Review-Doctor Who: Origins #1

In DOCTOR WHO: ORIGINS #1, released on June 8th, 2022 by Titan Comics, we embark on a new mission with the Fugitive Doctor, who must stop a dangerous cult from destroying Gallifrey. But, as expected in the world of Doctor Who, things are not quite as they seem.

Whilst The Timeless Children storyline proved to be controversial, fans mostly agreed that Jo Martin’ was fantastic as The Fugitive Doctor. She made a huge impact when she first appeared on screen in the long-running series. Her unexpected and mysterious introduction left fans wondering who she really was and where she fit into the Doctor’s complicated timeline.

Martin’s portrayal of the Fugitive Doctor was intriguing and compelling, capturing the essence of the character in a fresh and unique way. Her performance garnered praise from both fans and critics alike, and it’s exciting to see her character explored further in DOCTOR WHO: ORIGINS #1.

As always, writer Jody Houser provides readers with an exciting opportunity to get to know the Fugitive Doctor during her time working for the Division. We see her personality traits that eventually lead her to become a Fugitive, making for an engaging introduction to this incarnation of the Doctor. However, the art by Roberta Ingranata has some issues, particularly with consistency in the Fugitive Doctor’s anatomy and overuse of copy/pasting.

The highlight of the issue is Houser’s portrayal of the Fugitive Doctor, who is wise, sharp, and headstrong. She assumes an authoritative role when paired up with a junior member of the Division, showcasing why she is held in high regard. The mission at hand seems suspicious from the start, and readers can see how it will eventually lead to a split with the Division, serving as an excellent motivation point for her future.

The issue starts with a thrilling scene featuring the Fugitive Doctor in a darkened hallway, followed by an encounter with a giant Nebula Spider and a rescue by a Weeping Angel. Later, she receives a new assignment from the Division and is paired with Taslo, a freshly-graduated agent. The mission takes them to various cult strongholds, and the issue ends with a surprising meeting and the discovery of a unique way to store weaponry.

Overall, DOCTOR WHO: ORIGINS #1 is an intriguing start to a series that explores one of the lesser-known Doctors in Time Lord history. Houser’s writing gives the Fugitive Doctor a strong and assertive personality, while the mission provides plenty of opportunities for further exploration. However, the inconsistent art detracts from the overall reading experience.

⭐⭐⭐

Review-Everything everywhere all at once

In Everything Everywhere All at Once, the filmmakers masterfully embrace the absurdity of life to explore deep philosophical concepts such as family dynamics and existential crises. The film follows the journey of Evelyn, a launderette owner struggling to break free from her father’s disapproving gaze and her own patriarchal hang-ups. As she discovers the existence of a multiverse with millions of versions of herself, she navigates through her complicated relationships with her daughter, husband, and the IRS agent who’s auditing her.

Stephanie Hsu delivers an exceptional performance that stands out against a cast of familiar faces. However, it is Michelle Yeoh’s portrayal of several intriguing interpretations of her character that draws on her storied cinematic career and brings depth and nuance to the role. Yeoh is undoubtedly a strong contender for the Best Actress Oscar, making her character’s journey even more compelling to watch.

Ke Huy Quan’s return to the big screen after many years away is marked by a heartfelt and authentic portrayal of Evelyn’s doting husband. Although he may be out-acted by his female counterparts, Quan’s performance showcases his talent and adds to the film’s overall quality. The addition of Jamie Lee Curtis adds a much-needed dose of humor to the absurdity of the plot.

While the film blends several genres to uncover universal truths, it does rely heavily on sensationalism to cover up plot inefficiencies. Despite this, Everything Everywhere All at Once offers a unique and entertaining experience that challenges viewers to embrace the absurdity of life, the universe and everything.

⭐⭐⭐⭐

Episode 282: The unbearable weight of massive talent

Martyn and Gerrod bring you the latest in entertainment news, as well as a review of the new Nicolas Cage film, The unbearable weight of massive talent.

The podcast Smartlink.

Artwork by Beeble Pete. Adapted by Penny Smallshire.

Running Down Corridors can be found here.

We sound familiar can be found here, More than just an impression can be found here.

Comedians talking about football can be found here, Cister Act here.

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Film review-Morbius

It’s rarely a good sign, when the press screening for a film is the day before its release. So I attended the screening for this with very low expectations and those expectations were met.

