Martyn and Gerrod bring you the latest in entertainment news, as well as a review of the new Nicolas Cage film, The unbearable weight of massive talent.
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Running Down Corridors can be found here.
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Comedians talking about football can be found here, Cister Act here.
It’s rarely a good sign, when the press screening for a film is the day before its release. So I attended the screening for this with very low expectations and those expectations were met.
“Morbius” is a very lacklustre and anti-climactic addition to the Sony Marvel universe. Jared Leto stars as Dr. Michael Morbius, a famed blood disease specialist who becomes a superhuman with vampiric abilities after his work goes awry.
Unfortunately, “Morbius” fails to elevate the originality of its comic book inspiration and instead relies on formulaic storytelling and forgettable characters. The lack of atmosphere and striking resonance robs the film of its ability to captivate and engage its audience. Despite the film’s special effects, they do little to salvage it from its poor craftsmanship and dull storytelling.
The one bright spot is Matt Smith’s portrayal of Morbius’s lifelong friend, Milo. Smith seems to be having an absolute blast in the role, injecting a much-needed dose of energy and charisma into the otherwise lackluster proceedings. Despite the script’s shortcomings, Smith’s performance is a testament to his talent as an actor and his ability to inject life into even the most underwritten of characters. While this may not be the vehicle that propels Smith to Hollywood stardom, his presence is certainly a welcome one in an otherwise forgettable film.
An amusing aspect is the film’s attempt to pass off London tube stations as New York City subways. Despite the best efforts of the production design team, the tube stations are unmistakably British. It is a reminder that no matter how big the budget or talented the crew, some details are just too difficult to fake convincingly.
The post-credit scenes add another layer of confusion around the Spider-Man anti-hero, leaving audiences with more questions than answers. It is a shame that even with ample time to rework its flaws, “Morbius” struggles to manifest its quality. As such, Sony Pictures has succeeded only in draining life from this vampire film, leaving it a forgettable addition to the Marvel Studios canon.
⭐⭐
“The Black Knight,” a captivating audio production crafted by the talented writer Lizbeth Myles, takes listeners on a thrilling and thought-provoking journey. This audacious narrative ventures into the uncharted territory of British history, melding it with elements of science fiction and social commentary. Myles skillfully navigates the storyline, delving into the prevalent sexism of the era while concocting a tale filled with conspiracies, moral dilemmas, and devastating consequences reminiscent of the beloved series Torchwood.
The story unfolds against the backdrop of Britain’s fledgling space program, a period that aligns with the existence of Torchwood Soho. Here, we encounter the indomitable Professor Lynne Sharman, portrayed with unwavering conviction by the talented Safiyya Ingar. Lynne, a brilliant scientist reminiscent of the trailblazing women of Doctor Who’s late ’60s and early ’70s episodes, finds herself trapped in a world dominated by pompous and outrageously sexist men. They dismiss her groundbreaking rocket science and discourage her involvement in the realm of scientific discovery.
At the heart of this male-dominated landscape stands Sir Christopher Grey, impeccably brought to life by Russel Bentley’s performance, oozing condescension with every swig of port and puff of cigar smoke. As the gatekeeper of funding and government support for ambitious projects like Lynne’s Viola rocket, Grey embodies the epitome of sexism and bureaucracy. His resistance to Lynne’s aspirations adds a layer of complexity to the narrative, a battle not only against gender bias but against the mysteries and failures of the Viola itself.
The Viola, Lynne’s brainchild, possesses a troubled history. Previous unmanned launches have met fiery ends, just as they were about to escape Earth’s magnetosphere. Faced with mounting pressure and the impending abandonment of her project, Lynne seizes her last chance to prove herself by proposing a manned mission. Enter Freddie Talbot, a close friend of Lynne’s and a man seemingly possessed of the right qualities for the task at hand. Their fates intertwine as Lynne’s relentless pursuit of scientific truth collides with the enigmatic forces thwarting her rocketry dreams.
