Category: Reviews

Review-The Guardians of the Galaxy Holiday Special

The Guardians of the Galaxy are back, and this time they’re taking on Christmas with a good old-fashioned seasonal special. While it may not have the same weight as some of the other MCU projects, the special offers a light-hearted, entertaining escape from reality.

Peter Quill, still reeling from the loss of Gamora, is surprised by his teammates Mantis and Drax, who have hatched a plan to cheer him up. After hearing about Christmas, they decide to kidnap Quill’s childhood hero, Kevin Bacon, and bring him to him as a present. While the break-in is the most surreal thing you’ll see this holiday season, it sets off a chain of events that lead to a heartwarming Christmas party and a surprise revelation about Peter’s family.

The special has its highs and lows, with some jokes hitting the mark and others falling flat. The scenes of Mantis and Drax experiencing Earth culture are entertaining, but at times they drag on too long. Nevertheless, the special’s message of togetherness and family makes it a perfect watch for the holiday season.

Overall, while the Guardians of the Galaxy Holiday Special may not be the most memorable addition to the MCU, it’s a fun and heartwarming way to spend 40 minutes this Christmas.

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Running Down Corridors-The RTD Christmas specials

As we approach RTD2, your dynamic trio take a look at the RTD Christmas specials.

The Christmas specials of Doctor Who written by Russell T Davies (2005-2009) explored humanity and the human cost of war and showed some of the Doctor’s greatest moments of heroism.

In The Christmas Invasion (2005) viewers were introduced to David Tennant’s Tenth Doctor and saw his successful thwarting of the Sycorax invasion of Earth.

In The Runaway Bride (2006) the Doctor reunited with old flame Donna Noble and had to rescue her from the Empress of the Racnoss.

In Voyage of the Damned (2007) the Doctor teamed up with Astrid to defend the Titanic in Space against the hostile alien force known as the Host.

In The Next Doctor (2008) the Doctor encountered his future self and fought off a robotic infestation. In The End of Time (2009), viewers saw the Doctor’s final farewell to his human companions before his regeneration into the Eleventh Doctor.

The specials explored themes of family, love, heroism, and faith while showcasing why Russell T Davies and David Tennant were both so popular with the general public.

Happy Christmas, to all of you at home. Thanks for listening. We’ll be back in the New Year. Albeit with a slightly different line-up. For personal reasons, Sam has decided to step down from the podcast. All is still well with The Bad Wilf family and there will always be a seat at the table for him, should he choose to return.

This podcast is part of The Bad Wilf Network. Check out www.badwilf.com, for information on all our other shows.

Artwork by Penny Smallshire.

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Review-Miles Morales Spider-Man issue #1

Miles Morales: Spider-Man #1 marks the start of a new chapter in Miles’s personal, familial and friendly journeys, whilst he fights super-villains in New York City. Nonetheless, balancing his civilian life with his heroic responsibilities proves to be more complicated than he ever could have imagined.

Cody Zieglar’s opening installment of Miles Morales’ new series of escapades, Miles Morales: Spider-Man #1, is definitely worth a read. Though there are a few minor criticisms, it is generally a strong issue with an outstanding start.

Miles starts a new chapter in his life with a dawn battle with Scorpion, which leads to a civilian being saved, a good deal of destruction of property getting him in trouble with the NYPD, and tardiness that sets him back at school. Although he is great at taking on bad guys while in costume, he can’t help but be defiant with his teachers which brings on a suspension and a little bit of in-depth thinking concerning the direction of his life.

Zieglar deserves recognition for describing a teenager battling a twofold existence in a considered manner. Even when confronted with difficulty, Miles does not become jaded or miserable; this equilibrium enables the reader to form a link of sympathy with him, consequently forming a deep emotional attachment to his affliction.

Eventually, a new antagonist appears who has a strong grudge against Miles. Whether they are an interesting character or not is yet to be determined. Nevertheless, the story offers enough interest to motivate readers to continue the story with another issue.

What are the minor critiques cited in the discussion about Miles’s argument with his teacher, the schoolroom scene, and the villain’s monologue? Miles’s references to lotteries and privilege come off as buzzwords without much context, leaving the audience to question whether he won an actual lottery or is making a reference to a School Choice lottery or is using lottery as a metaphor.

