaster movies, Greenland focuses on themes of human survival and how people react in times of crisis. The film portrays the family’s encounters with people who are terrible, opportunistic, and altruistic, adding a realistic feel to the proceedings. Morena Baccarin and Gerard Butler’s chemistry is wonderful, and they feel authentic as a troubled couple doing what they can to save their son.

While some viewers may find the film to be a slow burn, others might appreciate its more nuanced take on the disaster movie genre. Given the global crisis we’ve all recently experienced, Greenland’s themes of human survival and the best and worst of humanity may resonate more deeply.

Greenland is available on Prime Video starting February 5th.

Episode 249: It’s a sin

Martyn is joined by producer, writer, director Guy Lambert to discuss Russell T Davies’ new drama ‘It’s a sin’.

The duo discusses episodes 1-5, so there are spoilers.

It’s a sin follows a group of friends, all in their late teens and early twenties, who move to London in 1981 and have their lives turned upside down by HIV/AIDS, spanning a decade until 1991.

The podcast is available from all good podcast services, such as but not limited to Spotify, Amazon Music, PodchaserPlayer FM, Stitcher, and Apple Podcasts.

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Check out our Youtube.

Equipment used in the creation of this feature was purchased through a grant from Graeae and The Paul Hamlyn Foundation.

If you’d like to support the show, then please shop via our Amazon link. A small percentage goes our way, at no extra cost to you.

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Review-Future State: Superman of Metropolis #1

The DC multiverse has been blown wide open, following the shocking events in ‘Death metal #7’. A new and exciting future begins in Future State: Superman of Metropolis #1.

Due to extenuating circumstances Clark Kent has left Earth and has in-trusted its protection to his son, Jon Kent. Who is far too young for such responsibility, Jon feels the best way to protect Metropolis is to seal it up in a bottle and lock it away. Earning him the ire of its citizens, the military, and Supergirl.

In the bottled city heroes like The Guardian and Shiloh Norman (Mister Miracle) protect it from within, all whilst trying to find a way to break out of their new prison.

The first issue is really interesting because we’re just dropped into the events. Metropolis has been bottled for six months and is on the brink of collapse. The story is fresh, with very vibrant art from Cully Hamner. This feels very different from anything I’ve read before, which I wasn’t expecting. We’re given a fantastic exploration of the bottled city, six months in. The city is full of hate, rage, anger and fear. Reading this through the lens of this past year certainly adds to its impact. There’s always a sense the city could explode, at any moment.

Writer Sean Lewis has crafted a compelling story, with a young Superman completely out of his depth. Jon is no longer the happy-go-lucky kid we once knew, he’s older, jaded and cynical. He’s been given a huge responsibility and it’s absolutely crushing him. Lewis explores the mistakes a human with the powers of a God can make.

⭐⭐⭐

Episode 245: Revolution of The Daleks

Martyn, Chris, and Sam discuss the latest news about Doctor Who, including Jodie Whittaker’s departure from the role of the Doctor. The trio also share their thoughts on who they would like to see take over as the iconic Time Lord or Time Lady. In addition, they delve into their opinions on the most recent New Year’s Day special, “Revolution of the Daleks.”

End theme is taken from DWPoop.

Check out Chris’ adaptation of A Christmas Carol.

The podcast is available from all good podcast services, such as but not limited to Spotify, Amazon Music, PodchaserPlayer FM, Stitcher, and Apple Podcasts. We also have a Smartlink.

Check out our Youtube.

Equipment used in the creation of this feature was purchased through a grant from Graeae and The Paul Hamlyn Foundation.

If you’d like to support the show, then please shop via our Amazon link. A small percentage goes our way, at no extra cost to you.

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Review-Worzel Gummidge: Saucy Nancy

Following last year’s festive specials, we’re back in Scatterbrook accompanying Worzel Gummidge on another madcap adventure. As with the last two, ‘Saucy Nancy’ is written and directed by Executive Producer Mackenzie Crook.

Worzel is rich, for a scarecrow. He’s found £20 and the money is burning a hole in his pocket, he wants to buy a door. So he enlists ‘the chillun’ Susan (India Brown) and John (Thierry Wickens) to help him find one. Whilst at a salvage yard, he stumbles across his old foul-mouthed friend, Saucy Nancy (Shirley Henderson). The sea is calling Nancy and she wants to get back to it, our trio of heroes vow to help her.

