Big Finish Review-Torchwood:Believe

The Church of the Outsiders is on a mission to lead mankind to a new era of evolution, one that takes them beyond the stars. But Torchwood’s Owen Harper believes they must do everything in their power to stop them. With the original Torchwood team back together in full-cast audio, fans have been eagerly awaiting this moment. Despite the actors recording their parts separately, the result is flawless. You won’t be able to tell the difference, and it’s a joyous reunion.

Set before the end of series 2, Guy Adams has perfectly captured the era, creating an episode that feels like it was plucked straight from 2008. The performances are outstanding, with John Barrowman, Eve Myles, Burn Gorman, Naoko Mori, and Gareth David-Lloyd all shining. Each character is given the opportunity to develop, but the Owen/Tosh relationship is a particular highlight. Owen pushes Tosh to do unspeakable things while attempting to prove himself as a capable leader.

John Barrowman’s performance in this audio is absolutely fantastic. Despite recording his parts separately from the rest of the team, his chemistry with his co-stars is still palpable. He effortlessly slips back into the role of Captain Jack Harkness and delivers a performance that is both charming and commanding. Barrowman’s energy and enthusiasm for the character and the series shine through in every line, making it a real treat for fans to hear him back in action as the iconic Torchwood leader.

Prequel stories can be challenging, but Guy Adams’ script and Gareth David-Lloyd’s performance are so compelling that there’s one moment in particular where you’ll be genuinely concerned for Ianto’s fate. With such high quality, 2018 is shaping up to be an excellent year for Torchwood on audio. This is a must-listen, earning a 10/10 rating.

Episode 190: Ready player one

In which Martyn and Gerrod discuss ready player one.

Ready Player One is a 2018 American live action/animated science fiction adventure filmproduced and directed by Steven Spielberg, and written by Zak Penn and Ernest Cline, based on Cline’s 2011 novel of the same name. The film stars Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Lena Waithe, T.J. Miller, Simon Pegg, and Mark Rylance.

The film takes place in 2045, when much of humanity uses the virtual reality software OASIS to escape the desolation of the real world. Orphaned teenager Wade Watts (Sheridan) discovers clues to a hidden game within the program that promises the winner full ownership of the OASIS, and joins several allies to try to complete the game before a large company run by businessman Nolan Sorrento (Mendelsohn) can do so.

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Big Finish review-Torchwood-The Last Beacon

In Torchwood: The Last Beacon, a distress signal from a Welsh mountain summons an ancient battlefleet to Earth, prompting Owen Harper and Ianto Jones to venture into the Brecons to put a stop to it. This buddy comedy offers a lighter tone than most Torchwood stories in the Big Finish range, making it a refreshing and amusing addition to the series.

Owen and Ianto’s unlikely partnership is an inspired concept, and their conflict in a small Welsh community allows for deeper character exploration. Ianto feels at home among his people, but Owen is out of his element and met with distrust from the locals.

It’s also worth noting the excellent performance of Burn Gorman in the audio play. He brings his unique talents to the role of Owen Harper, capturing the character’s wit and cynicism with ease. Gorman’s delivery of the dialogue is impeccable, and he brings depth to the character that is both engaging and entertaining. His chemistry with Gareth David-Lloyd’s Ianto Jones is fantastic and adds to the overall enjoyment of the story. Gorman’s performance in The Last Beacon is a testament to his talent and a highlight of the audio play.

Gareth David-Lloyd’s first foray into writing an audio play is impressive, as the story flows seamlessly and offers further development of the leads’ relationship. This quintessentially Big Finish Torchwood story is a fun and highly recommended listen. Hopefully, David-Lloyd will write another audio play in the future.

Book review-Doctor Who: The Day of The Doctor

The Target Novelisations are a cherished medium in the world of Doctor Who fandom that have endured the test of time. In an era before VHS, DVDs or streaming, these novels offered fans a chance to experience missed episodes or relive their favorite moments. Although they may have been particularly popular among older fans, this is the first time newer enthusiasts are getting to enjoy these unique works of storytelling.

They offer an in-depth look into the Doctor Who universe with extended scenes, character development, and insights into the Doctor’s thought processes that might not have been possible to convey on screen. Moreover, they provide a nostalgic view into the show’s past and present a distinctive opportunity for fans to experience classic episodes in a fresh way.

Steven Moffat’s novelisation of The Day of the Doctor is a remarkable expansion of the source material. Created for the show’s fiftieth anniversary, Moffat takes advantage of the opportunity to add new scenes and a structural gimmick, which enhances the story and makes it even more enjoyable.

The narration in the novelisation smoothly switches between using “I and me” to “him and he,” emphasizing the Doctor as an idea, a significant theme throughout Moffat’s tenure as showrunner. However, Moffat’s inclination to show off his cleverness can be distracting.

The numbered chapters in a non-sequential order feel unnecessary, but the framing device between each chapter is a highlight. The narration shifts again, gradually revealing that the person whose voice we are reading is also the Doctor. The final reveal that it is the Curator, played by Tom Baker, is a satisfying conclusion to the novelisation.

