Film Review-Eternals

Chloé Zhao has had a short yet prominent career in the thriving world of independent cinema. Her renown grew even more last year when her film “Nomadland” dominated awards season, taking home Academy Awards for both Best Picture and Best Director. However, her latest work, the $200 million instalment in the Marvel Cinematic Universe, titled “Eternals,” is disappointing. While Zhao unquestionably puts in the effort and gives it her all, the movie doesn’t utilises her strengths. The screenplay, co-written by Zhao, Patrick Burleigh, Kaz Firpo, and Ryan Firpo, spans 7000 years, sloppily hopping back and forth across their timeline, resulting in an overly long and overstuffed 157-minute running time. One key problem with “Eternals” is that it is overloaded with characters, and Zhao tries to give each of them some semblance of a backstory. Inevitably all end up feeling shortchanged to various degrees.

The story follows the Eternals, a group of ten good-looking cosmic beings who were sent to Earth aeons ago by Arishem the Judge to defend the planet against a ravenous species known as Deviants. Their centuries-long war ends in 1500 when the last of the Deviants are finally killed. The Eternals then go their separate ways, with each immortal settling and assimilating into different locations around Earth, waiting for Arishem to summon them home. 500 years pass and each Eternal has carved out a life for themselves (more or less). But when a particularly nasty new Deviant suddenly appears in London, it’s clear that it’s time to get the team back together.

The film has a lot of star power portraying the Eternals, and some are much more convincing than others. Gemma Chan is easily the most complete character as Sersi, an eternal with the weird ability to manipulate matter. Richard Madden plays Ikaris, a poor man’s Superman and one-time love interest of Sersi. Angelina Jolie plays Thena, a powerful Wonder Woman-like warrior who wields weapons made of cosmic energy. On the downside, some of the actors feel woefully out of place in most of the scenes they’re in, and some of their characters’ stories feel plucked from another movie.

As the movie predictably brings the former teammates back together, it tries to tell their individual human stories while also building up its cosmic storyline. Surprisingly that leaves little room for superhero action. We do get a couple of set pieces that look fine and check most of the boxes, but there’s little there that we haven’t seen done better elsewhere. Even the big CGI blowout finale is missing the energy and style of the better Marvel films, and it has no stakes.

The movie would have fared better as a Disney+ streaming series. There’s very little here that screams big screen.

There are two post-credit scenes, that will probably be retconned within the next year.

⭐⭐

Review-It takes blood and guts

I’m a child of the Britpop era, I remember the summer of Oasis V Blur and all the bands that defined that generation. I was also a huge fan of Skunkanase, in this memoir. The pioneering frontwoman offers a very different take on generation X.

The melodic, passionate rock of Skunk Anansie’s first three albums sold 5 million copies worldwide. Even Rod Stewart covered Weak, on his 1998 album ‘when we were the new boys’.
When Stormzy tweeted that he was the first black British artist to headline Glastonbury, Skin rightfully corrected him. Skunk Anansie had done so in 1999, she also praised Maxim and Leeroy from the Prodigy, who were the headliners in 1997.

It’s safe to say that Deborah Anne Dyer AKA Skin has lived a life, and she accomplishes so much more with her book than simply providing a self-indulgent biography.
She’s analytical, critical, and mindful of her surroundings, as well as being acutely aware of the doors she’s opened for other young black British kids.

The harsh realities of being an openly bi-sexual black woman fronting a hard rock/alt-metal band were not avoided by Skin. She doesn’t shy away from the racism and sexism she’s faced in this capacity. Especially from some US record execs, that just couldn’t wrap their tiny little minds around a black alt-metal band. She also talks about how, with the support of her bandmates, allies, an amazing manager, and high-powered mates, she was able to shatter any misconceptions.

The real joy of this book is the peek behind the curtain we get to this era. Skin praises her friendship with Robbie Williams, who once angrily confronted Russian bouncers who wouldn’t let her in a club. As well as how a visit to her school, by Dame Judi Dench helped Skin find her inner voice.

The book isn’t a perfect read, it’s co-written by Lucy O’Brien, the constant switch between voices is notable. I would have rather had one voice, or maybe a transcript of a conversation between O’Brien and Skin, something akin to watch Benjamin Cook and Russell T Davies did with a writers tale, would have really suited this book.

All-in-all, this is an interesting tell-all about a generation and those who defined it.

It takes blood and guts is released in paperback on, 16th of September, 2021.

⭐⭐⭐⭐


Film Review-Freaky

As I write this, I realise that despite some films being better than others, there has never been a truly terrible body swap movie. “Freaky,” directed by Christopher Landon (“Happy Death Day”), is a low-budget, high-concept supernatural slasher that follows the story of Millie Kessler (Kathryn Newton), a seventeen-year-old girl who spends her days struggling to survive high school and the cruelty of the popular crowd. After becoming the latest target of the town’s infamous serial killer, the Butcher, Millie finds herself magically swapped with him using his mystical dagger. With only 24 hours to switch back before the body swap becomes permanent, Millie must face the Butcher’s murderous rampage in her own body.

