In our second episode, we discuss the Peter Cushing Doctor Who story ‘Daleks Invasion Earth 2150 AD’. We also tell you guys how we met.
Daleks’ Invasion Earth 2150 A.D. is a 1966 British science fiction film directed by Gordon Flemyng and written by Milton Subotsky, and the second of two films based on the British science-fiction television series Doctor Who. It stars Peter Cushing in a return to the role of the eccentric inventor and time traveller Dr. Who, Roberta Tovey as Susan, Jill Curzon as Louise and Bernard Cribbins as Tom Campbell. It is the sequel to Dr. Who and the Daleks (1965).
The story is based on the Doctor Who television serial The Dalek Invasion of Earth (1964), produced by the BBC. The film was not intended to form part of the ongoing storylines of the television series. Elements from the programme are used, however, such as various characters, the Daleks and a police box time machine, albeit in re-imagined forms.
Hello, welcome to our website and our very first episode of the podcast. As this is our first episode, we thought it was apt that we talk about the very first episode of Doctor Who ‘An Unearthly Child’
.An Unearthly Child (sometimes referred to as 100,000 BC) is the first serial of the British science fiction television series Doctor Who. It was originally broadcast on BBC TV in four weekly parts from 23 November to 14 December 1963. Scripted by Australian writer Anthony Coburn, the serial introduces William Hartnell as the First Doctor and his original companions: Carole Ann Ford as the Doctor’s granddaughter, Susan Foreman, with Jacqueline Hill and William Russell as school teachers Barbara Wright and Ian Chesterton. The first episode deals with Ian and Barbara’s discovery of the Doctor and his time-space ship TARDIS in a junkyard in contemporary London. The remaining episodes are set amid a power struggle between warring Stone Age factions who have lost the secret of making fire.
The show was created to fill a gap between children’s and young adult programming. Canadian producer Sydney Newman was tasked with creating the show, with heavy contributions from Donald Wilson and C. E. Webber. Newman conceived the idea of the TARDIS, as well as the central character of the Doctor. Production was led by Verity Lambert, the BBC’s first female producer, and the serial was directed by Waris Hussein. Following several delays, the first episode was recorded in September 1963 on 405-line black and white videotape but was re-recorded the following month due to several technical and performance errors. Several changes were made to the show’s costuming, effects, performances, and scripts throughout production.
The show’s launch was overshadowed by the assassination of American President John F. Kennedy the previous day, resulting in a repeat of the first episode the following week. The serial received mixed reviews, and the four episodes attracted an average of six million viewers. Retrospective reviews of the serial are favourable. It later received several print adaptations and home media releases.
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Martyn – @BadWilf
In practice, the story’s shape gets in the way. Gallifrey is in a state of crisis, facing destruction at the hands of an overwhelming enemy. And the Doctor is involved in three different incarnations – each caught up in a deadly adventure, scattered across time and space. The web of time is threatened – and someone wants the Doctor dead. The three incarnations of the Doctor must join together to set time back on the right track – but in doing so, will they unleash a still greater threat? (synopsis)
In The Sirens of Time, fan service is performed to a five-star degree. In the first moment of Part One, a Gallifreyan tannoy voice delivers an alert in accurate, Deadly Assassin style. The meeting of the Doctors’ minds later on is a good mix of the sound heard in The Three Doctors and something better suited to accompany the memory flashbacks that the three share.
Each of the three Doctors get an episode to themselves then converge in the conclusion. In practice, this story structure is a bit disorienting. The three short pieces don’t get much time to develop before the fourth on Gallifrey gets into gear. Although the plot seems to have no holes it doesn’t come together in the way I imagine the makers hoped.
Doctor Who is usually better for me in reruns and this was no exception. Doubtless most of the actors will have completely forgotten having done this job but that’s fine with me; they’ve left behind some good performances. I hope they had some laughs and maybe earned a penny or two because my side of the equation’s worked out pretty well.
Check out the trailer.
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