The two specials last year were undoubtedly the highlight of the festive period. This year is no different. This is a well-written and well-directed family adventure, bursting with heart and humour. Once again, Brown and Wickens feel like brother and sister and the entire cast have such natural chemistry, that a walking talking scarecrow seems like the most normal thing in the world. Shirley Henderson is an absolutely wonderful addition, in all her (scarecrow) sweary ways. There’s also a great turn from Venessa Redgrave as “Peg”.

Steve Pemberton and Rosie Cavaliero take more of a back seat in this, as Mr and Mrs Braithwaite, but they’re both still excellent in their respective roles. Mr Braithwaite has even softened to the kids “these two are different, they’re keepers” he tells his wife.

After the year we’ve had, it was extremely comforting slipping back into the innocent world of Worzel Gummidge. This show is about love, hope and trust, which is what we could all do with right now.

Mackenzie Crook has once again proved, that he is more than a worthy successor to Jon Pertwee. Ten Acre Field is in very safe hands.

Worzel Gummidge: Saucy Nancy – airs tonight at 5:55pm on BBC One.

⭐⭐⭐⭐

Review-The Ghost of Christmas (Ghosts Christmas special)

Alison and Mike are hosting Christmas at Button House, with his family joining them. Mike has taken control and is determined everything run as smoothly as possible. However, with a house full of ghosts and interfering parents, it’s not long before “the incredible sulk” has one of his annual meltdowns. As for the ghosts, they’re not big fans of Christmas.

It turns out the festive season isn’t much fun if you’re dead, Julian says “it’s just not the same when you’re dead. Can’t drink booze, can’t flirt with the filly’s at the Christmas Party if you can’t do that. What’s the point?”.



It’s Julian that takes most the focus of the special when a new arrival forces him to confront his old behaviour. Throughout the episode, he has a series of revelations that help all the ghosts rediscover the joy of Christmas.

The other ghosts mostly take a supporting role, with The Captain (Ben Willbond) taking offence to the Queen’s speech being televised “an officer and a gentleman should not be privy to the colour and thickness of the Queen’s curtain’s”. Robin (Laurence Rickard) believes Christmas is “just a fad”.

The special is full of everything you’d expect from this show. As always, the cast is uniformly great, Charlotte Ritchie and Kiell Smith-Bynoe feel like an authentic couple. Mike’s family feel like a real family, his sisters irritate him in the way only siblings can. The jokes vary from clever to crude, with strong performances all round.

The Ghosts Christmas special is the perfect way to tide us over until series 3.

The Ghost of Christmas airs on BBC One, at 20:30 on December 23rd.

⭐⭐⭐⭐

Review-Doctor Who: Grey man of the mountain

Something haunts the peak of Ben MacDui.
Something with heavy footsteps, striking terror in the hearts of those who sense it. With climbers going missing, retired Brigadier Lethbridge-Stewart visits Scotland to investigate.
But when some old friends join his ascent, he worries that they will make things even more dangerous. As the snows blow in, and mists surround them, the Doctor, Ace and the Brigadier will face the Grey Man of the Mountain…


This year’s Christmas offer from Big Finish is a pretty strong release, it’s more subtle than last year’s ‘Blood on Santa’s Claw and Other Stories’. Written by Verity’s Lizabeth Myles, it teams The Brigadier up with The Seventh Doctor and Ace. Jon Culshaw plays the role exceptionally well. He’s so pitch-perfect that, if you didn’t know this wasn’t Nicholas Courtney, you wouldn’t know this wasn’t Nicholas Courtney.




McCoy and Aldred are on top form as always. The setting and environment make for a tense and unnerving experience. The audio is so vivid, I could see the action playing out in my mind’s eye. This felt like a Seventh Doctor/Ace era storyline. The audio even plays around with Ace’s sexuality, by maybe possibly giving her a love interest with Lucy Goldie’s vlogger character. The pair of have such natural chemistry.
There are a few niggles though. Vivien Read slightly overplays the landlady. It’s like she’s in completely different story-at times she reminded me of David Walliams’ Scottish riddler from Little Britain.
The audio also overruns by about 30 minutes. This, plus a sizeable guest cast makes material thin on the ground, I found myself starting to drift a bit towards the end.


Those nitpick’s aside, Grey man of the mountain is an immersive, atmospheric and underplayed Christmas special. Which takes full advantage of its setting, cast and the medium of telling a story for audio.

⭐⭐⭐

Doctor Who: Grey man of the mountain is available to purchase directly from Big Finish