While the film does have some laugh-out-loud moments of comedy, such as watching Vince Vaughn’s Butcher swivel his hips like a cheerleader and flirt with Millie’s crush (Uriah Shelton), the premise does tend to run out of steam as the film progresses. Michael Kennedy’s script pays homage to the genre’s predecessors but often falls into the cliches that bogged them down.

The film’s main issue is its ill-defined characters. Millie is the school mascot and often ridiculed by her peers, yet she still looks like Kathryn Newton, making the “Hollywood ugly” label seem implausible. Her friends are also one-dimensional, with the gay and black characters reduced to little more than caricatures.

While it’s possible to argue that Kennedy was aiming for a parody of Hollywood cliches, it’s doubtful that the paper-thin characters were intentional. Despite its flaws, “Freaky” is still an entertaining supernatural slasher with a unique body swap twist.

⭐⭐

Freaky is released in UK cinemas July 2nd.

Out of Time 2 – The Gates of Hell: Doctor Who-Big Finish review

Out of Time 2 – The Gates of Hell is the second in a trilogy of specials, that sees David Tennant’s Tenth Doctor on a farewell tour before he regenerates. In the first audio, he bumped into Tom Baker’s Fourth Doctor. This time around, he’s paired up Peter Davison’s Fifth.

The story kicks off with The Fifth Doctor in Paris in 1809, he’s travelling sans-companion and decides to take a tour of the catacombs. It’s here that he bumps into a Time Agent Tina Drake (Shelley Conn), who for a very brief moment. I thought was Peri. Was that just me? Anyway, Tina is on the trail of a temporal paradox. Whilst in the catacombs, the duo trigger a trap, that sees the Doctor frozen in time.
In 1944, the Tenth Doctor is evading Nazis, in occupied Paris. Looking for a hiding spot, he finds himself in the catacombs, where he encounters his former self. When they return to the surface, they find Paris is overrun with Cybermen.

I was a huge fan of Out of Time and I think it’s safe to say, that this was my most anticipated release of the year. Not only are we getting a multi-Doctor story, but we’re also getting a Time Crash reunion and we’re getting an outstanding script from David Llewellyn.

The story is structured brilliantly and moves along at a swift pace. Whilst Llewellyn’s love for the Fifth Doctor shines through, this feels very much like a David Tennant era adventure. Ken Bently’s direction is smooth and matches the pacing beat for beat. Whist Howard Carter’s music and sound design help elevate the adventure even more.

The two leads have natural chemistry and bounce off each other well, there’s a lot of fun interplay between them.
I had a smile on my face the whole way through this, Lewellyn’s script is peppered with humour, call-backs and historical facts. This is quintessential Doctor Who.

Doctor Who: Out of Time 2 – The Gates of Hell is available on CD and download from Big Finish.

⭐⭐⭐⭐

Review-Doctor Who – The Ninth Doctor Adventures Vol 1: Ravagers


It’s hard to deny that the announcement of Christopher Eccleston’s return to the Doctor Who franchise took fans by surprise. After all, it had been sixteen years since his thirteen-episode run reignited the show and brought it to a new generation. But here we are, with The Ninth Doctor Adventures – Ravagers, the first in a four-volume set of audio adventures written and directed by Nicholas Briggs.

On the one hand, Ravagers is an impressive and ambitious set. Eccleston’s return is a significant accomplishment for Big Finish, and it’s evident that he hasn’t lost his touch as the Doctor. The supporting cast, including Camilla Beeput and Jayne McKenna as Nova and Audrey, put in outstanding performances, and Dan Starky’s turn as Marcus Aurelius Gallius is thoroughly enjoyable. The music and sound design match the pace of Briggs’ excellent direction, and his passion for this era of Doctor Who is palpable.

However, the set’s most significant flaw is its plot. The 45-minute episode is stretched over 2 hours and 30 minutes, making the pacing drag at times. While Briggs’ love for the series shines through, the plot feels like an amalgamation of various stories he couldn’t get off the ground. We join the Ninth Doctor in the middle of an adventure and work backwards, a risky move for newcomers to the world of Doctor Who on audio.

Nonetheless, Ravagers is an enjoyable set overall, and fans of the Ninth Doctor will relish the chance to hear him once again. While a more straightforward structure would have been preferable, the set’s future promises exciting possibilities for the range.

⭐⭐

Episode 254: Zack Snyder’s Justice League

Martyn and Gerrod discuss all the latest in geekdom news, then they’re joined by friend of the podcast, Antoni Pearce to discuss the recent release of Zack Snyder’s Justice League.