“Morbius” is a very lacklustre and anti-climactic addition to the Sony Marvel universe. Jared Leto stars as Dr. Michael Morbius, a famed blood disease specialist who becomes a superhuman with vampiric abilities after his work goes awry.

Unfortunately, “Morbius” fails to elevate the originality of its comic book inspiration and instead relies on formulaic storytelling and forgettable characters. The lack of atmosphere and striking resonance robs the film of its ability to captivate and engage its audience. Despite the film’s special effects, they do little to salvage it from its poor craftsmanship and dull storytelling.

The one bright spot is Matt Smith’s portrayal of Morbius’s lifelong friend, Milo. Smith seems to be having an absolute blast in the role, injecting a much-needed dose of energy and charisma into the otherwise lackluster proceedings. Despite the script’s shortcomings, Smith’s performance is a testament to his talent as an actor and his ability to inject life into even the most underwritten of characters. While this may not be the vehicle that propels Smith to Hollywood stardom, his presence is certainly a welcome one in an otherwise forgettable film.

An amusing aspect is the film’s attempt to pass off London tube stations as New York City subways. Despite the best efforts of the production design team, the tube stations are unmistakably British. It is a reminder that no matter how big the budget or talented the crew, some details are just too difficult to fake convincingly.

The post-credit scenes add another layer of confusion around the Spider-Man anti-hero, leaving audiences with more questions than answers. It is a shame that even with ample time to rework its flaws, “Morbius” struggles to manifest its quality. As such, Sony Pictures has succeeded only in draining life from this vampire film, leaving it a forgettable addition to the Marvel Studios canon.

⭐⭐

Episode 281: The Batman

Martyn and Gerrord are joined by Antoni Pearce. The dynamic trio talk about The Batman. Spoilers are contained within, obviously. 

The podcast Smartlink.

Artwork by Beeble Pete. Adapted by Penny Smallshire.

We sound familiar can be found here, More than just an impression can be found here.

Comedians talking about football can be found here, Cister Act here.

Twitter: Martyn, Chris, Sam, Gerrod, Pete

Instagram: Podcast, Martyn, Chris, Sam

 

Big Finish review-Torchwood Sonny

In just a few short years, Lizzie Hopley has cemented herself as one of the most consistent writers on the Big Finish roster. Returning to the Torchwood range for the first time since 2017, she gives us an interesting morality tale about care homes, loneliness, the treatment of elderly people and, the existential crisis of an AI.

Torchwood: Sonny follows fan-favourite Rhys (Kai Owen) as he enlists his mum, Brenda (Nerys Hughes) into helping Torchwood investigate a new fleet of robots, in a care home. At first, Brenda isn’t too pleased about this. But as time goes on, she becomes more and more dependent on her robot, named Sonny.

I had almost expected this to be a tale of robots taking over and attempting to enslave humanity. But Lizzie Hopley is so much smarter than that. She knows we’ve seen that trope a thousand times before. Instead of making us fear what robots could do to us, she makes us fear what robots could reveal about us.

Kai Owen, Nerys Hughes, and Steven Kynman are all terrific, and their relationships are convincing from the start. We all know Hughes is a particularly talented actress, but she absolutely shines in this audio. She portrays Brenda with such a raw vulnerability, that feels like an emotional gut-punch at times. There’s a wonderful complexity to Brenda, that I hope we get more of in the future. The supporting cast is also exceptionally strong, with Amerjit Deu, in particular, doing a fantastic job as Prudeep.

Sonny is not only a brilliantly comedic script, it’s also a deep exploration of what it means to feel isolated. Hopley manages to convey the monotony of being in a care home, without the story being boring. Lisa Bowerman’s direction is flawless and keeps the story going at exactly the right pace, this is all beautifully accompanied by Steve Wright’s soundtrack.

I’ve said it before, but I think it bears repeating. Torchwood on Big Finish is Torchwood at its absolute best.

Torchwood: Sonny is available to buy from the Big Finish website.

⭐⭐⭐⭐⭐

Film review-Scream (2022)

Scream 2022 is a “re-quel,” part reboot and part sequel, which brings back some familiar faces while introducing a new cast of characters.

I must admit, I had our reservations going into this film. It’s been 25 years since the original Scream hit cinemas and made a lasting impact on the horror genre. Could this new take live up to its predecessor’s legacy?

After watching the film, I can say with confidence that it does deliver some thrills and chills. The film’s brutality is certainly a step up from the previous installments, with plenty of blood and gore to satisfy horror fans. However, I do have some reservations.