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Additionally, Ziegler tries too hard to use social buzzwords and local references rather than being clear, which takes away from the overall quality of the film. Though these are only small cons, they are hard to ignore.

The awesome artwork of Vincentini and Valenza is easily recognizable. Their action slots present a dynamic and continuous movement in which punches land with strength.

The inspiring and sentimental scenes have been carried out brilliantly. In order to make future issues even better, Vincentini should attempt to incorporate more wider shots during physical encounters to help create a greater sensation of magnitude. The use of close-ups in this issue sometimes left the action feeling quite confined.

Running Down Corridors Episode 1 series 2

Welcome to Running Down Corridors, where we explore the fascinating world of the Doctor and their adventures through time and space.

In this episode, we’ll be discussing the latest Doctor Who special, “Legend of the Sea Devils”. The Sea Devils are a classic Doctor Who monster that first appeared in the Jon Pertwee era, and have since become a fan-favorite. In this special, the Doctor and her companions find themselves in the middle of an underwater battle between the Sea Devils and a group of humans.

We’ll be discussing the themes and messages of the episode, as well as the performances of the actors and the special effects. We’ll also be exploring the history of the Sea Devils in Doctor Who, and how they’ve evolved over the years. Additionally, we’ll be delving into some of the behind-the-scenes details.

So join us for an exciting discussion of “Legend of the Sea Devils”.

This podcast is part of The Bad Wilf Network. Check out www.badwilf.com, for information on all our other shows.

Artwork by Penny Smallshire.

Check out BeeblePete’s review of Doctor Who am I?

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Film review-Black Adam

Warner Bros. Discovery faces multiple challenges that threaten the success of their entertainment empire. Changes to the streaming service HBO Max, the Batgirl cancelation, and the redirection of the DC Extended Universe have all negatively impacted the studio’s reputation. Despite attempts to re-approach the model through different creative perspectives, the DC Extended Universe has yet to establish a consistent cinematic universe. The main issue seems to be the lack of consistent quality over time.

Black Adam, the latest addition to the DC Extended Universe, features a solid performance from Dwayne Johnson as the titular anti-hero. However, the chemistry between the cast members falls short, with the Justice Society of America lacking meaningful substance. The humourless, hollow screenplay fails to balance the dramatic intensity with the comedic beats that made Shazam! successful. The film’s overall aimlessness and narrative misdirection warn that CGI-ed mass destruction is not enough to rebuild a brand.

The superficiality of Black Adam contradicts any signs of progression for the DC Extended Universe, accusing them of misusing their characters. The film presents a bare-boned and uninspired “good vs. bad” narrative without much of a story to support it. There’s a disregard for audience expectations, needs, or desires, relying on expensive-looking excuses for an origin story. While the post-credits scene featuring a thrilling cameo may excite DC fans, it does not make up for the film’s overall shortcomings.

In conclusion, Black Adam’s solid performance from Dwayne Johnson is overshadowed by its aimlessness, lack of chemistry, humourless screenplay, and narrative misdirection. Warner Bros. Discovery and their DC Film team must focus on crafting comprehensive works of fiction that meet audience expectations, needs, and desires, rather than relying on high-volume talent to attach themselves to projects.

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Review-The Banshees of Inisherin

In 1923, on a tiny remote island, just off the coast of Ireland. Two friends find themselves at odds. When one of them decides he doesn’t like the other anymore.

It’s as basic a premise as one can think of for contemporary storytelling. And in his wondrous, wonderful, and exquisitely contained mini-opera “The Banshees of Inisherin,” writer-director Martin McDonagh takes this straightforward premise and sets it ablaze, using it as a backdrop to explore the conflict in man, the nature of pride and spite, the significance of companionship, and the curious edges of the male ego.

It’s a darkly comic drama that packs an emotional gut punch, after emotional gut punch and consistently finds new ways to deliver brutal body blows.

After portraying hitmen in McDonagh’s 2008 cult classic “In Bruges,” Colin Farrell and Brendan Gleeson reunited for the role of the men who are no longer friends when the film opens.