Overall, Moffat’s novelisation of The Day of the Doctor is a valuable addition to the Doctor Who universe, expanding on the original episode in creative and innovative ways. the novelisation delves deeper into the Time War and the impact it had on the Doctor’s psyche, which was only briefly touched upon in the original episode.

Moffat also explores the relationship between the Doctor and his companions, particularly Clara, and how it evolves over the course of the story. These additional insights offer a more nuanced and complex view of the Doctor Who universe, making the novelisation a valuable addition to the canon.

Book review-Rose Target novelisation

Recently published are five new Target novels that include four adaptations of Doctor Who stories from the post-2005 era. These stories comprise Rose by Russell T Davies, Day of the Doctor by Steven Moffat, The Christmas Invasion by Jenny Colgan, and Twice Upon a Time by Paul Cornell. Additionally, a Target version of City of Death by James Goss is also available.

Doctor Who: Rose is a novel adaptation of the iconic first episode of the show’s revival in 2005. This book marks the first time that Russell T Davies has adapted his own work into a novel, making it a highly anticipated release for fans of the show. As an avid fan of the show myself, I can say that this novel did not disappoint.

Russell T Davies brings his trademark playfulness and wit to the novel, adding new colour and several new laughs to the story. The novel captures the excitement and energy of the original episode, transporting the reader back to the first time the Ninth Doctor takes hold of Rose’s hand and utters the immortal phrase – ‘Run!’

One of the highlights is the expanded backstory of Wilson, a character who was briefly mentioned in the original episode but never seen. The prologue of the novel provides insight into Wilson’s life and his involvement with the lottery pool, adding a new layer of depth to the plot. Davies expertly weaves in these new details, creating a more fully realised world that adds to the overall richness of the story. By expanding on the peripheral characters, Davies has created a novel that feels even more fleshed out than the original episode. Fans of Doctor Who are sure to appreciate these new details and the way they enhance the story as a whole.

The novel also includes several cameos that nod to the future of the show, post-Rose and even up to the present day. Davies also addresses Steven Moffat’s Pandorica and Crack in Time story arc, which explains the frequent Earth invasions in RTD’s era and why no one remembers them.

While there are a couple of areas where the added details don’t quite ring true, the novel is still a thrilling read that delivers on all fronts. The climax builds to an epic battle that could not have been achieved on a BBC TV budget, and the humour is firing on all cylinders.

Overall, Doctor Who: Rose is a delightful novel that will transport fans of the show back to the excitement of the first episode of the revival. Russell T Davies has once again proven himself to be a master storyteller, and fans of Doctor Who are sure to enjoy this adaptation. Highly recommended.

⭐⭐⭐⭐

Review-Torchwood: The Death of Captain Jack

Torchwood: The Death of Captain Jack is difficult to review, without spoiling. So, I won’t be discussing the storyline.

This is a very ambitious audio, from David Llewellyn who once again proves himself to be one of the greatest writers Torchwood has ever had. He perfectly manages to encapsulate the history of Jack and John and give the Torchwood franchise a fresh new spin, all within an hour-long adventure. It’s an absolute joy. James Marsters absolutely shines as Captain John Hart and, instantly reminds us why he was so popular amongst Torchwood fans. He’s the perfect foil to John Barrowman’s Captain Jack.

There’s also a slight dig at Torchwood: Miracle Day.

Director Scott Handcock and producer James Goss have their awesomely unique style all over this release. Torchwood on Big Finish is the best Torchwood has ever been. They just get it, it’s ambitious, it’s loud, it’s sexy and over the top. Which is just how it should be.

10/10.

Torchwood contains adult material and may not be suitable for younger listeners.

Episode 189: The Justice Leauge of River Song

Back like a regrettable Tinder date, that won’t stop calling you.

It’s the first Bad Wilf Podcast of 2018, after 8 years of podcasting are we any better?

No, but here’s our spoiler-free review of The Diaries Of River Song and, our spoiler-filled review of Justice League.

The Diary of River Song is an audio play series from Big Finish Productions. Alex Kingston reprises her character River Song from the television series Doctor Who.

Justice League is a 2017 superhero film based on the DC Comics superhero team of the same name, distributed by Warner Bros. Pictures. It is the follow-up to 2016’s Batman v Superman: Dawn of Justice and the fifth instalment in the DC Extended Universe (DCEU).

The film is directed by Zack Snyder, written by Chris Terrio and Joss Whedon, and features an ensemble cast that includes Ben Affleck, Henry Cavill, Gal Gadot, Ezra Miller, Jason Momoa, and Ray Fisher as the title team, with Amy Adams, Jeremy Irons, Diane Lane, Connie Nielsen, and J. K. Simmons in supporting roles.

In the film, Batman and Wonder Woman recruit The Flash, Aquaman, and Cyborg after Superman‘s death to save the world from the catastrophic threat of Steppenwolf and his army of Parademons.

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Big Finish Review-Torchwood: Aliens Among Us-Part 2

Torchwood: Aliens Among Us 2 is a bold and gripping addition to the Torchwood series. Picking up where Miracle Day left off, the Torchwood team finds themselves in a Cardiff that’s darker and more dangerous than ever before. The four episodes included in this set explore complex storylines and pack an emotional punch, leaving the audience eagerly anticipating what comes next.