Firstly, the film can be quite silly at times, with tenuous links to the original and some questionable plot points. It’s not always clear if the film is trying to pay homage to its predecessors or simply rehashing old ideas.

On the other hand, the film is still chock-full of horror references and genre awareness, which is sure to please die-hard fans. The co-directors do an excellent job of inserting nods to Wes Craven’s work and playing with genre conventions.

The cast also delivers strong performances, particularly Melissa Barrera as Sam and Jenna Ortega as Tara. They have great chemistry and bring a fresh energy to the film. It’s also great to see Neve Campbell, David Arquette, and Courtney Cox return to their iconic roles.

Overall, Scream 2022 is a fun and entertaining horror movie that will satisfy fans of the genre. While it may not have the same impact as the original, it’s still a solid addition to the franchise.

⭐⭐⭐⭐

Episode 278: Doctor Who-Eve of the Daleks

Martyn, Chris and Sam discuss the latest New Year’s Day special of Doctor Who, Eve of the Daleks. 

The podcast is available from all good podcast services, such as but not limited to Spotify, Amazon Music, PodchaserPlayer FM, Stitcher, and Apple Podcasts.

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Artwork by Penny Smallshire.

We sound familiar can be found here.

More than just an impression can be found here.

Comedians talking about football can be found here.

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Check out Cister Act here.

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Spoiler-Free Review: Cobra Kai series 4

This weekend, fan-favourite Cobra Kai returns to Netflix for its fourth series.

In this series, we see Johnny Lawrence (William Zabka) pair up with his long-term enemy, Daniel LaRusso (Ralph Macchio). The duo has put aside their differences and merged their classes, in order of giving their students a chance at winning the tournament against the Cobra Kai dojo, now managed by John Kreese (Martin Kove).
This was never going to be an easy match, especially now that Kreese’s old war buddy, Terry Silver (Thomas Ian Griffith) has returned. Everyone is on the edge and unsure of what to expect.

This series returns to a more character-driven narrative, that some fans may have felt was missing from series 3. Thomas Ian Griffith is clearly having the time of his life, playing a complete psychopath and he’s exactly what the show needed. Johnny’s estranged son, Robbie (Tanner Buchanan) has joined Cobra Kai and is teaching them everything he learned from Daniel and Miyagi-Do. Samatha (Mary Mouser) has fully embraced Johnny’s “strike-first” attitude.

There are some twists and turns that I won’t spoil here. We also get to see a lot more of Daniel’s son, Anthony LaRusso (Griffin Santopietro). This is nice, as he’s mostly just been in the background for a lot of the show. We’re also introduced to a new character, Kenny (Dallas Dupree Young).

It’s a fantastic set of episodes that move the story forward and set up the future of the franchise. I came away from this extremely excited for series 5. However, the first eight episodes do sometimes feel like they’re just treading water until the tournament in the last two.

Series 5 has already been greenlit, so I can’t wait to see where they take this franchise next.

Cobra Kai returns to Netflix on New Year’s Eve.

⭐⭐⭐⭐

Film review-The King’s Man

The King’s Man, a prequel to the Kingsman franchise, attempts to provide a backstory for fans but ultimately falls short in delivering a cohesive and engaging story.

Set on the verge of World War One, the film follows King George of England, Kaiser Wilhelm of Germany, and Tsar Nicholas of Russia, played by Tom Hollander, as they find themselves ruling three powerful nations. However, dark forces commanded by Erik Jan Hanussen, played by Daniel Brühl, lurk in the shadows, attempting to infiltrate the leaders’ trust and launch a world war. Meanwhile, manipulative monk Grigori Rasputin, played by Rhys Ifans, adds to the chaos.

Although the action is directed well, with standout moments like the breathtaking skydiving sequence, the screenplay by director Matthew Vaughn and Karl Gajdusek leads The King’s Man into the disjointed territory. It attempts to balance historical drama with action adventure, but the film’s serious anti-war message quickly devolves into a parody.

Rhys Ifans delivers a standout performance, stealing every scene he’s in, but the film’s disjointed nature makes it difficult to fully appreciate. Despite a clever early twist, the story feels predictably plodding, with a post-credits set-up for another instalment that’s head-slappingly obvious.

Overall, while The King’s Man offers some thrilling moments and great performances, it fails to deliver a cohesive and engaging story, leaving audiences feeling underwhelmed.

⭐⭐⭐