Review-Dying laughing

A stand-up comedian is mostly his or her own writer, director and star performer. Unlike any other art form, there is no safety net and no private rehearsal. In its singular realisation, stand-up comedy only works live on a stage – in front of often-hostile audiences. For most people baring their soul and being heckled would be a life-changing trauma, for stand-ups it’s a nightly hazard. 

jerry

The very idea of standing on a stage in front of strangers and trying to make them laugh, fills me with utter dread. I imagine it’s the same for most people, and is most likely reason the subject stand-up comedy is so fascinating and rife for a documentary.

Dying laughing is a British produced documentarty, about the life of a stand-up comic and although it sometimes treads familar territory-the loneliness of the road, the anguish of your set dying etc, directors Paul Toogood & Lloyd Stanton achieve a startling level of intimacy in a series of riveting interviews with the masters of comedy.  What follows is an in-depth discussion about the emotional and psychological highs and lows of life on the road. 

sarah

Dying laughing is an emotional rollercoaster, which fully encapsulates the life of a performer. Chris Rock says comedians are “the last philosophers.” and, to a certain extent, he’s right.  We follow this trend, with some of the most loved and respected comedians, whom speak candidly about their loves, their peevs and ultimately, their lust for being a stand-up comedian.

The film can feel a little self-indulgent at times, however that just adds to its charm. At no point do you want the interviews to stop. This is a great film, that gives an insight into the psyche of a wordsmith.

@Gerrod_Edward

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Review-The lives of Captain Jack

One of the most interesting character’s in Doctor Who’s history is, Captain Jack Harkness. The con man-come immortal-time traveling adventurer, with a wink and a swagger.

Altough we got to see more of the character in Torchwood, I’d always wanted a Captain Jack spin-off. I wanted to know what happened after The Doctor and Rose left him. Finally, Big Finish have answered that question.

The Year After I Died by Guy Adams.

As the title suggests, this story takes place a year after ‘The Parting of the Ways’. We’re presented with a very different Jack, he’s tortued, trying to lead a quiet life, he’s living alone and has shun human contact. He’s also trying to figure out how he survived the Dalek attack and why The Doctor and Rose abandoned him.the-year-after-i-died

His quiet life is turned upside down when a young reporter named Silo Crook (Shvorne Marks) comes investigating, he again finds himself tasked with saving humanity.

The Year After I Died’works extremely well as a direct sequel to ‘The Parting of Ways’. It builds on the story told in the series 1 finale, but doesn’t fall into to the sequel trap of telling the same story. As far as opening stories go, this is a great installment. John Barrowman shins in this, delivering the most subjude/reluctant version of captain Jack we’ve ever seen. This is a very well-written story, with great performances. I would like to see more set in this timeline.

9/10

Wednesday’s for Beginners by James Goss.

After reprising her role as Jackie Tyler for ‘The Ninth Doctor Chronicles’, Camille Codouri returns as everyone’s favourie mum.

The first 15 minutes focus on Jackie Tyler, as she pushes the story forward with monologue. We learn what happens when Rose is away and we experience the true pain and lonliness she feels, it’s heart breaking.wednesday

Soon after, she meets her “handsome American stalker” (Captain Jack) and the story really kicks into gear.

Jackie and Jack make a great duo, Barrowman and Coduri have chemistry to spare and clearly had a blast recording this. Fun and flirtacious inuendo are a bounded around and it’s an absolute joy to listen to.

Jackie’s feeling of isolation and loneliness really resonates and is perfectally juxtaposed with the adventure angle.

Deep down, this is a fun adventure that will have you howling with laughter.

8/10

One Enchanted Evening by James Goss.

This story takes place mere minutes after the Doctor leaves Jack in the bar in The End of Time’.

It turns out the Tenth Doctor wasn’t just trying to get the pair laid, he had an ulterior motive.evening

Jack and Alonso are both in dark places, Jack had just murdered his grandson, Steven, to save man kind and obviously feels a lot of guilt. Alonso had just walked off the Titanic, a broken man. Feeling he should have been braver, more like The Doctor.

The pair bond over the course of an hour, as they work to save a spaceship from being destroyed. The villain is voiced by Katy Manning, whois camping it up no end and clearly having the time of her life.

Although the villain feels very generic, character wise this is the best in the box set. Captain Jack and Midshipman Frame both help each other exorcise their demons.

This is a character driven story, that allows both characters the redemption they feel they need.

8/10.

Month 25 by Guy Adams.

This is the story we’ve spent 12 years waiting for. When we were first introduced to Captain Jack (12 years ago!) we learned he was a former time agent, with two years of his memory missing. Now, we’re finally getting some answers. We even learn his real name..month-25

I’m a long time fan of Guy Adam’s work with Big Finish, but this could well be his best story. It’s gripping spy/conspiracy drama, that some how manages to be laugh out loud funny. This is well-written and well acted. Barrowman perfectly manages to speak the way we imagine a twenty-something Captain Jack would speak.

