Big Finish review-Torchwood: Fall to Earth

The first episode of Big Finish’s new Torchwood series, ‘The Conspiracy,’ got off to a really great start. It was a nice mix of drama and narration, and set the scene up for Torchwood’s latest arc really nicely.

‘Fall to Earth’ is a very different type of story. While it only has two cast members for the whole episode – namely Gareth David-Lloyd as Ianto Jones, and Lisa Zahra as Zeynep – there’s no narration for this one. In fact, the entire story is focused on one telephone conversation, and it’s both the most random and most mundane of telephone conversations, at that: a cold caller trying to sell Ianto some insurance.

What makes this cold call interesting to listen to, however, is that Ianto’s been called while he’s on a crashing spaceship and there’s no one else who can help him…

Despite being a two-hander and, even on audio, mostly taking place in one setting, this is a very fast-paced episode. It unfolds over real time as Ianto does his best to convince this insurance seller to help him, even if he has to actually buy insurance to do it.

Along the way, we gradually learn more about both Zeynep, the person whom Ianto is talking to the entire time, and how and why Ianto ended up on the spaceship in the first place.

There’s heaps of drama in the story, as Ianto and Zeynep get to know each other better and form a really close bond over the course of the episode. It’s actually the kind of story you’d expect from Torchwood – something that’s a lot more focused on the ordinary humans than on spaceships, aliens, and conspiracies. Those things are just the catalyst that allow the emotional drama to happen, and we get a lot of it with this story.

Towards the end, it gives its listeners a massive gut-punch, and the fact that it’s delivered so well after only an hour of build-up is a testament to the writing of James Goss.

Gareth David-Lloyd carries the weight of this story entirely on his shoulders, and he does so with remarkable skill and emotional range. His portrayal of Ianto’s desperation, fear, and eventual resignation is truly captivating and serves to draw the listener in even further.

Gareth’s performance is the standout aspect of the episode, and it’s clear that he has a deep understanding of the character he’s been playing for over a decade.

I struggle with audio dramas, my mind drifts a lot. However ‘Fall to Earth’ grabbed my attention from start to finish. It’s a beautiful two-hander and shows exactly what Big Finish and Torchwood can really do at their best. With a few more releases like this, Torchwood on Big Finish may become the definitive version.

Blu Ray Review-San Andreas

San Andreas is the latest big-budget-natural-disaster-summer-movie-epic.

California is suffering from the largest earthquakes in history and the only person that can save mankind is The Rock, in a little boat.

Ray (Dwayne “The Rock” Johnson) is a helicopter rescue pilot, forced to abandon his mission in order to save his daughter.

Technically speaking, San Andreas is an impressive achievement. It realistically depicts various well-known Los Angeles and San Francisco landmarks, crumbling to the ground in the wake of destruction.

What prevents this from being an enjoyable film is that the screenplay takes itself too seriously, whist using cheesy clitches. It wastes the talent of Paul Giamatti, whose character only exists to provide exposition.

The film also squanderes the action-hero charisma Johnson presented in the fast and furious franchise. Had this been a film about a rouge helicopter pilot saving the people of San Andreas, this could have been an enjoyable popcorn movie. Instead it shifts all its focus on one family and never feels more than a big budget SyFy movie.

Big Finish review-Doctor Who:Criss-Cross

Pete and I had a chat about Doctor Who: Criss Cross, by Big Finish.

Martyn: With over 16 years of audio adventures, the biggest problem with the Doctor Who range used to be ‘where do you start?’

Pete: In a way, everyone jumps into Doctor Who in the middle; there’s a certain joy to discovering the world we’re dropped into, in our own order.

M: It can still seem daunting for new listeners to climb on board the Big Finish train. Recently they’ve decided to play down the continuity of the first 200 and provide a fresh jumping on point for new listeners. The first three focused on the Seventh Doctor and Mel.

P: Return of the Sontarans was really fun; I liked your review.

M: Criss-Cross kicks off a brand new trilogy for the Sixth Doctor and Constance Clarke. In a very time-wimey way, we met her in The Sixth Doctor: The Last Adventure.

P: The extras for that mention how Colin Baker needed some convincing to sign his character’s death warrant. But he needn’t have worried; it just left me wanting more. It must have helped him, though, to have a glimpse of the future in there.

M: Written by Matt Fitton, Criss-Cross tells the story of the ‘Wrens’ working at the Bletchley Park codebreaking facility in World War II. They start out dealing with and becoming suspicious of the eccentric ‘Doctor John Smith.’

P: This is super timely, too. There’s a new book by Tessa Dunlop about the women of Bletchley Park, BBC2 have just done a doco on somebody besides Alan Turing and of course there’s the Imitation Game film with Cumberbatch.