In a stunning and all-too-brief scene, Lizbeth Myles and Safiyya Ingar offer a character study of Lynne that is both powerful and nuanced. Lynne emerges as a brilliant scientist, guided not by ego but by a deep understanding of her craft. Her unyielding dedication to the pursuit of knowledge leads her to consider the possibility of external factors influencing her research, delving into the realm of real-world conspiracy theories. It is this scientific curiosity and open-mindedness that sets her apart, propelling the narrative forward as she unearths a shocking revelation.
“The Black Knight,” a term Lynne assigns to a mysterious asteroid, unveils a grand cosmic conspiracy. Lynne posits that this celestial entity, positioned as a cosmic sentinel, actively impedes humanity’s journey beyond the confines of Earth. Her discovery raises questions about our place in the universe and the delicate balance between protection and isolation. Is this alien presence safeguarding us from unknown perils, or are they safeguarding the universe from us? The audaciousness of these inquiries drives the plot to thrilling heights, with Lizbeth Myles expertly crafting a tapestry of intrigue, suspense, and awe-inspiring exploration.
Alongside the riveting narrative, “The Black Knight” boasts exceptional performances from its cast. Safiyya Ingar breathes life into the formidable Professor Lynne Sharman, infusing her with intelligence, resilience, and an unwavering determination to challenge the status quo. Samuel Barnett and Jacob Dudman bring their considerable talents to bear as Norton Folgate and Freddie Talbot.
⭐️⭐️⭐️⭐️
Torchwood: The Black Knight is exclusively available to buy from the Big Finish website until 31 May 2022, and on general sale after this date.
Martyn and Gerrord are joined by Antoni Pearce. The dynamic trio talk about The Batman. Spoilers are contained within, obviously.
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In just a few short years, Lizzie Hopley has cemented herself as one of the most consistent writers on the Big Finish roster. Returning to the Torchwood range for the first time since 2017, she gives us an interesting morality tale about care homes, loneliness, the treatment of elderly people and, the existential crisis of an AI.
Torchwood: Sonny follows fan-favourite Rhys (Kai Owen) as he enlists his mum, Brenda (Nerys Hughes) into helping Torchwood investigate a new fleet of robots, in a care home. At first, Brenda isn’t too pleased about this. But as time goes on, she becomes more and more dependent on her robot, named Sonny.
I had almost expected this to be a tale of robots taking over and attempting to enslave humanity. But Lizzie Hopley is so much smarter than that. She knows we’ve seen that trope a thousand times before. Instead of making us fear what robots could do to us, she makes us fear what robots could reveal about us.
Kai Owen, Nerys Hughes, and Steven Kynman are all terrific, and their relationships are convincing from the start. We all know Hughes is a particularly talented actress, but she absolutely shines in this audio. She portrays Brenda with such a raw vulnerability, that feels like an emotional gut-punch at times. There’s a wonderful complexity to Brenda, that I hope we get more of in the future. The supporting cast is also exceptionally strong, with Amerjit Deu, in particular, doing a fantastic job as Prudeep.
Sonny is not only a brilliantly comedic script, it’s also a deep exploration of what it means to feel isolated. Hopley manages to convey the monotony of being in a care home, without the story being boring. Lisa Bowerman’s direction is flawless and keeps the story going at exactly the right pace, this is all beautifully accompanied by Steve Wright’s soundtrack.
I’ve said it before, but I think it bears repeating. Torchwood on Big Finish is Torchwood at its absolute best.
Torchwood: Sonny is available to buy from the Big Finish website.
⭐⭐⭐⭐⭐
Synopsis:
We all know that billionaire Bruce Wayne is secretly Gotham City’s vigilante detective and protector, The Batman—but what road led him there? Find out in Before The Batman: An Original Movie Novel, which includes an exciting original story of Bruce Wayne’s early adventures on his way to becoming The Batman!
Written by David Lewman, Before The Batman, is a young adult novel, which essentially acts as a prequel to The Batman. It follows a 17-year-old Bruce Wayne, about a decade and a half before he dons the cape and cowl.
