Review-Worzel Gummidge: Saucy Nancy

Following last year’s festive specials, we’re back in Scatterbrook accompanying Worzel Gummidge on another madcap adventure. As with the last two, ‘Saucy Nancy’ is written and directed by Executive Producer Mackenzie Crook.

Worzel is rich, for a scarecrow. He’s found £20 and the money is burning a hole in his pocket, he wants to buy a door. So he enlists ‘the chillun’ Susan (India Brown) and John (Thierry Wickens) to help him find one. Whilst at a salvage yard, he stumbles across his old foul-mouthed friend, Saucy Nancy (Shirley Henderson). The sea is calling Nancy and she wants to get back to it, our trio of heroes vow to help her.

The two specials last year were undoubtedly the highlight of the festive period. This year is no different. This is a well-written and well-directed family adventure, bursting with heart and humour. Once again, Brown and Wickens feel like brother and sister and the entire cast have such natural chemistry, that a walking talking scarecrow seems like the most normal thing in the world. Shirley Henderson is an absolutely wonderful addition, in all her (scarecrow) sweary ways. There’s also a great turn from Venessa Redgrave as “Peg”.

Steve Pemberton and Rosie Cavaliero take more of a back seat in this, as Mr and Mrs Braithwaite, but they’re both still excellent in their respective roles. Mr Braithwaite has even softened to the kids “these two are different, they’re keepers” he tells his wife.

After the year we’ve had, it was extremely comforting slipping back into the innocent world of Worzel Gummidge. This show is about love, hope and trust, which is what we could all do with right now.

Mackenzie Crook has once again proved, that he is more than a worthy successor to Jon Pertwee. Ten Acre Field is in very safe hands.

Worzel Gummidge: Saucy Nancy – airs tonight at 5:55pm on BBC One. 

Review-The Ghost of Christmas (Ghosts Christmas special)

Alison and Mike are hosting Christmas at Button House, with his family joining them. Mike has taken control and is determined everything run as smoothly as possible. However, with a house full of ghosts and interfering parents, it’s not long before “the incredible sulk” has one of his annual meltdowns. As for the ghosts, they’re not big fans of Christmas.

It turns out the festive season isn’t much fun if you’re dead, Julian says “it’s just not the same when you’re dead. Can’t drink booze, can’t flirt with the filly’s at the Christmas Party if you can’t do that. What’s the point?”.



It’s Julian that takes most the focus of the special when a new arrival forces him to confront his old behaviour. Throughout the episode, he has a series of revelations that help all the ghosts rediscover the joy of Christmas.

The other ghosts mostly take a supporting role, with The Captain (Ben Willbond) taking offence to the Queen’s speech being televised “an officer and a gentleman should not be privy to the colour and thickness of the Queen’s curtain’s”. Robin (Laurence Rickard) believes Christmas is “just a fad”.

The special is full of everything you’d expect from this show. As always, the cast is uniformly great, Charlotte Ritchie and Kiell Smith-Bynoe feel like an authentic couple. Mike’s family feel like a real family, his sisters irritate him in the way only siblings can. The jokes vary from clever to crude, with strong performances all round.

The Ghosts Christmas special is the perfect way to tide us over until series 3.

The Ghost of Christmas airs on BBC One, at 20:30 on December 23rd.

Episode 238: A Moffaty Christmas

On the podcast this week Martyn and Chris discuss and review the Steven Moffat era, of Doctor Who Christmas specials.

The Doctor Who Christmas episodes started with “The Christmas Invasion” in 2005 and ended with 2017’s “Twice Upon a Time“.

Your dynamic duo also discuss if moving from Christmas Day to a New Year’s Day slot, is good for the series.

Listen to our review of the Russell T Davies Christmas specials here.

Martyn’s interview with Steven Moffat can be found here. The interview with David Bradley and Claudia Grant can be found here.



Equipment used in the creation of this feature was purchased through a grant from Graeae and The Paul Hamlyn Foundation.

