Episode 208: The Curse of fatal death

We’re back after our summer break, Martyn is joined once again by Sam Michael and Chris Walker-Thomson, as the trio discuss the 1999 Doctor Who parody ‘The Curse of Fatal Death’.

Obvisouly, with this being the podcast it is. They don’t stick to the subject for long.

Doctor Who: The Curse of Fatal Death is a Doctor Who special made for the Red Nose Day charity telethon in the United Kingdom, and was originally broadcast in four parts on BBC One on 12 March 1999 under the title Doctor Who and the Curse of Fatal Death. Later home video releases are formatted as two parts and drop the “and” in the title. It follows in a long tradition of popular British television programmes producing short, light-hearted specials for such telethon events.

The podcast is available from all good podcast services, such as-but not limited to;

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If you’d like to support the show, then please check out our Ko-Fi, or shop via our Amazon link. A small percentage goes our way, at no extra cost to you.

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Martyn – @BadWilf

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Gerrod – @BW_Gerrod

 

Deleted scene from Iron Man

Recently, it was announced that Marvel Studios were planning to release never before scene footage, as part of The Infinity Saga boxset. The box set will consist of every MCU film up to Avengers: End Game.

Marvel Studios Big Boss, Kevin Feige has shared one such scene. It’s an unused post-credits scene from 2008’s Iron Man. Nick Fury mentions “Mutants” and radioactive bug bites”.

I imagine this was dropped due to rights issues, at the time 20th century Fox owned X-Men, Daredevil and Fantastic Four. Whilst Sony owned Spider-Man, this was years before the now defunct rights sharing deal. A similar thing happened with Blade, the original last shot saw Michael Morbius standing on top of a building staring down at Blade. This scene was dropped when Sony’s lawyers reminded New Line, that Sony own the character.

Big Finish review-Torchwood: The Hope

If you’re a fan of the Big Finish Torchwood range, be prepared for their latest release, “The Hope”. As always, the warning “This release contains adult material and may not be suitable for younger listeners” is not just a formality – this audio play by James Goss delves into some dark, unsettling territory.

The story revolves around Megwyn Jones, a notorious figure in Britain due to her role in a scandal involving a home for troubled children in Snowdonia called The Hope. The children disappeared, and Megwyn’s silence about their fate has only fueled speculation about her guilt.

The audio play explores this mystery and raises disturbing questions about what really happened at The Hope.

While the topic of a convicted child-murderer is not an easy one to tackle, James Goss has crafted a masterpiece here. The audio play is deeply unsettling, but also compelling and rewarding. Burn Gorman and Tom Price, who previously showed their chemistry in Corpse Day, are back and deliver stunning performances that are both powerful and chilling.

Siân Phillips is also mesmerising as Megwyn Jones, making the character both detestable and fascinating at the same time.

The Hope stands in stark contrast to last month’s “Serenity”, but that’s what makes the Big Finish Torchwood range so great. This audio play is an example of Torchwood at its absolute best – daring, thought-provoking, and not afraid to delve into the darkest corners of the human psyche.

⭐⭐⭐⭐⭐

Big Finish review-Torchwood:Serenity

Welcome to Serenity Plaza, the most prestigious gated community in South Wales. Jack and Ianto have been sent on an undercover mission to investigate rumors of something sinister happening within its walls. The catch? They have to pretend to be a happy, married couple.

As they delve deeper into the seemingly perfect world of Serenity Plaza, Jack and Ianto begin to face the everyday challenges that normal couples do: sharing household chores, participating in the residents’ baking contest, and vying for the title of Best Kept Lawn. But this is no ordinary competition – this is Serenity Plaza, and some residents are willing to go to extreme lengths to come out on top.

James Moran, writer of the series 2 episode “Sleeper,” has crafted a sequel that builds upon the original threat and adds new layers of complexity. With clever writing that plays to the strengths of the audio medium, Moran has created a logical continuation of the story.

Fans of the popular Jack and Ianto relationship will delight in their interactions here, as John Barrowman and Gareth David-Lloyd showcase their chemistry and comedic timing. Ianto’s Stepford Wife-like behavior and exaggerated Welshness add to the hilarity of the situation.

Overall, Torchwood: Serenity is a laugh-out-loud adventure that will keep fans of the series thoroughly entertained. Don’t miss out on this exciting audio drama!

Thoughts on Spider-Man leaving the MCU

Normally, I’d record this as a quick podcast. But I’m away at the moment and don’t have access to any of my equipment.

News broke recently, that the current deal between Sony and Disney/Marvel has broken down. There seems to be a lot of misinformation/misunderstanding of why the Sony/Disney deal happened in the first place.

A surprising amount of people think it’s because The Amazing Spider-Man films were financial flops. They weren’t. Far from it. They received a critical panning. But they were financially successful. The first one was the seventh highest grossing film of 2012, the second was the ninth highest grossing film of 2014. These are far from the duds so many Marvel fans are claiming.

The original deal happened because the head of Sony (Kenichiro Yoshida) felt dishonoured by Andrew Garfield. In Japanese culture, being dishonoured is a pretty serious thing. Garfield didn’t show up to the event in Rio, that was announcing The Amazing Spider-Man 3 and 4, The Sinister Six and, the wider Spider-Man universe. He’d also turned up to meetings unkempt and seemed entirely disinterested-making the Yoshida feel dishonoured. He wanted Garfield gone.