M: This one’s a gripping war-time story – suspicion and espionage, with hints of sci-fi thrown in. The characters are spies, double agents, Nazis and code-breakers. Matt Fitton manages to perfectly encapsulate the horrendous situations people in war often found themselves. The period feels authentic and Constance Clarke is very much of her time.

P: They’ve given her an absent husband like Emma Peel had, but perhaps not like that; we’ll see. Mrs Clarke is both a foil and an asset, which is really good for ‘old sixie.’ Miranda Raison pitches it just right; I remember her from Wreck of the Titan. I’m also hoping to see her in A Winter’s Tale, a new live HD theatre project Kenneth Branagh is doing.

M: Colin is at the top of his game here, the chemistry with Miranda Raison is impeccable, it’s up there with the Seventh Doctor and Ace, or Ten and Donna.

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Review-Doctor Who: The Third Doctor Adventures

The natural impulse for genre fans granted new material, before they’ve even enjoyed it, is to put it on the shelf. Its ability to ‘fit in’ seems so important at first but why would we want exactly what we have? What we get with these Third Doctor Adventures isn’t a lonely replay of a dusty videocassette. It’s the fresh sound of a graduate Doctor.

From Peter Davison to David Tennant we’ve seen our favourite performers return in victory laps on audio that have become regular gigs. The actors don’t sound quite like they did on telly but before long the wonder of the experience takes over. Suddenly we’re not reliving the past; we’re experiencing a special sort of future.

The occasional sibilant ‘s’ of Jon Pertwee’s Doctor, the easy confidence, that delightful vocal texture, they’re all there but so is Tim Treloar. The Welsh actor has certainly taken on the southeast England style of Jon Pertwee but most importantly, he’s gone beyond the skill of the impressionist to give us a character that fits right in with the remarkable animal that is this 21st century return to the Pertwee years.

Alongside are Katy Manning as Jo Grant and Richard Frankin as Mike Yates. Having been delighted with their performances as Iris Wildthyme and the retired Captain Yates, it was lovely to hear them cast their voices back a few decades into the characters that made them famous. Of course, we’re getting a graduate Classic Jo and a graduate Classic Yates but this should be no surprise (or worry) to regular listeners to Big Finish audio drama.

Before long, The Doctor is disturbing the room as he upbraids a bureaucrat, Jo is making battle armour out of her faith in him and Yates is, well, getting chances to be more heroic than ever. Big Finish is generous like that. And the gap in the shelf behind me is forgotten completely.



Having dropped five paragraphs on why things shouldn’t slavishly imitate our best-loved Pertwee adventures, I must mention that the music is absolutely spot on. Prisoners of the Lake has the musical style of The Sea Devils but with a very welcome melodic quality and Havoc of Empires has a Dudley Simpson style with friendly tones evocative of the Third Doctor’s first serial on TV.

The only true oddity is the narration sprinkled throughout the stories which might have been Big Finish treading carefully, couching Treloar as both narrator and Doctor. They needn’t have bothered but certain action sequences play quite well-narrated, whereas in dialogue the characters would have had to illustrate the action for us in odd sorts of ways.

Big Finish know well each era of classic Doctor Who and their output is forward-thinking, waxing creative and progressive in precisely the areas of the old series that we’d like expanded or redressed. The Third Doctor Adventures continue this trend. Roll on, Doctor Treloar!

Doctor Who: The Third Doctor Adventures at Big Finish

Check out our other Big Finish reviews.

Episode 145:Snakes on a wizboard

In which Martyn and Pete discuss Doctor Who: The Magicians Apprentice/The witches familiar.

The Magician’s Apprentice” is the first episode of the ninth series of the British science fiction television series Doctor Who. It was first broadcast on BBC One on 19 September 2015. It is the first episode of a two-parter, the second of which is “The Witch’s Familiar“, both written by Steven Moffat and directed by Hettie MacDonald.

The podcast can be accessed via different places, including Audioboom, Tunein, Miro, Stiticher, Blubrry, Player fm and Itunes.

Twitter:

Martyn – @BadWilf

Gerrod – @Nerdthro_P

Pete – @BeeblePete

Email:info@badwilf.com

Review-Big Finish: The Wonderful Wizard of Oz

Following their successful adaptations of genre classics such as Dorian Gray and Frankenstein, Big Finish have now produced an audio adventure based Frank Baum’s The World of Oz.

After a tornado hits her home in Kansas, Dorothy and her dog Toto find themselves in the magical Land of Oz.

The house sets down in Munchkin land and accidentally kills the Wicked Witch of the East, by landing on her.

Dorothy and Toto then embark on an epic journey to find the only person who can help them return home, the legendary Wizard of Oz.
They quickly make friends with a brainless Scarecrow, a heartless Tin Man and cowardly Lion. Realising they all want to see the Wizard, the group travel together.