Like they do every day at 2:00 p.m., the unassuming Pádraic (Farrell) stops by Colm’s (Gleeson’s) beachside cottage to see if he wants to join him for a pint, at the local pub. But this time he’s snubbed by Colm. Later, he arrives, and Colm declines Pádraic’s offer to sit next to him. Pádraic, like the other patrons in the pub, is unable to comprehend just what is happening. The following day, Colm makes it very clear. He tells him, “I just don’t like you no more.” Did they have a drunken fight? Was it something he said? It’s not really that easy. Colm, who enjoys the arts and plays the fiddle. Has come to the realisation that Pádraic is boring. He’s sick of discussing the same issues, over and over. He just wants to be left alone.

Pádraic is gobsmacked to lose his closest friend, whilst Colm desperately seeks to leave some sort of musical legacy behind. Others like Siobhán (Kerry Condon) and Dominic (Barry Keoghan) are left to choose between picking up the pieces or looking out for themselves.

Condon and Keoghan absolutely shine in the film and steal every scene they’re in. Siobhán is easily the smartest person on the Island, confined by the attitudes of the era. Whilst Dominic is a deeply troubled character. Keoghan is a shoo-in for best supporting actor at the BAFTAs.

In lesser hands, Colm may seem unreasonable in his behaviour but Gleeson plays him with such world-weary depth, it’s impossible to dislike him. Farrell is also incredible as the bemused underdog, Pádraic.

It may not be as re-watchable as In Bruges, but The Banshees of Inisherin is a masterful exploration of the complications of male friendship.  Undoubtedly one of the best films of the year.

The Banshees of Inisherin is out in the UK on October 21st.

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Episode 286: Batgirl cancelled. Bullet Train review

Hello and welcome to this episode of The Bad Wilf podcast, where we’ll be discussing the action-packed thriller “Bullet Train” starring Brad Pitt.

“Bullet Train” is a high-octane movie that takes place on a speeding train from Tokyo to Morioka. The plot revolves around five assassins with different agendas who find themselves on the same train. As they race against time to accomplish their respective missions, chaos ensues, and tensions run high.

Brad Pitt stars as the main protagonist, a hitman named “Ladybug,” who finds himself caught up in the middle of the chaos. As the situation escalates, he must navigate his way through the danger and confront his fellow assassins, all while trying to stay alive.

In this episode, we’ll dive deep into the movie’s plot, characters, and themes. We’ll analyse the action scenes, the character arcs, and the storytelling techniques used in the film.

We’ll also talk about Brad Pitt’s performance and how he brings depth and nuance to his character, despite the fast-paced nature of the movie.

Finally, we’ll explore the movie’s broader themes, such as morality, loyalty, and the consequences of one’s actions. We’ll discuss how the movie uses its unique setting and premise to explore these themes and create a thrilling and engaging experience for the audience.

Overall, “Bullet Train” is an adrenaline-fueled ride that offers plenty of action, suspense, and intrigue. So join us as we break down this thrilling movie and explore its many layers and meanings.

We also discuss “Zaslav the butcher” and his affect on the DCEU, with the cancellation of Batgirl. A film that was already complete and ready to go.

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Big Finish review-Out of time 3: Wink

Colin Baker’s Sixth Doctor has found new life and renewed vitality in Big Finish’s audio dramas, where he’s been able to showcase his talent in ways that weren’t always possible during his time on television. In recent years, Baker has consistently delivered impressive performances in some of Big Finish’s best scripts, such as Doctor of War and Mind of the Hodiac. Fans have been eagerly anticipating his latest collaboration with David Tennant in Wink, the third installment of Big Finish’s Out of Time series, and thankfully, it does not disappoint.

McMullin’s cleverly crafted script highlights the distinct personalities and shared history of the Sixth and Tenth Doctors. Baker and Tennant play off each other effortlessly, creating an entertaining dynamic that’s both fun and occasionally tense. Tennant’s portrayal of the Tenth Doctor is as brilliant as ever, adding his own unique spin to the character and complementing Baker’s Sixth Doctor perfectly. Together, they face off against one of the Doctor’s most iconic foes, and McMullin masterfully builds suspense and tension throughout the story.

