Review-Big Finish: The Wonderful Wizard of Oz

Following their successful adaptations of genre classics such as Dorian Gray and Frankenstein, Big Finish have now produced an audio adventure based Frank Baum’s The World of Oz.

After a tornado hits her home in Kansas, Dorothy and her dog Toto find themselves in the magical Land of Oz.

The house sets down in Munchkin land and accidentally kills the Wicked Witch of the East, by landing on her.

Dorothy and Toto then embark on an epic journey to find the only person who can help them return home, the legendary Wizard of Oz.
They quickly make friends with a brainless Scarecrow, a heartless Tin Man and cowardly Lion. Realising they all want to see the Wizard, the group travel together.

Sadly for Dorothy, The Wicked Witch of the West is seeking revenge for the death of her sister.

Frank Baum’s original novel differs greatly from the 1939 MGM musical and, adaptations of either tend to go two ways, they’re either very faithful, or they try to be edgy and new. Marc Platt has opted to faithfully adapted L. Frank Baum’s original novel.

The performances are all top-notch, Ally Doman shines as Dorothy, as do Stuart Milligan as Oz, Rachel Atkins as The Wicked Witch of the West, and Big Finish regular, Dan Starkey as the Monkey Captain.

Oz purists will love this.

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Review-The Troop by Noel Clarke

In The Troop a team with super powers rises from a nightmare parade of violence, with memorable action sequences and flashes of sexual activity along the way.

Author Noel Clarke was part of the the main cast of Doctor Who’s 2005 return to television. Since then he’s written an episode of Torchwood and a couple of independent films, all of which show his knack for dark material. He told the Hollywood Reporter that he wanted to push boundaries with this comic. Where he does that is in his depiction of real life abusive human behaviour, which exists in the backgrounds that these super-humans come from. The Troop are not so much a fearless team of super heroes as a damaged pile of kids united by a shady character who comes off as a bit of a creep.

We’re in an early period for digital comics as they differentiate themselves from the heavy lines and solid fills of the past. In this book, artist Joseph Cassara paints with loads of photographic colour and texture. In one panel he simulates shallow depth-of-field, where the background has those discs you get from expensive cameras when points of light in the background are blurred.

It can be a little noisy but structure does win out over chaos, particularly in the action sequences. Movement in illustration is tied to the way shapes strike across the page and Cassara works this well. In a rainy forest chase he does this by putting his virtual camera high in the trees and in another, he grabs a snapshot from a flying belt’s hang time before a dangerous dad brings it down.

Issue 1 of The Troop is a bit of a contest between abuse violence and revenge violence but Noel Clarke is setting up something that is intentionally not shiny. This is a tale where everything soft is burnt away – that can lend the truly poignant bits great impact later on. Now it’s up to Clarke and Cassara to deliver on the promise shown so far.

Listen to our interview with Noel Clarke here.

Artwork preview:


  

Issue #1 is out 9th December 2015

DVD review-The Lazarus Effect

A group of medical researchers develop a way of bringing animals back from the dead; when one of the researchers (Olivia Wilde) accidentally dies during a follow up experiment, her fiancé (Mark Duplass) uses their controversial process on her.

The film has an interesting premise, that could send a social message about the way we handle death and morality in the Western world. However, this movie is in hands of director David Gelb and writers Luke Dawson and Jeremy Slater. They fumble their way along, giving us a horror movie, full of paint-by-numbers clichés, with a story that doesn’t really make any sense.

There’s no character development and the plot gets stuck in a cul-de-sac.

The cast try their hardest, but even established actors like Wilde, Duplass and Amy Aquino struggle to elevate this mess.

The Lazarus Effect is out on DVD/Blu Ray and digital download on October 19th.

Big Finish review-The Yes Men

The Yes Men is the first in a new four part series of full cast audio stories called ‘Early Adventures’. These adventures are focusing on the second Doctor and his various different companions.

Fan favourite Frazer Hines reprises his role as Jamie and also plays The Second Doctor. Anneke Wills acts as narrator as well as reprises her role as Polly.
As Michael Craze sadly passed away in the late nineties, the role of Ben Jackson has been recast with Elliot Chapman.

