Episode 223: Doctor Who-Praxeus and can you hear me?

Martyn, Sam, and Chris are back. On episode 223 of The Bad WIlf Podcast, they discuss the Doctor Who episodes “Praxeus” and “Can you hear me?”.

In Praxeus, The Doctor and her companions investigate a bacterium that covers human bodies in a crystalline substance before disintegrating them. Aided by ex-police officer Jake, blogger Gabriela, and medical researcher Suki, they find Jake’s husband Adam in the early stages and take him to Suki’s lab to evaluate while Yaz and Gabriela explore the site where they found Jake, eventually finding a teleport to an alien location. The Doctor determines the bacterium is drawn to microplastics. Suki reveals she is from an alien race devastated by the bacterium they called Praxeus, and had come to Earth to evaluate it further for a cure. While the Doctor finds a cure for humans, using a willing Adam to test it, it cannot stop Praxeus from affecting Suki and soon disintegrates her. Travelling to Yaz’ location, they find they are under the Indian Ocean garbage patch, where Suki’s ship is located. They load the ship’s reserves with the antidote and set the ship to self-destruct in the atmosphere to disperse it, but Jake willingly pilots the vessel when the autopilot fails. The Doctor materialises the TARDIS around Jake, saving him moments before the explosion. With Praxeus stopped, the Doctor suggests Jake, Adam, and Gabriela travel the world together.

In ‘Can you hear me?’ The Doctor returns her companions home, where they simultaneously begin to experience supernatural events. Graham sees visions of an imprisoned girl telling him to find her, Ryan sees a mysterious figure cause his friend to vanish, and Yaz sees an unfamiliar woman among memories of her past. The Doctor, still in the TARDIS, receives a signal from 14th century Aleppo, where she meets a young woman named Tahira, a mental patient. Following their strange experiences, the companions contact the Doctor, who uses Graham’s visions to track the source of the nightmares. They are led to a ship in the future piloted by Zellin, who claims to be immortal and omnipotent.[4] After putting the companions and Tahira out of action, Zellin uses the Doctor’s instincts to free the imprisoned girl, Rakaya, another immortal being like himself, who has been feeding on their dreams. The Doctor tricks Zellin and Rakaya back into their imprisonment. Yaz repays an old debt to a police officer she met three years earlier.

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Episode 222: Doctor Who-Fugitive of the Judoon

Martyn, Chris and Sam discuss the Doctor Who episode “Fugitive of the Judoon”.

Fugitive of the Judoon” is the fifth episode of the twelfth series of the British science fiction television programme Doctor Who, first broadcast on BBC One on the 26th of January 2020. It was written by Vinay Patel and current showrunner Chris Chibnall, and directed by Nida Manzoor.

The Judoon search modern-day Gloucester for a fugitive, and the Thirteenth Doctor (Jodie Whittaker) and her companions Graham O’Brien (Bradley Walsh), Ryan Sinclair (Tosin Cole), and Yasmin Khan (Mandip Gill) regulate the situation. The episode sees the return of John Barrowman as Captain Jack Harkness, and introduces Jo Martin as Ruth Clayton, a character revealed to be a previously unseen incarnation of the Doctor.

The episode was watched by 5.57 million viewers overall and received mostly positive reviews from critics.

The podcast is available from all good podcast services, such as but not limited to;

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Episode 221: Orphan 55/ Nikola Tesla’s night of terror

BENNIIIIIII!!! In which your dynamic trio discuss two episodes of Doctor Who. Chris liked Nikola Tesla’s night of terror, Martyn didn’t. Sam hasn’t seen it. Can Chris convince him to watch it, can Martyn convince him to skip it? Listen to find out.

“Orphan 55” is the third episode of the twelfth series of Doctor Who, first broadcast on BBC One on 12 January 2020. It was written by Ed Hime, and directed by Lee Haven Jones.

“Nikola Tesla’s Night of Terror” is the fourth episode of the twelfth series of Doctor Who, first broadcast on BBC One on 19 January 2020. It was written by Nina Metivier, and directed by Nida Manzoor.

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Audioboom, Player fm and iTunes.

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Review-Terminator: Dark Fate

It’s no secret that the Terminator franchise has been in pretty bad shape for over two decades. First, a studio bought the rights to make Terminator 3: Rise of the machines, this was meant to jump-start a new trilogy. It didn’t. Then another studio bought the rights and made Terminator: Salvation. This was meant to jump-start a new trilogy. It didn’t, although the lighting was fantastic. Then, knowing there were only a few years left until the rights reverted back to James Cameron, another studio tried to cash in with the sequel/reboot Terminator: Genesis. This was meant to jump-start a new trilogy. It didn’t.


Finally, in 2017 the right reverted back to Cameron who acted as producer to this film, leaving the directing duties to Tim Miller (Deadpool). And this time, instead of focusing on John Connor, Terminator: Dark Fate follows his mother Sarah (Linda Hamilton) who is now older and battle weary. Her stare alone cuts through the screen with unwavering anger.