00:00: Start of show

00:08: Intro and catch up

01:35: RIP Jessica Walter

02:09: New Transformers movie on the way

02:57: Steven Moffat’s new Netflix show

05:07: Big Finish released Ninth Doctor trailer

07:45: The Suicide Squad trailer

08:40: Warner Bros cinema first deal

09:37: Zack Snyder’s plans for Justice League 2+3

10:30: Ron Livingstone cast in The Flash film

11:00: Helen Mirren cast in Shazam 2. Pierce Brosnan cast as Dr Fate for Black Adam

13:02: Black Widow and Cruella going to Disney+ premium

14:03: Scott Pilgrim getting a re-release

14:45 John Wick 4+5 will no longer shoot back-to-back

15:17: Brzkr comic being turned into film and Netflix anime

16:08: Zack Snyder’s Justice League

41:20: End of show

The podcast is available from all good podcast services, such as but not limited to Spotify, Amazon Music, PodchaserPlayer FM, Stitcher, and Apple Podcasts.

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Equipment used in the creation of this feature was purchased through a grant from Graeae and The Paul Hamlyn Foundation.

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Review-Greenland

If you’re looking for a break from the stress of COVID-19 and 2021, you might want to consider watching a world-ending disaster movie. Although the trailer for the film Greenland initially seemed like a generic Gerard Butler disaster movie, it turns out to be a more nuanced take on the genre. The story follows John Garrity, a Scottish structural engineer living in Atlanta, Georgia, as he tries to reunite with his estranged wife and diabetic son amid an impending disaster.

Unlike many disaster movies, Greenland focuses on themes of human survival and how people react in times of crisis. The film portrays the family’s encounters with people who are terrible, opportunistic, and altruistic, adding a realistic feel to the proceedings. Morena Baccarin and Gerard Butler’s chemistry is wonderful, and they feel authentic as a troubled couple doing what they can to save their son.

While some viewers may find the film to be a slow burn, others might appreciate its more nuanced take on the disaster movie genre. Given the global crisis we’ve all recently experienced, Greenland’s themes of human survival and the best and worst of humanity may resonate more deeply.

Greenland is available on Prime Video starting February 5th.

Episode 249: It’s a sin

Martyn is joined by producer, writer, director Guy Lambert to discuss Russell T Davies’ new drama ‘It’s a sin’.

The duo discusses episodes 1-5, so there are spoilers.

It’s a sin follows a group of friends, all in their late teens and early twenties, who move to London in 1981 and have their lives turned upside down by HIV/AIDS, spanning a decade until 1991.

The podcast is available from all good podcast services, such as but not limited to Spotify, Amazon Music, PodchaserPlayer FM, Stitcher, and Apple Podcasts.

We also have a Smartlink.

Check out our Youtube.

Equipment used in the creation of this feature was purchased through a grant from Graeae and The Paul Hamlyn Foundation.

If you’d like to support the show, then please shop via our Amazon link. A small percentage goes our way, at no extra cost to you.

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Review-Future State: Superman of Metropolis #1

The DC multiverse has been blown wide open, following the shocking events in ‘Death metal #7’. A new and exciting future begins in Future State: Superman of Metropolis #1.

Due to extenuating circumstances Clark Kent has left Earth and has in-trusted its protection to his son, Jon Kent. Who is far too young for such responsibility, Jon feels the best way to protect Metropolis is to seal it up in a bottle and lock it away. Earning him the ire of its citizens, the military, and Supergirl.

In the bottled city heroes like The Guardian and Shiloh Norman (Mister Miracle) protect it from within, all whilst trying to find a way to break out of their new prison.

The first issue is really interesting because we’re just dropped into the events. Metropolis has been bottled for six months and is on the brink of collapse. The story is fresh, with very vibrant art from Cully Hamner. This feels very different from anything I’ve read before, which I wasn’t expecting. We’re given a fantastic exploration of the bottled city, six months in. The city is full of hate, rage, anger and fear. Reading this through the lens of this past year certainly adds to its impact. There’s always a sense the city could explode, at any moment.

Writer Sean Lewis has crafted a compelling story, with a young Superman completely out of his depth. Jon is no longer the happy-go-lucky kid we once knew, he’s older, jaded and cynical. He’s been given a huge responsibility and it’s absolutely crushing him. Lewis explores the mistakes a human with the powers of a God can make.

⭐⭐⭐

Episode 245: Revolution of The Daleks

Martyn, Chris, and Sam discuss the latest news about Doctor Who, including Jodie Whittaker’s departure from the role of the Doctor. The trio also share their thoughts on who they would like to see take over as the iconic Time Lord or Time Lady. In addition, they delve into their opinions on the most recent New Year’s Day special, “Revolution of the Daleks.”

End theme is taken from DWPoop.

Check out Chris’ adaptation of A Christmas Carol.

The podcast is available from all good podcast services, such as but not limited to Spotify, Amazon Music, PodchaserPlayer FM, Stitcher, and Apple Podcasts. We also have a Smartlink.

Check out our Youtube.

Equipment used in the creation of this feature was purchased through a grant from Graeae and The Paul Hamlyn Foundation.

If you’d like to support the show, then please shop via our Amazon link. A small percentage goes our way, at no extra cost to you.

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