Big Finish has always been renowned for its ability to bring high-concept ideas to life through immersive sound design and music, and Wink is no exception. The talented cast, which includes returning favorites Ayesha Antoine and Clive Hayward, delivers superb performances, and the production values are top-notch. The result is an audio drama that is thrilling, entertaining, and engaging from start to finish.

If Wink does indeed mark the final installment of the Out of Time range, then it serves as a fitting conclusion. Once again, Big Finish has demonstrated their ability to bring a fresh and innovative approach to Doctor Who storytelling, while Colin Baker’s Sixth Doctor finally gets the chance to shine alongside the great David Tennant.

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Review-Doctor Who: Origins #1

In DOCTOR WHO: ORIGINS #1, released on June 8th, 2022 by Titan Comics, we embark on a new mission with the Fugitive Doctor, who must stop a dangerous cult from destroying Gallifrey. But, as expected in the world of Doctor Who, things are not quite as they seem.

Whilst The Timeless Children storyline proved to be controversial, fans mostly agreed that Jo Martin’ was fantastic as The Fugitive Doctor. She made a huge impact when she first appeared on screen in the long-running series. Her unexpected and mysterious introduction left fans wondering who she really was and where she fit into the Doctor’s complicated timeline.

Martin’s portrayal of the Fugitive Doctor was intriguing and compelling, capturing the essence of the character in a fresh and unique way. Her performance garnered praise from both fans and critics alike, and it’s exciting to see her character explored further in DOCTOR WHO: ORIGINS #1.

As always, writer Jody Houser provides readers with an exciting opportunity to get to know the Fugitive Doctor during her time working for the Division. We see her personality traits that eventually lead her to become a Fugitive, making for an engaging introduction to this incarnation of the Doctor. However, the art by Roberta Ingranata has some issues, particularly with consistency in the Fugitive Doctor’s anatomy and overuse of copy/pasting.

The highlight of the issue is Houser’s portrayal of the Fugitive Doctor, who is wise, sharp, and headstrong. She assumes an authoritative role when paired up with a junior member of the Division, showcasing why she is held in high regard. The mission at hand seems suspicious from the start, and readers can see how it will eventually lead to a split with the Division, serving as an excellent motivation point for her future.

The issue starts with a thrilling scene featuring the Fugitive Doctor in a darkened hallway, followed by an encounter with a giant Nebula Spider and a rescue by a Weeping Angel. Later, she receives a new assignment from the Division and is paired with Taslo, a freshly-graduated agent. The mission takes them to various cult strongholds, and the issue ends with a surprising meeting and the discovery of a unique way to store weaponry.

Overall, DOCTOR WHO: ORIGINS #1 is an intriguing start to a series that explores one of the lesser-known Doctors in Time Lord history. Houser’s writing gives the Fugitive Doctor a strong and assertive personality, while the mission provides plenty of opportunities for further exploration. However, the inconsistent art detracts from the overall reading experience.

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Review-Everything everywhere all at once

In Everything Everywhere All at Once, the filmmakers masterfully embrace the absurdity of life to explore deep philosophical concepts such as family dynamics and existential crises. The film follows the journey of Evelyn, a launderette owner struggling to break free from her father’s disapproving gaze and her own patriarchal hang-ups. As she discovers the existence of a multiverse with millions of versions of herself, she navigates through her complicated relationships with her daughter, husband, and the IRS agent who’s auditing her.

Stephanie Hsu delivers an exceptional performance that stands out against a cast of familiar faces. However, it is Michelle Yeoh’s portrayal of several intriguing interpretations of her character that draws on her storied cinematic career and brings depth and nuance to the role. Yeoh is undoubtedly a strong contender for the Best Actress Oscar, making her character’s journey even more compelling to watch.

Ke Huy Quan’s return to the big screen after many years away is marked by a heartfelt and authentic portrayal of Evelyn’s doting husband. Although he may be out-acted by his female counterparts, Quan’s performance showcases his talent and adds to the film’s overall quality. The addition of Jamie Lee Curtis adds a much-needed dose of humor to the absurdity of the plot.

While the film blends several genres to uncover universal truths, it does rely heavily on sensationalism to cover up plot inefficiencies. Despite this, Everything Everywhere All at Once offers a unique and entertaining experience that challenges viewers to embrace the absurdity of life, the universe and everything.

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