Absolute Batman #1 marks the beginning of a darker, more brutal Gotham, where a hulking new Dark Knight takes centre stage. Published by DC Comics as part of its All In initiative, this new universe reimagines Gotham’s protector in bold and fascinating ways. Written by Scott Snyder, with art by Nick Dragotta, colours by Frank Martin, and letters by Clayton Cowles, this is the dawn of the Absolute Universe—and it’s off to a gripping start.
While this issue kicks off a whole new world, it doesn’t begin at the very start. Snyder skilfully weaves together the past and present, offering glimpses of Gotham’s reimagined history while laying out the puzzle pieces of its future. Familiar faces are present, but everything feels fresh and different, with mysteries lurking around every corner. The pacing is deliberate, building a solid foundation before things inevitably come crashing down.
This first issue is about connections—specifically between Batman and the reimagined Alfred Pennyworth, a secret agent who no longer serves the Wayne family. Instead, they’re adversaries, and the dynamic between them adds tension from the start. The dialogue between them is sharp, especially during a brutal and graphic battle where this new Batman reveals his savage fighting style.
The new universe gives Snyder the freedom to reinvent every character. Bruce Wayne’s family history has been rewritten—his parents aren’t the wealthy elites of the main DC universe, and much of Bruce’s past is shrouded in mystery. The narration gives hints of his life story but raises more questions than it answers, leaving readers eager for more.
Alfred Pennyworth’s role is fascinating. No longer tethered to the Wayne family, he’s an independent force, showcasing his intelligence and skill as he navigates Gotham. The adversarial relationship between Alfred and Batman feels fresh, setting up intriguing possibilities for the future.
Many other familiar characters, including members of Batman’s supporting cast and rogue’s gallery, make brief appearances, hinting at their new roles in this reimagined Gotham. It gives the city a lived-in feel, even in this early chapter.
The artwork in Absolute Batman #1 is nothing short of mesmerising. Dragotta’s redesign of Gotham’s most iconic characters is bold, and Batman himself is the standout. This Dark Knight is a massive, hulking figure—more brute than detective. His imposing size dominates every panel, yet he moves with surprising speed and stealth. The cape is a character, adapting to Batman’s needs, from gliding through the city to wrapping around enemies.
The redesign isn’t just about aesthetics—parts of Batman’s costume now double as weapons, adding to his brutal, almost barbaric fighting style. This version of Batman doesn’t just fight crime; he revels in the violence, and it’s clear he has little concern for the lives of those he hurts.
Frank Martin’s colours elevate the story, starting with the familiar dark and gloomy Gotham but adding vibrant splashes of red and blue, giving the book an intense energy. The use of solid background colours in some scenes heightens the impact of the brutal fight sequences, while Clayton Cowles’ lettering fits seamlessly with the tone, adding weight to every punch and line of dialogue.
Absolute Batman #1 heralds a thrilling new era for the Dark Knight. Snyder’s writing is bold, and unafraid to explore uncharted territory, while Dragotta’s art creates a Batman who is as intimidating as he is fascinating. The reimagined characters and settings are fresh, yet the core elements of Gotham’s violence and darkness remain. This comic feels like the beginning of something big and unpredictable, a world where anything can happen.
Whether you’re a longtime Batman fan or new to the character, this first issue delivers a gripping introduction to the Absolute Universe and leaves you craving more. Snyder and Dragotta have created a Batman for a new generation, and it’s as brutal and uncompromising as Gotham itself.
Absolute Batman #1 is out now.