The story starts with the Doctor wanting to visit his old friend Meg Carvossa, on the Earth colony of New Houston. Shortly after arriving, team TARDIS find that Meg has died in a mysterious way. That’s not the only problem, the helper robots have started acting a bit shifty.

What follows is a suspenseful tale of suspicion and death.

I know a lot of hardcore fans are unhappy with the recasting of pivotal roles, I am not one of them. I want Early era Big Finish stories and this is the only way we’re going to get them.

Elliot Chapman is phenomenal as Ben. It’s as if Michael Craze never left us, Chapman plays the role with the upmost respect for Craze, yet he also manages to make the role his own. The result is mesmerising.
I’m a huge fan of Frazer Hines, so I hate to type this. But, I don’t rate his turn as The Second Doctor. He can do a really decent impression of Patrick Troughton but that doesn’t really work for a 2hr audio play.
Other than that, everything else is up to the high standards we’ve come to expect from Big Finish. The script is solid, the direction is flawless and the music adds to the atmosphere. Stephen Critchlow is excellent as the mono toned Yes Men.

I look forward to hearing what the next set of Early Adventures brings us, but I’m especially intrigued to see what Elliot Chapman does with Ben Jackson.

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Review-Convenience 

Convenience tells the story of two life long friends A.Jay (Ray Panthaki) and Shaan (Adeel Akhtar), as they find themselves in deep with some Russian gangsters and a very limited time to settle the £8,000 debt that Shaan has racked up.
They decide the easiest way to get the money is to rob a near-by petrol garage. Unfortunately the safe has a time-lock and won’t open until 6am the following morning.


Their only option is to tie-up the manager and a customer in the back office, pose as employees and work a shift in the petrol garage.

If this ordeal wasn’t stressful enough, they soon learn there’s another employee in the stock room. Luckily for them, Levi (Vicky McClure) thinks they’re the two new trainees that have shown up a day early. They now face the challenge of keeping Levi out the office.

It’s lack of budget doesn’t show on screen. It’s beautifully shot and is held up by a great, yet simple premise. It also hosts some impressive cameos from Anthony Head (Buffy), Tony Way (Game of Thrones) and Verne Troyer (Austin Powers) they each play odd-ball characters that A.Jay and Shann encounter on their shift.
Overall, Convenience is a great example of low budget British comedies. The film manages to capture the tedium of retail work, yet is always watchable due to a great script and stellar performances from the cast.

https://www.youtube.com/watch?v=wM5pQc9TqVI

Listen to our interviews from the press junket here

Film Review-Pan

Peter Pan has been adapted numerous times through-out the ages. The timeless tale of the boy who will never age has been told and re-told in multiple different ways.

With this latest adaptation, Warner Brothers have tried to put a fresh spin on J.M Barrie’s material by making it prequel to the tale we know so well. “this isn’t the story you’ve heard before.” A narrator tells us in the opening scene.

When we first meet Peter (Levi Miller), he’s a Artful Dodger-esque 12-year-old living in a London orphanage during the Blitz. The orphanage is run with an Iron fist, by a Catholic nun (Kathy Burke) she’s rude, sadistic and hoarding all the rations.

Every so often, a child or two goes missing in the night, the other boys assume they’ve been evacuate to Canada. Late one night, Peter and some other orphans are appropriated by some pirates and taken away in a flying ship.  

They are taken to Neverland and are introduced to Captain “the pirate that all pirates fear” Blackbeard (Hugh Jackman).

  
Neverland isn’t the Picture-esque place we’ve seen before. Blackbeard is a tyrant of a dictator, whom has enslaved the children and put them to work mining Pixium (pixie dust). 

Unfortunately for Blackbeard, Neverland has an ancient prophecy. One day a boy who can fly, will lead an uprising against him. 
Whilst facing execution Peter flies for the first time. But, he’s doubtful about his new abilities and although he wants to believe, he can’t quiet see himself as a hero. Luckily for Peter he has some friends to help him on his way including; James Hook (Garrett Hedlund) and Tiger Lily (Rooney Mara).