The podcast is available from all good podcast services, such as but not limited to Amazon Music, PodchaserPlayer FM, Stitcher, and Apple Podcasts.

If you’d like to support the show, then please shop via our Amazon link. A small percentage goes our way, at no extra cost to you.

Chris is taking part in Movember, if you’d like to donate you can do so here.

Check out our Youtube, We Sound Familiar and, Comedians talking football.

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Review: Ghosts series 2-The Grey Lady

In the first episode of the highly anticipated second series of Ghosts. Alison and Mike try to find new money-making ventures to fund the restoration of Button House.


When a photographer takes a photo of the property, for a potential wedding venue. He spots a blurry Lady Button (Martha Howe-Douglas) in the upstairs window. The photo of the house goes viral, with social media users dubbing her “the grey lady”. When paranormal fans from far and wide show up at the house, Mike spots a lucrative opportunity. He convinces Alison they should give people an authentic haunted house experience. Unfortunately, Julian (Simon Farnaby) has convinced the rest of the ghosts to go on strike.

Made by most of the creative minds behind Horrible History, Ghosts was a personal highlight of 2019. With so many comedies nowadays having a bleak edge, It’s refreshing to see a family-friendly comedy, that reminded me of the type of shows I watched with my parents as a kid.


An unspecified amount of time has passed since we were last with the residents of Button House. As soon as she wakes up in the morning, Alison checks the bathroom is clear of specters, so Mike can use it. She then attends to the Ghosts needs. She starts records, helps with crosswords, turns pages in books, opens laptops, and, times the Captain (Ben Willbond) running a lap, he feels he isn’t achieving his best. This was a great way to show the passage of time and just how comfortable the residents have gotten with each other. Mike even has a board, with photos and sketches of the ghosts. So he can picture who Alison is talking to.



Charlotte Ritchie and Kiell Smith-Bynoe have such great natural chemistry and remain totally believable as a kind-hearted couple, who are completely out of their depth. They also deal with the disbelief young home-owners experience, when they tell visitors they own the house.
The rest of the cast are all equally outstanding, everyone involved with this is at the very top of their game. There’s even a great guest turn from Colin Hoult, who never disappoints. My personal highlight was Pat (Jim Howick) and Thomas (Mathew Baynton) pretending to be 80s disc jockeys.

2020 has been a dark year for us all, it’s great to finally see some light.

Ghosts returns tonight at 8:30 pm on BBC One. With all episodes on iPlayer after that.

Stars Charlotte Ritchie, Kiell Smith-Bynoe, Mathew Baynton, Simon Farnaby, and others.




Episode 222: Doctor Who-Fugitive of the Judoon

Martyn, Chris and Sam discuss the Doctor Who episode “Fugitive of the Judoon”.

Fugitive of the Judoon” is the fifth episode of the twelfth series of the British science fiction television programme Doctor Who, first broadcast on BBC One on the 26th of January 2020. It was written by Vinay Patel and current showrunner Chris Chibnall, and directed by Nida Manzoor.

The Judoon search modern-day Gloucester for a fugitive, and the Thirteenth Doctor (Jodie Whittaker) and her companions Graham O’Brien (Bradley Walsh), Ryan Sinclair (Tosin Cole), and Yasmin Khan (Mandip Gill) regulate the situation. The episode sees the return of John Barrowman as Captain Jack Harkness, and introduces Jo Martin as Ruth Clayton, a character revealed to be a previously unseen incarnation of the Doctor.

The episode was watched by 5.57 million viewers overall and received mostly positive reviews from critics.

The podcast is available from all good podcast services, such as but not limited to;

Podchaser, Player FM, Stitcher and Apple Podcasts.

If you’d like to support the show, then please shop via our Amazon link. A small percentage goes our way, at no extra cost to you.

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The intro is taken from We Sound Familiar.

Check out Comedians talking football.

If you’d like to support the show, then please shop via our Amazon link. A small percentage goes our way, at no extra cost to you.