The main focus of this film is a young Mexican woman named Dani (Natalia Reyes). Dani is being chased by a new breed of Terminator, the Rev-9 (Gabriel Luna). Dani is being protected by an “enhanced” human from the future named Grace (Mackenzie Davis) who is able to trade blow-for-blow with a Terminator.

With Dark Fate, we get something of a reboot in terms of storytelling and in-universe continuity. Everything post-Terminator 2: Judgement Day, now exists in an alternate timeline that didn’t happen for these characters.

Dark Fate has a very different and interesting dynamic between the leads, even though she’s being protected. Dani isn’t a damsel in distress. She wants to fight, she knows she has to. She just doesn’t know-how. The film holds itself together pretty well, it respects its origins whilst building a new story. The action set pieces are fun and engaging, even if the CGI is a little dodgy at times.

Arnold Schwarzenegger also returns as another T-800-101 model and brings a bit more comedy to his role, than we normally see. He isn’t cracking jokes, but there are a few deadpan lines that break through the tension of the film.

The Rev-9 design is outstanding, easily the best Terminator we’ve seen since Robert Patrick’s T-1000. The Rev-9 is able to create a twin Terminator, to assist him with his mission.

Overall, I was really impressed by Terminator: Dark Fate. It’s a shame the audience has been burnt so many times by poor sequels, as this is more than a worthy successor for Terminator 2.

⭐⭐⭐⭐

Big Finish review-Torchwood: The Sins of Captain John

The Sins of Captain John is a Torchwood release that boasts a fun and engaging four-episode story arc written by David Llewellyn. From zombies in Restoration London to the gates of Hell crashing a funeral, James Marsters as Captain John Hart leads the audience on a wild, unpredictable ride. This release is not suitable for younger listeners due to its adult themes and language.

James Marsters truly shines in his portrayal of the swashbuckling Captain John, and it’s clear that he has a great deal of affection for the character. He breaks the fourth wall with ease, creating a connection with the audience akin to that of the Whoniverse’s answer to Deadpool. Even the director gets in on the fun in a moment where Captain John laments not being able to hear the theme song. It’s an incredible performance by James Marsters as Captain John Hart. Marsters delivers an absolutely stellar performance, showcasing his versatility as an actor and his ability to portray a wide range of emotions. He has the ability to convey the complex emotions of his character. Captain John is a complex character, and Marsters does an excellent job of portraying his many facets. He can be charming and witty one moment, and then cruel and ruthless the next. It’s a testament to Marsters’ skill as an actor that he is able to make all of these aspects of Captain John feel so believable. It’s evident that Marsters has a deep affection for the character, and he seems to relish every moment of his time as Captain John.

One of the things that makes Marsters’ portrayal of Captain John so enjoyable is his ability to break the fourth wall effortlessly. He talks directly to the audience, often making fun of his own situation and poking fun at the other characters. This creates a unique connection between Captain John and the audience, and it makes the listening experience all the more enjoyable.

David Llewellyn’s script is both fast-paced and funny, and Scott Handcock’s direction expertly matches the tone of the story. The supporting cast is also incredibly talented, each giving a memorable performance without outshining Captain John.

Overall, The Sins of Captain John is an excellent addition to the Torchwood canon, and fans of the show will undoubtedly enjoy this latest instalment. It’s been 12 years since we first met the character, and it’s great to hear James Marsters back in the role, leading us on his own adventures. The only thing left to say is, to roll on to Volume 2!

⭐⭐⭐⭐

Big Finish review-Torchwood: Fortitude

Fortitude is a remarkable example of small-scale storytelling. Despite its limited cast and singular setting, writer James Goss has crafted an engrossing and atmospheric tale that blends character-driven drama with suspenseful action. From the moment Queen Victoria and Maharaja Duleep Singh find themselves stranded on a storm-battered fort, the audience is drawn into a world where sinister forces are at work. As the tension mounts and the characters encounter ghosts and a menacing alien force, the stakes are raised to a fever pitch.

The strength of Fortitude lies in its characterisations. Paul Bazely’s portrayal of Duleep Singh is particularly noteworthy, capturing the intense emotions of a man who has lost everything. Rowena Cooper’s performance as Queen Victoria is equally impressive, portraying a monarch who is both cunning and ruthless. Even the supporting character of Colonel Crackenthorpe, played by Mark Elstob, is given significant depth and nuance. As the story unfolds, the audience learns more about his motivations and past, adding to the complexity of the overall narrative.

Like many Torchwood stories, Fortitude explores dark themes and contains mature content. However, unlike some of the more gratuitous entries in the series, the adult material in Fortitude serves a purpose, highlighting the complex relationships and moral dilemmas at play.

