Audio production company Big Finish, announced today that Burn Gorman will be reprising his role as Owen Harper. For their Torchwood range of audios.
Burn’s first audio, will be Corpse Day, which will be released in May.
Producer James Goss said:
“We’ve been trying to get Burn Gormansince we started. We’ve been hunting him across the globe, from Man In The High Castle to And Then There Were None, and we kept getting so close – and then he vanished into the depths of Hungary to make a film for months – but as soon as the project wrapped he was raring to go”
“Watching him recreate Torchwood’s sour zombie doctor was amazing – it was impossible to think that this was the same man who’d had us all giggling moments before. It was one of the most delightful days we’ve had on Torchwood – we put him together with Tom Price and just left them to it. Owen Harper is back from the dead, and he’s deader than ever. If you’ve never tried a Torchwood, I beg you to try Corpse Day. It’s pretty much everything.”
Here’s the synopsis:
Glynn Lewis is just putting up a spice rack when there’s a knock at the door. A knock that will bring a brutal end to his perfect family.
PC Andy is very excited. It’s Corpse Day – the day when the local constabulary get help on dead cases from Torchwood. This year, he’s volunteered to act as liaison, and he knows he’s going to have a brilliant time.
For Dr Owen Harper, today’s just like any other. There’ll be bloodshed, screaming and murder. At the end of it all, he doesn’t care. After all, life’s just for the living, and he’s long dead.
In which Martyn, Gerrod and Pete visit a schoolyard from classic Doctor Who and chat about the BBC’s Doctor Who spin-off, Class.
Check out the official BBC Three Classwebsite
This podcast can be accessed via different places, including Audioboom, Player fm and Itunes.
In which Bad Wilf jr looks at the latest trailer, for the upcoming Transformers sequel.
A teaser for the upcoming Doctor Who Christmas Special was shown on the annual charity telethon Children in Need, On BBC One.
The last time we saw Peter Capaldi’s twelfth Doctor was in the new BBC Three spin-off show Class. But, this upcoming Christmas special will be the first time we’ve had a full episode of Doctor Who, since The Husbands of River Song.
Here’s the press release:
The Doctor, played by Peter Capaldi and Nardole, played by Matt Lucas, team up with an investigative reporter played by Charity Wakefield and a masked vigilante played by Justin Chatwin to defend New York from a terrifying alien invasion..
In a video inspired by the latest episode of Geeksyndicate, I take a look at 4 ways Class could be improved.
Check out Geeksyndicate.
During a presentation at Comic-Con today, Hasbro revealed a number of upcoming Star Wars toys, from their Black Series range of action figures. These include; Obi-Wan Kenobi, Emperor’s Royal Guard, Lando Calrissian, Qui-Gon Jinn, Tusken Raider and Hera.
We also got a glimpse at some of the 3.75” figures, which feature Hera with her A-Wing, Poe Dameron and Snowtrooper two-pack, Fenn Rau, and recently announced new addition to Rebels, Grand Admiral Thrawn.
I know I’m going against the grain here, but I actually enjoyed Batman v Superman: Dawn of Justice. It was a deeply flawed movie, but it wasn’t as bad as people want it to be.
If you have seen the movie, then you know that there are glimpse into the DCU. One of those involves a Robin suit, in a glass display case with “HAHAHA The Joke’s On You Batman” graffitied on it.
Batman V Superman director Zack Snyder sat down with IGN, to explain that scene:
“In my mind, it was that Robin had died 10 years earlier, during some run-in with a young Joker, so there was a fun backstory there to play with. I felt like the whole idea was that there had been loss and there had been sacrifice. In a weird way, he had sacrificed everything to be Batman. He doesn’t really have a life outside the cave. I thought that including Robin, a dead Robin, was helping us understand that he’s been on quite a little journey.”
Drawn from from Ben Aaronovitch’s novel Rivers of London, this serialised comic is co-written by Andrew Cartmel, who was Aaronovitch’s script editor on the Doctor Who television series.
Chapter one, page one we’re sat in a van with a trio conversing urgently in Russian. Balaclavas are pulled on, shotguns grabbed and then it’s out into a London morning for a meeting with The Night Witch.
Issue 1 is rich in back story, much of it set in Russia. Politics and power, money and migrants and military women practising the Old Religion.
Varvara Sidorovna is doing time at HM Prison Holloway but her army past is causing trouble in her London present. This hasn’t escaped the attention of police constable Peter Grant, who spots the mysterious Faceless Man behind recent events just as the Russians have turned their attention to him as well.
Artist Lee Sullivan is also no stranger to the Doctor Who franchise. Here he shows his talent for pushing a lot of character out of the faces in his panels without resorting to outlandish facial features. He’s got a good exchange going with his colourist, Luis Guerrero; a reflective laptop screen and the ‘golden hour’ before dusk come to mind particularly.
During one flashback, an actual Russian stock certificate fills the page behind the panels, bringing a sense of high-def to the necessarily bold shapes of comic art. The technique was a good choice here; the last time I was so delighted by it was long ago in an adaptation of The Vampire Lestat.
The trickiest part of the read was that the visual focus of issue 1 is relatively even; main story and back story are interlaced but the transitions between the two aren’t very marked.
As a newcomer to The Rivers of London I found the story stood alone quite well but after some research it seems like this chapter puts PC Grant – the main character – into the background somewhat. Perhaps this is because it’s not the first tale from the novel and it’s only the first bit of the serial.
Night Witch issue 1 is a cracking bit of urban fantasy overall. The pace is good and the international angle contributes to a freshness that no modern tale of London can do without.
A maritime audio drama with a science fiction twist from the makers of Minister of Chance and Death Comes to Time.
Episode 3, They Thought He Was a Goner: It’s the morning after the very speed of light has been surpassed but aboard the RRS Venus May is starting to wonder if she woke up on the same ship as everyone else. Listen now in your browser or subscribe to all the episodes in iTunes or Android.
Writer/director Dan Freeman’s research on England’s south coast included sound effect recordings that bring the research vessel to life. The voice talent pulled together give nice aural contrast to the proceedings as well.
Returning to the mic from the Minister of Chance cast are Sylvester McCoy, Tamsin Greig, Jed Brophy, Simon Hickson, Stuart Fox, Simon Bugg and Richard Oliver.
They’re joined by Laura Cayouette (Django Unchained, Friends), Robert Picardo (Stargate, Star Trek), Thorbjørn Harr and Gorge Blagden (Vikings), Karim Saleh (Iron Man 2), Heida Reed (Vampyre Nation), Julian Seager (Poldark) and Tuppence Middleton (Sense8).
As with previous series this production is powered by you and I. Help unlock the next episode at the website for The Light of September.
1. Breakfast on Venus: a ten-minute stroll aboard the Royal Research Ship Venus as May Sutherland (Tuppence Middleton) joins the crew. Her look round culminates in a, erm, memorable encounter with Engineer Allan (Sylvester McCoy).
2. The Long Light Shakes: on the poop deck of the RRS Venus, Lorraine (Laura Cayouette) and May peer up at the International Space Station as it prepares to launch a faster-than-light vehicle. Yeah, Noel (Karim Saleh) thinks that’s ridiculous too.
We all know that Christopher Eccleston declined to take part in the 50th anniversary episode of Doctor Who. But, up until now we didn’t exactly know how the ninth Doctor would have fit in to the story.
Luckily for us bleeding cool have unearthed some early concept art, with Christopher Eccleston in place of Sir John Hurt.
What’s interesting is that had Eccleston appeared, Billie Piper wouldn’t have. Instead the moment would have taken the image of a young girl.