Joe Wright’s Pan is trying to offer us something new and, for the most part it succeeds. The music choices are inspired, thousands of pirates chanting the lyrics to smells like teen spirit, is chilling and it works so well that it’s amazing nobody has done it before.  

The use of vibrant colours give the film a visual style that will charm and mesmerise kids. The scintillating colours of Neverland are a great contrast from the dark and dank, war-torn London orphanage. 

  
12-year-old Australian, Levi Miller is fantastic as Peter Pan he oozes cheeky charm. I predict big things for him in the future.  

After 15-years of playing Wolverine, Hugh Jackman has a ball playing the villain. Blackbeard is a contradiction within himself, he changes personalities at the drop of a hat-or in this case, wig. 

Garrett Hedlund and Rooney Mara are great in their roles, but don’t actually have that much to do. Special mention must go to Adeel Akhtar as Mr.Smee. Ahktar manages to perfectly personify the weasel-like Smee.

Kids will love this, adults will want the soundtrack. 

Pan is released in the UK on the 16th of October. 
 

Episode 143:Torchwood-The Conspiracy 

In which Martyn and Gerrod review the first of the new Torchwood range, by Big Finish.

*The review contains mild spoilers*

Captain Jack Harkness has always had his suspicions about the Committee. And now Wilson is also talking about the Committee. Apparently, the world really is under the control of alien lizards. That’s what Wilson says. People have died, disasters have been staged, the suspicious have disappeared.

It’s outrageous.

Only Jack knows that Wilson is right. The Committee has arrived.

Torchwood contains adult material and may not be suitable for younger listeners.

Next episode includes interviews with Verne Troyer, Ray Panthanki and Adeel Akhtar.

The podcast is available from all good podcast services, such as but not limited to Amazon Music, PodchaserPlayer FM, Stitcher, and Apple Podcasts.

Check out our Youtube.

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Review- Big Finish:Terror of the Sontarans

Terror of the Sontarans concludes the trilogy of main range stories for the Seventh Doctor (Sylvester McCoy) and Mel (Bonnie Langford).

The adventure takes place on a mining facility, which is now acting as a Sontaran research base. The Doctor and Mel are responding to a distress beacon and have arrived to find the base seemingly empty. Deep down in the depths of the facility, they stumble across the original crew, whom are being held prisoner.

Something is picking the crew off one-by-one and even the Sontarans are running scared.

I’ll admit, I am one of the Doctor Who fans that doesn’t like how the Sontarans have been handled on the TV series recently. But, with this the writers have found an intriguing balance between the seriousness of the classic Sontarans and the silliness of modern Sontarans and the end result is a perfect blend of the two ideologies.

Bonnie Langford and Sylvester McCoy are flawless here, they sound exactly the same as they did in the 80’s, at times it’s as if they’ve just finished recording an episode for the BBC and entered the recording booth for Big Finish.

Langford really suffered on the TV series, but Big Finish have given her some solid material, that really allows her to shine. She is fast becoming my favourite Big Finish companion.

The direction is also spot-on, by the ever-reliable Ken Bentley.

Big Finish have been consistently good this year, I  can’t wait for 2016.

 

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Big Finish review-Torchwood: The Conspiracy

Prepare to venture into an extraordinary realm where Torchwood takes a daring twist, pushing the boundaries of what you thought you knew. The Conspiracy, the inaugural chapter of Big Finish’s New Who spin-off series, ignites a captivating journey that redefines the beloved franchise. But does it succeed? That question lingers, for this Torchwood instalment ventures into uncharted territory, captivating fans with its fresh approach.

The invigorating new Torchwood theme will mesmerise your senses and linger in your mind. Brace yourself, as it may become your latest obsession, perhaps even a ringtone worth keeping. Composer Blair Mowat skillfully weaves a harmonious tapestry, offering a glimpse of the magnificent musical odyssey that awaits us in future instalments. The distinctive Torchwood atmosphere permeates the soundtrack, transporting you to the heart of a captivating episode.