Overall, Fortitude is a triumph of storytelling, with an excellent script, first-rate performances, and haunting sound design. It is one of the best Torchwood audios to date, offering an adventure that will appeal to fans of historical fiction, science fiction, and captivating storytelling.

Torchwood: Fortitude is available to buy directly from Big Finish.

⭐⭐⭐⭐

Trailer-Morbius

Sony Pictures has released the first trailer for the upcoming Marvel film Morbius.

Jared Leto stars as ‘The Living Vampire’ in the film. I was really impressed by this trailer.

The trailer offers some surprises along and also confirms that a Spider-Man, exists in this universe…

One of Marvel’s most compelling and conflicted characters comes to the big screen as Oscar® winner Jared Leto transforms into the enigmatic antihero, Michael Morbius. Dangerously ill with a rare blood disorder, and determined to save others suffering his same fate, Dr Morbius attempts a desperate gamble. What at first appears to be a radical success soon reveals itself to be a remedy potentially worse than the disease. 

MORBIUS will open at cinemas July 31

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Episode 220: Doctor Who-Spyfall 1+2

Happy New Year!

In our first episode of 2020, Martyn, Chris and Sam discuss the first two episodes of series 12 of Doctor Who ‘Spyfall’.

Spyfall is the two-part premiere of the twelfth series of the British science fiction television programme Doctor Who, first broadcast on BBC One on 1 January 2020, and concluded on 5 January 2020. It was written by showrunner and executive producer Chris Chibnall. The first episode was directed by Jamie Magnus Stone, and the second by Lee Haven Jones.

In the episodes, the Thirteenth Doctor (Jodie Whittaker) and her companions Graham O’Brien (Bradley Walsh), Ryan Sinclair (Tosin Cole), and Yasmin Khan (Mandip Gill) are enlisted by MI6 to investigate a format agent and alien threat. The episodes mark the return of the Master, as well as the return of Gallifrey, the Doctor’s home planet.

The two episodes were watched by 6.89 and 6.07 million viewers respectively and received generally positive reviews from critics.

Martyn discusses Sounds of thunder SOFT annual 2019. Follow them on Twitter.

Sam has launched a Facebook page and a Youtube channel.

The podcast is available from all good podcast services, such as but not limited to;

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If you’d like to support the show, then please shop via our Amazon link. A small percentage goes our way, at no extra cost to you.

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Follow the Bad Wilf team on Twitter:

Martyn – @BadWilf

Pete – @BeeblePete

Gerrod –@InGerrodsMind

Sam-@Sammichaelcomic

Chris-@ChrisWalkerT

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Episdode 219: Doctor Who Christmas specials-The RTD years

In which Martyn, Sam and Chris discuss the Doctor Who Christmas specials, that were overseen by Russell T Davies.

Sam has launched a Facebook page, a Youtube channel, and a podcast.

The podcast is available from all good podcast services, such as but not limited to;

Podchaser, Player FM, Stitcher and Apple Podcasts.

If you’d like to support the show, then please shop via our Amazon link. A small percentage goes our way, at no extra cost to you.

Check out Chris’ other podcast, We Sound Familiar.

Follow the Bad Wilf team on Twitter:

Martyn – @BadWilf

Pete – @BeeblePete

Gerrod –@InGerrodsMind

Sam-@Sammichaelcomic

Chris-@ChrisWalkerT

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Review-Torchwood: Dead man’s switch

One of the most intriguing characters from Torchwood on TV was Bilis Manger, the creepy time traveller portrayed by Murray Melvin. While his potential was never fully realised on the show, Big Finish has once again demonstrated their talent for taking supporting characters and making them shine in this latest production. In Dead Man’s Switch, Bilis is at his best and most sinister.

The story begins with three strangers – an antique dealer, a property developer, and a heartbroken hairdresser – sitting on a train going nowhere. They are soon joined by the enigmatic Bilis, who has a chilling message for them: he wants to tell them how they died.

As with many Big Finish audios, Dead Man’s Switch is a departure from the usual Torchwood fare.

The three guest actors are perfectly cast, but it is Murray Melvin who truly steals the show with his masterful portrayal of Bilis Manger. His gravitas and otherworldly aura are palpable, making his return in future productions eagerly anticipated.

One of the standout features of Dead Man’s Switch is David Llewellyn’s exceptional script. His talent for crafting multi-layered characters and intricate plots is on full display in this production, and he takes full advantage of the audio medium to create a palpable sense of dread and tension throughout.

The dialogue is sharp and evocative, capturing the distinct voices and personalities of each character. The pacing is masterful, with the story slowly building towards its gruesome conclusion. Llewellyn’s attention to detail and willingness to take risks make Dead Man’s Switch one of the most memorable Torchwood audios to date.

Overall, Dead Man’s Switch is a testament to the power of great writing in audio drama. It showcases the incredible potential of the medium to tell gripping stories and immerse listeners in terrifying new worlds.

⭐⭐⭐⭐