The company then found themselves in the position where they would either have to recast and make The Amazing Spider-Man 3, or reboot it again. For the third time in 15 years. Understandably Sony Pictures didn’t want to reboot. Which is why they initially turned the deal down. It was only when Kenichiro Yoshida wanted the deal, that it was accepted. Yoshida felt that rebooting the character for a third time, but into the MCU would limit damage control and garner good will with the audience. For both companies, which it did.

The deal was Disney would get to use him for 5 films. Starting with Captain America: Civil War, ending with Avengers: End Game. In exchange for this use, Disney would produce 2 films for Sony-with Sony maintaining distribution rights. In exchange for these films, Disney would get 5% the box office takings and all the money from Spider-Man merchandise.

Essentially, the MCU deal happened because the owner of Sony got offended. Not because Sony needed Disney-the deal was mutually beneficial for both parties, but either would’ve still been okay without the other.

Episode 207: James Dreyfus

I had the great pleasure of spending an afternoon, with 90’s sitcom legend James Dreyfus.

We sat in his living room and geeked out about 70’s horror movies, we discussed if Gimme Gimme Gimme could work in today’s current climate. I got to gush about how great he is as The Master. James told me about his future ambitions and, I confessed to a bizarre rule that I still adhere to..

James Dreyfus is an English actor, most notable for his roles on television sitcoms The Thin Blue Line as Constable Kevin Goody, and Gimme Gimme Gimme as Tom Farrell. More recently, he has moved into voice acting-playing The Master for Big Finish.



The podcast is available from all good podcast services, such as but not limited to Amazon Music, PodchaserPlayer FM, Stitcher, and Apple Podcasts.

Check out our Youtube.

If you’d like to support the show, then please shop via our Amazon link. A small percentage goes our way, at no extra cost to you.

 

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I was a guest on ‘Take your seats’.

In life you’ll find very few people who’ll truly support you-when you find them, you’ve got to keep them close. They encourage and help you to grow.

When Gerrod and I launched Bad Wilf in 2010, one of our very first listeners was Suky Khakh. Over the decade we’ve been been podcasting, Suky has been a constant supporter of ours.

He tweets about every episode and encourages our endeavours both off and on mic. When I was going through a tough patch recently, Suky was there with the words of support and comfort.

After years of talking online, it was an absolute pleasure to put a voice to the face when he joined those fine folks over at Progtor Who.

When he launched his own spin-off podcast, I was honoured that he wanted me to guest. I jumped at the chance. Not only was I getting the chance to talk about one of the greatest films of all time, I was getting the opportunity to give a little pay back to the man whose shown so much love, over the past 10 years.

So, everyone check out this episode of ‘Take your seats’.

Episode 206: Doctor Who spin-off’s

Joining Martyn this week is Chris Walker-Thomson. The pair discuss Doctor Who spin-off’s, ones that have been and ones they would like to see.

The podcast is available from all good podcast services, such as-but not limited to;

Audioboom, Player fm and iTunes.

Subscibe to We Sound Familiar.

If you’d like to support the show, then please check out our Ko-Fi

Follow the Bad Wilf team on Twitter:

Martyn – @BadWilf

Pete – @BeeblePete

Gerrod – @BW_Gerrod

Facebook.

Become a Patron!

If you’d like to support us, then please shop via our Amazon link. A small percentage goes our way, at no extra cost to you.

Episode 205: Doctor Who-Dimensions in time (Revisited)

Martyn is joined by returning guest Sam Michael and first time guest, Chris Walker-Thomson. The trio discuss the Doctor Who special ‘Dimensions in Time’.

Dimensions in time was a charity special cross-over, between the British science fiction series Doctor Who and the soap opera EastEnders. The special was shown in two parts on 26 and 27 November 1993.

It was filmed on location at Greenwich and the EastEnders Albert Square set.  It features several of the EastEnders stars of the time. Along with Jon Pertwee (Third Doctor), Tom Baker (Fourth Doctor), Peter Davison (Fifth Doctor, Colin Baker (Sixth Doctor), Sylvester McCoy (Seventh Doctor).

It was Produced for the Children in Need charity, following Doctor Who’s hiatus in 1989 this special was the only dramatisation broadcast in celebration of the show’s 30th anniversary.

But, is it canon? 

The podcast is available from all good podcast services, such as-but not limited to;

Audioboom, Player fm and iTunes.

Subscibe to We Sound Familiar.

If you’d like to support the show, then please check out our Ko-Fi

Become a Patron!

Follow the Bad Wilf team on Twitter:

Martyn – @BadWilf

Pete – @BeeblePete

Gerrod – @BW_Gerrod

Facebook.

If you’d like to support us, then please shop via our Amazon link. A small percentage goes our way, at no extra cost to you.

Episode 204: Shaft (2019)

Martyn and Gerrod only had 15mins spare when they recorded this, so here is a very brief review of Shaft (2019).

John Shaft Jr. may be an FBI cyber security expert, but to uncover the truth behind his best friend’s untimely death, he needs an education that only his dad can provide. Absent throughout his childhood, the legendary John Shaft agrees to help his son navigate the heroin-infested underbelly of Harlem, N.Y. Besides, the locked and loaded Shaft has his own score to settle — both professional and personal.

The podcast is available from all good podcast services, such as-but not limited to;

Audioboom, Player fm and Itunes.

Follow the Bad Wilf team:

Twitter:

Martyn – @BadWilf

Pete – @BeeblePete

Gerrod @BW_Gerrod