Follow the Bad Wilf team on Twitter:

Martyn – @BadWilf

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Episode 221: Orphan 55/ Nikola Tesla’s night of terror

BENNIIIIIII!!! In which your dynamic trio discuss two episodes of Doctor Who. Chris liked Nikola Tesla’s night of terror, Martyn didn’t. Sam hasn’t seen it. Can Chris convince him to watch it, can Martyn convince him to skip it? Listen to find out.

“Orphan 55” is the third episode of the twelfth series of Doctor Who, first broadcast on BBC One on 12 January 2020. It was written by Ed Hime, and directed by Lee Haven Jones.

“Nikola Tesla’s Night of Terror” is the fourth episode of the twelfth series of Doctor Who, first broadcast on BBC One on 19 January 2020. It was written by Nina Metivier, and directed by Nida Manzoor.

The podcast is available from all good podcast services, such as but not limited to;

Audioboom, Player fm and iTunes.

If you’d like to support the show, then please check out our Ko-Fi, or shop via our Amazon link. A small percentage goes our way, at no extra cost to you. We also have a Patreon.

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Opinion Peter Capaldi IS leaving Doctor Who

In which I look at the recent speculation that Peter Capaldi is leaving Doctor Who.

Peter Capaldi is a Scottish actor, writer and director. He portrays the twelfth incarnation of the Doctor in Doctor Who and Malcolm Tucker the spin doctor in The Thick of It, for which he has received four British Academy Television Award nominations, winning Best Male Comedy Performance in 2010. When he reprised the role of Tucker in the feature film In the Loop, Capaldi was honoured with several film critic award nominations for Best Supporting Actor.

How to improve Class

In this video, I look at 4 ways the Doctor Who spin-off can be improved.

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‘Turtles’ reboot series previews at MCM

The self-published, 1984 Teenage Mutant Ninja Turtles comic book brought artists Kevin Eastman and Peter Laird intense interest from media, movie studios, television and toymakers. Since then, the comic has continued with no end in sight and new rightsholder Nickelodeon intends the slew of animated series, toys and films to continue in force.

Eastman and a sneak preview of the latest CGI-animated series (illustrated at right) came to Britain’s largest genre event, the MCM London Expo this weekend. Also present was Rich Magallanes, a senior VP at Nick focussed on the series’ writing.



‘It comes from a sincere place’ was a phrase used more than once by Eastman. As an artist, he was also struck by the series’ extension of his classic New York skylines into ‘twenty city blocks’ and the re-introduction of the logo design he did back in the ’80s.

Another throwback to the original Turtles is their best human pal, April O’Neil.  Once more it’s she who names the turtles and she’s back in a laboratory instead of being reimagined as yet another plucky girl reporter.

Always controversial has been the direction of the original, violent parody toward a younger audience. ‘We’re trying to touch the whole family,’ says Magallanes, who notes that although ‘they’re not busting heads’ the turtles are still ‘world defenders,’ laying the smackdown upon a variety of inhuman baddies. Nevertheless, ‘they want to be teenagers first, playing around with each other and having fun.’

Magallanes considers the comic and films ‘extensions of the core series’ but both men are keen to allow the comics to remain true to their origins. Peter Laird is taking a much-needed break from the franchise but Eastman is working with IDW on issues of new and reprinted stories. Meanwhile, a fifth Turtles film is currently in production, by Transformers director Michael Bay.

When Bay described the turtles as ‘aliens’ recently instead of mutated Earth turtles, many fans went ballistic. As the movie is in a much earlier stage than the TV series the outcome of this controversy is unclear, although Eastman appreciates the fact that the famous ‘ooze’ that mutated the turtles in the first place can be considered alien in origin. Eastman: ‘Michael Bay’s heart is in exactly the right place.’

Like the film, the TV series will begin its story afresh. ‘We want to reset it and grow it even bigger,’ says Magallanes. He feels the story of the Teenage Mutant Ninja Turtles lends itself to extended storytelling. ‘We get to live with it.’

Teenage Mutant Ninja Turtles premieres this autumn on Nickelodeon.