9/10.

The Lives of Captain Jack’ is a remarkable set, which I highly recommend. John Barrowman delivers some absolutely stunning performances.

James Goss and Guy Adams have managed to take such a well-known character and find new ways to make him to grow and mature, as well as answering questions fans have had for well over a decade.

It’s a must have box set, let’s hope this becomes an annual release. Maybe Jack could even meet a certain Professor Song…

Episode 172:Doctor Who-Smile

Martyn and Gerrod are back with another episode of the podcast, this time to share their thoughts on episode 2 of Doctor Who’s 10th series.

The episode sees the Doctor, played by Peter Capaldi, and his companion, Bill Potts, portrayed by Pearl Mackie, embark on a mission to an off-Earth colony. However, they discover that the colony is devoid of any life, except for robots that communicate via emojis.

We provide insights on the episode’s intriguing plot, the development of the main characters, and the portrayal of the robotic inhabitants. As avid fans of the Doctor Who franchise, we offer a unique and informed perspective on the latest instalment. Tune in to the podcast for an entertaining and thought-provoking discussion.

The podcast can be accessed via different places, including Audioboom, Player fm and Itunes.

Follow the Bad Wilf team:
Pete – @BeeblePete
Martyn – @BadWilf
Gerrod – @Gerrod_Edward

Also check out the official Bad Wilf Vlog.

Big Finish review-Torchwood: The Dollhouse

While the concept of the “Dollhouse” is intriguing, the story fails to deliver on its potential. There are two main flaws in the piece. Firstly, the inclusion of Torchwood in the US is questionable, and its presence is never fully explored. Secondly, the story attempts to parody “Charlie’s Angels,” which is difficult to translate into audio form. The dialogue can feel clunky and anachronistic, but the cast does their best with the material.

Guy Adams’ portrayal of “Mr. Beamish” stands out as particularly impressive.

Unfortunately, the story never reaches its potential, and the ending suggests a possible sequel that one can only hope improves upon the original.

Overall, “The Dollhouse” is a disappointing entry in Big Finish’s “Torchwood” series and not indicative of the high-quality content the series typically produces. However, the series always has room for additional female-led series and new talent, and it’s admirable that Big Finish is willing to take risks with fresh faces. As it stands, “The Dollhouse” is not recommended.

Episode 171:Texting, snogging and vegan wraps

In the latest episode of their podcast, Martyn and Gerrod dive into the highly-anticipated return of Doctor Who and provide their thoughts on the series 10 premiere, “The Pilot.”

This episode marks the debut of Pearl Mackie as the Doctor’s new companion, Bill Potts, following Jenna Coleman’s departure from the show. Additionally, the episode features a brief appearance by the iconic Doctor Who villains, the Daleks. Their last major appearance was in the series nine premiere, “The Magician’s Apprentice” / “The Witch’s Familiar.”

We offer insightful commentary on the episode’s plot, character development, and the performances of the talented cast. Fans of Doctor Who won’t want to miss this entertaining and informative episode of the podcast.

Is it a success, or has Steven Moffed it up again?

The podcast can be accessed via different places, including Audioboom, Player fm and Itunes.

Follow the Bad Wilf team:
Pete – @BeeblePete
Martyn – @BadWilf
Gerrod – @Gerrod_Edward

Also check out the official Bad Wilf Vlog.

Episode 170:Logan film review

As no other podcasters are talking about it, Martyn and Gerrod thought they would shine some light on Hugh Jackman’s latest film, Logan.

Logan is more than just a superhero film; it’s a poignant and gritty exploration of mortality and legacy. This movie is the tenth instalment in the X-Men film series, and the third and final Wolverine solo film following The Wolverine (2013).

The film draws inspiration from “Old Man Logan” by Mark Millar and Steve McNiven, and takes place in an alternate future where mutants are nearly extinct. We follow an aged Wolverine and a deteriorating Professor X as they embark on a dangerous journey to protect a young mutant named Laura from the villainous Reavers and Alkali-Transigen, led by Donald Pierce and Zander Rice, respectively.

What sets Logan apart is its focus on character development and the exploration of themes like regret, loss, and redemption. The action sequences are visceral and intense, but they serve a greater purpose in the narrative, highlighting the physical toll that years of fighting have taken on Wolverine and his fellow mutants. Hugh Jackman delivers a powerhouse performance as Wolverine, bringing a raw emotion to the character that we haven’t seen before.

Logan is not just a superhero film; it’s a powerful and emotional story that leaves a lasting impact on its audience. It’s a fitting conclusion to Jackman’s iconic portrayal of Wolverine and a testament to the enduring legacy of the X-Men franchise.

The podcast Smartlink.