Given the target audience, this isn’t a complex read. I blitzed through it in about 90 minutes. However, I had a lot more fun with this than I anticipated. It’s an intriguing look at Batman’s early years, laying the groundwork for the universe of the film, without rehashing what we’ve previously seen. We learn a bit more about Alfred and his military days, as well as The Riddler and the parallels between him and Bruce Wayne.
The book isn’t a required read before seeing the film, but it does a great job of expanding the mythology that’s established in the film.
The book includes a few behind-the-scenes images from the film, as well as a small poster.
The Foo Fighters, one of the most successful rock bands of all time, are facing a major hurdle. They are struggling to write their 10th studio album, and are in desperate need of inspiration. Lead singer Dave Grohl, always eager to try something new, suggests that they record in an ominous mansion known for its supernatural activity. The band agrees, thinking that the creepy death atmosphere and eerie acoustics of the mansion will spark their creative juices.
As soon as they enter the mansion, strange occurrences begin to happen. The band members start seeing apparitions and experiencing unexplainable events. They soon realise that they are not alone in the mansion and that supernatural forces are at play.
Despite the danger, the band decides to continue recording in the mansion. As they try to navigate the creepy surroundings, they also deal with their own interpersonal issues. Celebrity cameos and unexpected plot twists add to the suspense and humor of the film.
Studio 666 is a mixed bag, part-comedy, part-horror, and part-90s slasher throwback. The plot is formulaic, but the characters are lovable and relatable. The acting may not be Oscar-worthy, but the band members’ chemistry is palpable. The film is a proper B-movie, reminiscent of the classics from decades ago.
Studio 666 is a fun and entertaining ride, perfect for fans of the band and lovers of classic horror-comedies.
⭐⭐⭐
Disney+ has released the first official poster for Lucasfilm’s Star Wars: Obi-Wan Kenobi series. They have also confirmed the series will premiere on May 25th, 2022.
Obi-Wan Kenobi is set 10 years after the events of Star Wars: Revenge of the Sith, where “Kenobi faced his greatest defeat, the downfall and corruption of his best friend and Jedi apprentice, Anakin Skywalker, turned evil Sith Lord, Darth Vader.”
Ewan McGregor will be reprising his role as Obi-Wan, in the series. He will also be joined by prequel trilogy co-star Hayden Christensen, who is returning as Darth Vader.
The series also stars Joel Edgerton, Bonnie Piesse, Moses Ingram, Kumail Nanjiani, Indira Varma, Rupert Friend, Sung Kang, Simone Kessell, and Benny Safdie.
“Obi-Wan Kenobi” is executive-produced by Kathleen Kennedy, Michelle Rejwan, Deborah Chow, Ewan McGregor and Joby Harold.
Dakota Johnson is apparently in talks to play Madame Web, in sony’s Spider-Man spin-off.
The film, which is part of Sony’s increasing library of Marvel-based films, will be directed by S.J. Clarkson.
Madame Web, who first appeared in 1980s The Amazing Spider-Man No. 210, is a clairvoyant mutant who specialises in foretelling the future of Spider-themed superheroes, having mentored not only Peter Parker’s alter ego, but also numerous generations of Spider-People.
She is traditionally represented as a blind, paralysed elderly woman who is surrounded by a web-like contraption that keeps her alive, implying that she avoids direct battle and instead dispatches others on missions.
Matt Sazama and Burk Sharpless, writers of the upcoming Morbius, have penned the script.
Madame Web is one of a handful of Marvel-based films in development, as Sony expands their Universe of Characters.
Sony, which owns the film rights to Spider-Man and his associated characters, has already released Venom (2018) and Venom: Let There Be Carnage (2020), as well as the Jared Leto-led Morbius, which is set to be released in April. Kraven the Hunter, starring Aaron Taylor-Johnson, is also in the works.
The studio is currently riding high following the release of Spider-Man: No Way Home, which has grossed $1.74 billion globally, the highest in Sony’s history.
Listen to our review of Spider-Man: No way home here.
In this latest exciting instalment of the podcast, Martyn, Chris and Sam discuss the likelihood of David Tennant returning to Doctor Who.
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