The first episode, “Love Rat” by Christopher Cooper, sets the tone for the rest of the set with a complex storyline that brings Captain Jack back from the dead with a surprising twist. The subsequent episodes, “A Kill to a View” by Mac Rogers, “Zero Hour” by Janine H Jones, and “The Empty Hand” by Tim Foley, continue to up the ante with a mix of action, drama, and suspense.

The addition of Yvonne Hartman to the mix adds a layer of intrigue and excitement, with the Torchwood team facing their toughest challenge yet. The writers skillfully weave together the various storylines, and the performances by the cast are top-notch.

The standout episodes of the set are “A Kill to a View” and “Zero Hour,” which delve into the mysterious rift and bring back fan-favourite character Bilis Manger. Murray Melvin’s performance as Manger is nothing short of exceptional, adding depth and complexity to the character and the story.

Overall, Torchwood: Aliens Among Us 2 is a must-listen for fans of the series and newcomers alike. With its intricate plotlines, strong performances, and cliffhanger ending, it leaves the audience eagerly anticipating the next instalment of the Torchwood saga.

⭐⭐⭐⭐

Big Finish Review-Aliens among us: Part 1

Torchwood is back, and this time it is on audio with a brand new boxset, Aliens Among Us. The first volume of Aliens Among Us sets the stage for the new Torchwood, introducing us to new characters, and old favourites.

  1. “Changes Everything” by James Goss “Changes Everything” opens up the new Torchwood, introducing us to the new team of Jack, Gwen, Mr Colchester, and Orr. Mr Colchester, played brilliantly by Paul Clayton, is a grumpy civil servant who has been tasked with managing the new Torchwood. Meanwhile, journalist Tyler Steele, played by Jonny Green, is questioning him. Tyler is a great new character, both likeable and unlikeable at the same time. Through his eyes, we meet the new Torchwood, and this is a really well-written story that sets up the future of Aliens Among Us while remaining self-contained.
  2. “Aliens and Sex and Chips and Gravy” by James Goss This episode takes us on a funny, fast-paced romp that tackles murderous aliens who’ve invaded a hen night. It focuses on Gwen and Colchester and hints about where Gwen is headed in future box sets. What distinguishes this episode from TV Torchwood is that it has a more mature approach to mature subject matters. The title will no doubt remind you of the first series, but this episode deals with adult themes throughout. It is another really strong entry for Aliens Among Us.
  3. “Orr” by Juno Dawson “Orr” introduces us to the titular character, an alien sexual psycho-morph. Similar to “Changes Everything”, this episode is focused almost entirely on Orr’s introduction. The character is played excellently by Samantha Béart, who manages to make the character feel believable. This episode also tackles an adult subject matter with a level of maturity that was unfortunately never seen on TV. This is another stellar episode.
  4. “Superiority Complex” by A.K. Benedict The final episode of the first volume of Aliens Among Us gives the new Torchwood team a chance to shine. A new luxury hotel has appeared in Cardiff, with refugees right outside. The script highlights the problem with another script that, apart from the aliens, feels like it could be a true story. Every member of the team gets a chance to shine here, including Tyler, who keeps popping up. This is a brilliant way to end a brilliant box set, and it ends with an excellent cliffhanger for the second volume.

Overall, Aliens Among Us 1 is a great introduction to the new Torchwood. The boxset shows that Torchwood is at its best on audio. The stories are very politically charged, but each of the three writers on this set delivers amazing stories that feel natural and real. The characters are all well-written, and the new Torchwood team is a great mix of old favourites and new characters. With its compelling storytelling and excellent performances, Aliens Among Us is a must-listen for any Torchwood fan.

⭐⭐⭐⭐

Big Finish review-Torchwood: The office of never was

Although Ianto Jones is a beloved character among the Torchwood fandom, most would agree that he was often relegated to the background despite his intriguing backstory and secret cyber-girlfriend. However, the audio revival of the show, with full-cast dramas that focus on individual characters. Has given him and others a chance to shine.

In “The Office of Never Was,” Ianto takes the lead as he investigates a haunted building, displaying impressive deduction skills and carrying the drama with ease.

This is an extremely well-crafted and engaging story. James Goss, the producer and scriptwriter, delivers a dark tale that cleverly addresses one of Torchwood’s central conceits and provides some hard-edged, real-world consequences. The limited cast is used to great effect, allowing for strong character development and building tension as the story progresses. Goss’s nods to “The Avengers” add an extra layer of entertainment value, while his use of humour helps to balance out the story’s darker moments. The script for is a testament to Goss’s talent as a writer and his understanding of Torchwood and its wider universe.

Gareth David-Lloyd, is a skilled voice actor and brings his A-game to this audio. He effortlessly carries the drama on his own for the first few minutes of “The Office of Never Was,” showcasing his talent for conveying Ianto’s internal struggles and thought processes. His performance is nuanced and engaging, capturing the character’s dry humor and emotional complexity.

Overall, “The Office of Never Was” is another smartly directed, strong and entertaining outing for Cardiff’s favourite member of Torchwood.