Follow the Bad Wilf team:
Pete – @BeeblePete
Martyn – @BadWilf
Gerrod – @Gerrod_Edward

If for some reason you’d prefer to watch us discuss Logan, there’s a video version on YouTube.

Film Review-John Wick:Chapter Two

When discussing John Wick: Chapter 2, it’s important to consider what made the first film so successful. The original John Wick was a breakout hit in 2014, thanks in large part to its simplistic yet effective storyline, stunning visuals, and tight, well-choreographed action scenes. The film quickly became a cult classic, earning a reputation as one of the best action movies in recent memory.

With the sequel, director Chad Stahelski faced the difficult task of trying to build on that success while still staying true to the original. Some fans might argue that he succeeded, while others might say that he fell short.

One of the biggest differences between the two films is the storyline. While the first film was relatively straightforward – a retired hitman seeks revenge after the death of his dog – the sequel is a bit more convoluted. It’s divided into four distinct parts, each with its own set of characters and conflicts.

Some viewers might find this approach to be overly complicated, and miss the simplicity of the original. However, others might appreciate the expanded world-building and character development that comes with a more complex storyline.

Another key difference between the two films is the level of humour. While the original John Wick had its moments of levity, the sequel amps up the comedy considerably. This is largely thanks to the chemistry between Keanu Reeves and Common, who share a number of hilarious scenes together.

Overall, while opinions on John Wick: Chapter 2 may vary, it’s hard to deny that the film is an impressive follow-up to the original. The action scenes are just as breathtaking as before, the visuals are stunning, and the commitment of the cast and crew to their vision is evident in every frame. And of course, Keanu Reeves continues to prove that he’s one of the most charismatic and talented action stars working today.

Forget Neo, forget Ted. Keanu Reeves will forever and always be John Wick.

John Wick:Chapter Two is out in the UK 17th February 2017.

Review-Blair Witch

In 1999, The Blair Witch Project shook Hollywood to its very core, two young filmmakers managed to break new ground and breathe life into the found footage sub-genre. As well as breaking box office records, it was the first movie to realise the true potential of Internet marketing.

Like with most franchises that have a dud sequel, Blair Witch pretends Book of Shadows never happened and serves as a direct sequel to the original. 

The new film focuses on James (James Allen McCune) who happens to be the younger brother of, Heather, who disappeared in the first film. James and his film student girlfriend Lisa (Callie Hernandez) find a video on the internet, which convinces James that even after twenty years, Heather may still be alive. 

James decides that no matter how remote a chance, he has to take it. So he and Lisa, along with their friends Peter (Brandon Scott) and Ashley (Corbin Reid) head into the woods in Burkittsville, Maryland (formerly Blair), where they meet local odd-couple Lane (Wes Robinson) and Talia (Valorie Curry), who posted the video online.

From there on in, the film is pretty much a rehash of all the things that made The Blair Witch Project so original. We get stick figures, piles of rocks, handprints and steady-cam POV footage of actors running through the woods, whilst screaming. 

Back in ’99 this all felt fresh original, but now it’s been done to death. Apart from slightly expanding the mythology surrounding the stick figures, there’s nothing innovative here. 

This feels less like a sequel and more like a modern day remake, the slow-burn of the original, along with rawness of the grainy footage has been replaced by quick glossy digital cuts. Nothing about this film feels found, it’s sleek and well-crafted, to maximise the profits from the YouTube generation. 

The fact that James is Heather’s brother is entirely tangential and unnecessary. 

I suppose in many ways, this film is poetic. The Blair Witch Project kick started the found footage sub-genre, it’s only fitting that Blair Witch is the final nail in its coffin.

 

Episode 159:Gladiator Live at The Royal Albert Hall

In which Martyn and Gerrod attend and review Gladiator Live, at The Royal Albert Hall.

Gladiator is a 2000 epic historical drama filmdirected by Ridley Scott and written by David Franzoni, John Logan, and William Nicholson.

The film was jointly produced and released by DreamWorks Pictures and Universal Pictures.

It stars Russell Crowe, Joaquin Phoenix, Connie Nielsen, Ralf Möller, Oliver Reed (in his final role), Djimon Hounsou, Derek Jacobi, John Shrapnel, and Richard Harris.

Crowe portrays Hispano-Roman general Maximus Decimus Meridius, who is betrayed when Commodus, the ambitious son of Emperor Marcus Aurelius, murders his father and seizes the throne. Reduced to slavery, Maximus rises through the ranks of the gladiatorial arena to avenge the murders of his family and his emperor.

The podcast can be accessed via different places, including Audioboom, Tunein, Miro, Stiticher, Blubrry, Player fm and Itunes.

Twitter:

Martyn – @BadWilf

Pete – @BeeblePete

Gerrod – @ingerrodsmind

Check out the official Bad Wilf Vlog. Check out Gerrod’s Vlog. Check out Pete’s channel.