Sadly for Dorothy, The Wicked Witch of the West is seeking revenge for the death of her sister.

Frank Baum’s original novel differs greatly from the 1939 MGM musical and, adaptations of either tend to go two ways, they’re either very faithful, or they try to be edgy and new. Marc Platt has opted to faithfully adapted L. Frank Baum’s original novel.

The performances are all top-notch, Ally Doman shines as Dorothy, as do Stuart Milligan as Oz, Rachel Atkins as The Wicked Witch of the West, and Big Finish regular, Dan Starkey as the Monkey Captain.

Oz purists will love this.

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Review-The Troop by Noel Clarke

In The Troop a team with super powers rises from a nightmare parade of violence, with memorable action sequences and flashes of sexual activity along the way.

Author Noel Clarke was part of the the main cast of Doctor Who’s 2005 return to television. Since then he’s written an episode of Torchwood and a couple of independent films, all of which show his knack for dark material. He told the Hollywood Reporter that he wanted to push boundaries with this comic. Where he does that is in his depiction of real life abusive human behaviour, which exists in the backgrounds that these super-humans come from. The Troop are not so much a fearless team of super heroes as a damaged pile of kids united by a shady character who comes off as a bit of a creep.

We’re in an early period for digital comics as they differentiate themselves from the heavy lines and solid fills of the past. In this book, artist Joseph Cassara paints with loads of photographic colour and texture. In one panel he simulates shallow depth-of-field, where the background has those discs you get from expensive cameras when points of light in the background are blurred.

It can be a little noisy but structure does win out over chaos, particularly in the action sequences. Movement in illustration is tied to the way shapes strike across the page and Cassara works this well. In a rainy forest chase he does this by putting his virtual camera high in the trees and in another, he grabs a snapshot from a flying belt’s hang time before a dangerous dad brings it down.

Issue 1 of The Troop is a bit of a contest between abuse violence and revenge violence but Noel Clarke is setting up something that is intentionally not shiny. This is a tale where everything soft is burnt away – that can lend the truly poignant bits great impact later on. Now it’s up to Clarke and Cassara to deliver on the promise shown so far.

Listen to our interview with Noel Clarke here.

Artwork preview:


  

Issue #1 is out 9th December 2015

DVD review-The Lazarus Effect

A group of medical researchers develop a way of bringing animals back from the dead; when one of the researchers (Olivia Wilde) accidentally dies during a follow up experiment, her fiancé (Mark Duplass) uses their controversial process on her.

The film has an interesting premise, that could send a social message about the way we handle death and morality in the Western world. However, this movie is in hands of director David Gelb and writers Luke Dawson and Jeremy Slater. They fumble their way along, giving us a horror movie, full of paint-by-numbers clichés, with a story that doesn’t really make any sense.

There’s no character development and the plot gets stuck in a cul-de-sac.

The cast try their hardest, but even established actors like Wilde, Duplass and Amy Aquino struggle to elevate this mess.

The Lazarus Effect is out on DVD/Blu Ray and digital download on October 19th.

Big Finish review-The Yes Men

The Yes Men is the first in a new four part series of full cast audio stories called ‘Early Adventures’. These adventures are focusing on the second Doctor and his various different companions.

Fan favourite Frazer Hines reprises his role as Jamie and also plays The Second Doctor. Anneke Wills acts as narrator as well as reprises her role as Polly.
As Michael Craze sadly passed away in the late nineties, the role of Ben Jackson has been recast with Elliot Chapman.

The story starts with the Doctor wanting to visit his old friend Meg Carvossa, on the Earth colony of New Houston. Shortly after arriving, team TARDIS find that Meg has died in a mysterious way. That’s not the only problem, the helper robots have started acting a bit shifty.

What follows is a suspenseful tale of suspicion and death.

I know a lot of hardcore fans are unhappy with the recasting of pivotal roles, I am not one of them. I want Early era Big Finish stories and this is the only way we’re going to get them.

Elliot Chapman is phenomenal as Ben. It’s as if Michael Craze never left us, Chapman plays the role with the upmost respect for Craze, yet he also manages to make the role his own. The result is mesmerising.
I’m a huge fan of Frazer Hines, so I hate to type this. But, I don’t rate his turn as The Second Doctor. He can do a really decent impression of Patrick Troughton but that doesn’t really work for a 2hr audio play.
Other than that, everything else is up to the high standards we’ve come to expect from Big Finish. The script is solid, the direction is flawless and the music adds to the atmosphere. Stephen Critchlow is excellent as the mono toned Yes Men.

I look forward to hearing what the next set of Early Adventures brings us, but I’m especially intrigued to see what Elliot Chapman does with Ben Jackson.

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