The format itself presents an intriguing surprise. The Conspiracy embraces a unique narrative style, employing first-person narration similar to River Song’s captivating storytelling in The Angel’s Kiss. At first, this may seem like Jack is breaking the fourth wall, but fear not, for there is a fascinating in-story reason behind this narrative choice. It adds an extra layer of ingenuity, enhancing the overall experience and drawing you further into the story.

As we venture forward, we encounter the intricate tapestry of the storyline itself. Think of The Conspiracy as the initial puzzle piece in a larger six-part Doctor Who tale. It skillfully lays the groundwork for future chapters, yet when viewed independently, it vacillates between being “meh” and “ordinary.” Characters other than the indomitable Jack Harkness may come across as relatively ordinary or less captivating, leaving us yearning for a deeper connection. However, prepare to be astonished by the remarkable fact that the UK-based cast, including the incredible John Barrowman, recorded their parts while he was in America. This technological marvel seamlessly creates the illusion of a united ensemble, and credit must be given to the director for orchestrating such an exceptional feat.

Although The Conspiracy may lack an immediate sense of palpable tension, it gradually builds towards an enthralling climax that seizes your attention three-quarters of the way through. Unfortunately, we don’t develop a strong emotional attachment to the secondary characters, making it challenging to empathise when events unfold. However, where this story truly shines is in the flawless portrayal of Jack Harkness. Barrowman’s performance is nothing short of extraordinary, presenting a charismatic yet restrained Jack who takes centre stage. This is the embodiment of the beloved character we know and adore, striking a perfect balance for both innuendo enthusiasts and those seeking a more serious tone.

In terms of timeline, subtle references to Gwen and Skypoint indicate that the story takes place after the events of Season 2. However, intriguing possibilities arise, suggesting potential connections to Miracle Day, as the absence of Ianto and the lack of explicit mention of the Miracle Day team hint at a broader narrative scope. The Conspiracy also offers glimpses into fragments of Jack’s pre-Doctor life, adding an enticing layer of mystery to his enigmatic past.

Is The Conspiracy a suitable entry point for newcomers? Only if you have delved into at least Season 1 of Torchwood. This chapter plunges us into a world brimming with intrigue, assuming a level of familiarity with Jack Harkness and the Torchwood universe. It serves as a thrilling continuation of the Torchwood saga, immersing fans in a captivating web of secrets and conspiracies. However, for those who have yet to embark on the Torchwood journey, it may prove challenging to fully grasp the intricacies of the organisation and its characters. The Conspiracy assumes prior knowledge of Jack Harkness and the essence of Torchwood’s endeavours, ensuring a rewarding experience for dedicated fans while encouraging newcomers to delve into the earlier seasons.

At its core, The Conspiracy excels in delivering a thrilling experience for enthusiasts of conspiracy theories and the depths of the human psyche. It offers a gripping narrative that retains its entertainment value even upon multiple listens. I found myself drawn back to it twice in a single day, captivated by the intricate layers of the story. It’s a testament to the remarkable craftsmanship behind this audio adventure, ensuring that it remains a source of enduring enjoyment.

The Conspiracy stands as a testament to Torchwood’s evolution and its ability to captivate audiences with its bold new direction. While it may have its share of minor flaws, the stellar portrayal of Jack Harkness and the intriguing narrative make it a worthy addition to the Torchwood canon.

Whether you’re a seasoned fan or a newcomer eager to immerse yourself in the world of Torchwood, The Conspiracy promises an exhilarating journey that will leave you craving for more. So, put on your headphones, buckle up, and prepare to be enthralled by this thrilling audio experience that unveils new dimensions within the ever-evolving Torchwood universe.

⭐️⭐️⭐️

Episode 142: A couple of dicks

In which Martyn and Gerrod crack open the bourbon and attempt to record a podcast.

They discuss, Pressure, Straight outta compton, Mission Impossible:Rogue Nation, Ant-Man and, Fant4Stic.

Help Dewi

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