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Martyn, Chris and Abi discuss the first episode of Torchwood.
In the first episode, aptly titled “Everything Changes,” viewers are introduced to a universe that exists alongside Doctor Who.
“Everything Changes” begins in the bustling city of Cardiff, where a chance encounter thrusts Gwen Cooper, a dedicated police constable, into a clandestine world beyond her wildest imagination. As Gwen investigates a puzzling murder case, she stumbles upon Torchwood, an enigmatic group led by fan-favourite Captain Jack Harkness.
Captain Jack Harkness and his team operate outside the conventional boundaries of law and order, dedicated to protecting humanity from extraterrestrial threats and supernatural occurrences. Torchwood’s diverse ensemble cast includes the tech-savvy Toshiko Sato, the medical expert Owen Harper, and the resourceful Ianto Jones. Together, they form an unconventional yet formidable team with unique skills and their own complex dynamics.
Through Gwen’s eyes, viewers discover a hidden side of Cardiff, where extraordinary events and unexplained phenomena are woven into the fabric of everyday life. The episode immerses audiences in a city filled with secrets, blurring the lines between the ordinary and the extraordinary.
As Gwen becomes entangled with Torchwood, she grapples with the shocking revelation that aliens exist among us. “Everything Changes” unveils the covert battles fought by Torchwood, exploring the complexities of their mission and the sacrifices made to protect humanity. Friendships are forged, loyalties are tested, and the very nature of reality is questioned.
In Daleks! Genesis of Terror, an audio adaptation that delves into the realm of the classic Doctor Who story, Genesis of the Daleks, the potential for exploring new dimensions within this beloved narrative is unfortunately left untapped. This release disappointingly fails to meet the expectations of delivering a cohesive and engaging experience.
The fragmented nature of Daleks! Genesis of Terror is hard to ignore. Instead of providing a complete retelling of Genesis of the Daleks, this audio adaptation solely focuses on Part One of the original draft. Parts Two, Four, and Six are quickly skimmed through by Nicholas Briggs, while Part Three and Part Five are presented as Companion Chronicle versions, narrated by Harry Sullivan and Sarah Jane respectively. This fragmented approach hinders storytelling, resulting in an unsatisfying and disjointed narrative experience for listeners.
Genesis of the Daleks: Part One suffers from poor writing and lacks significant deviations from its televised counterpart. Terry Molloy’s involvement, although expected to elevate the material, unfortunately, falls flat, lacking the fresh perspective necessary to rejuvenate the story. Additionally, Nicholas Briggs’s rushed readings of the other parts do little to fully immerse the audience, leaving much to be desired in terms of narrative engagement.
To further complicate matters, the inclusion of an 80-minute interview with Philip Hinchcliffe seems puzzlingly out of place within the context of the audio adaptation. While such interviews can provide valuable insights and behind-the-scenes information, this extended feature disrupts the flow of the release and distracts from its primary focus. It ultimately fails to enhance the listener’s experience as intended.
Ultimately, Daleks! Genesis of Terror struggles to justify its existence as a worthwhile adaptation. The decision to tackle a universally acclaimed story like Genesis of the Daleks appears misguided, as it lacks the necessity for a remake.
With its fragmented structure, lacklustre execution, and questionable creative choices, Daleks! Genesis of Terror fails to deliver a satisfying audio adaptation. Despite its commendable attempt to revisit a beloved story, it ultimately falls short of capturing the essence and magic of the original. Fans of Doctor Who would be better served by revisiting classic episodes or exploring other stories in the “Lost” range that offer more immersive and engaging experiences.
“Purity Unleashed,” the sequel to May’s “Water Worlds,” takes listeners on an exciting journey with the Sixth Doctor, Mel, and their new companion, Hebe Harrison. This Big Finish audio play consists of three distinct adventures that maintain a sense of unity throughout.
What sets this mini-series apart is its exploration of the recurring theme of purity. The villains encountered in these stories become obsessed with the concept, leading to engaging and thought-provoking adventures that delve into purity of the mind, body, and even in history.
“Doctor Who: The Sixth Doctor Adventures: Purity Unleashed” lives up to the high standards set by its predecessors, offering a riveting storyline that will leave listeners begging for more. Like its predecessors, this series leaves us with an enticing cliffhanger.
The standout episode is Matthew Sweet’s “Broadway Belongs to Me!” which presents a refreshing and thought-provoking exploration of fascist themes within the context of musical theatre. Supported by Howard Carter’s exceptional score and Helen Goldwyn’s expert direction, the production reaches new heights of excellence.
Chris Chapman’s “Purification” takes us on a journey through time, starting in 1910 in New Zealand and spanning generations. This narrative gradually unravels the fabric of time itself, delving into the depths of the human psyche and will leave a profound impact on the audience.
Ian Potter’s “Time-Burst” transports us to 1864 Sheffield, skillfully exploring social inequity and calamity with sensitivity and nuance. Potter’s adept exploration of displacement, arrogance, and the intricate nature of fixed time creates a tale that deeply resonates with listeners.
Colin Baker and Bonnie Langford once again deliver exceptional performances, effortlessly embodying their respective roles as the Doctor and Mel. Their chemistry is evident through their charming banter and delightful humour, and Langford gets the chance to showcase her musical theatre roots, shining brightly in the process.
With “Doctor Who: The Sixth Doctor Adventures: Purity Unleashed,” Big Finish continues to impress with their ability to craft compelling narratives. This series leaves audiences wanting more, eagerly anticipating the continuation currently scheduled for August.
With exceptional writing, performances, direction and sound design. This drama is a must-listen for all fans of Doctor Who.
Fast X takes the Fast and Furious franchise to new heights of excitement and spectacle. It embraces its over-the-top nature, delivering a wild ride that pushes the boundaries of plausibility. The film is a celebration of sheer entertainment, inviting viewers to suspend their disbelief and revel in the exhilarating action.
The plot revolves around Dom Toretto and his crew, who find themselves entangled in a complex scheme orchestrated by the deranged Dante Reyes, son of a Hernan Reyes from Fast Five. Dante Reyes seeks to torment Dom by putting his loved ones in danger through a series of outlandish scenarios. Along the way, familiar faces and adversaries reappear, adding to the ever-expanding ensemble.
Fast X never shies away from its audacity. It showcases jaw-dropping action sequences, including car jumps, explosive stunts, and death-defying feats. The film blurs the line between homage and repetition, referencing past instalments while introducing fresh elements to keep things from feeling repetitive.
The cast delivers committed performances, with Jason Momoa stealing the show as the flamboyantly unhinged antagonist. He’s essentially playing The Joker. His portrayal adds a captivating mix of humour and madness to the proceedings. The film also introduces new characters, such as Brie Larson’s Tess and Alan Ritchson’s Almes, who contribute to the diverse ensemble.
At its core, Fast X is an escapist thrill ride. It demands that viewers embrace its over-the-top nature and surrender to the sheer enjoyment of the spectacle. The film transports audiences to a world where the laws of physics take a backseat to adrenaline-pumping action and larger-than-life characters.
While the plot may be convoluted and the characters larger than life, Fast X succeeds in delivering an exhilarating experience. It captures the essence of the franchise’s appeal: the excitement, the high-octane action, and the sense of camaraderie within the “family.” It reminds us that sometimes, it’s okay to suspend our disbelief and indulge in pure cinematic escapism.
Fast X stands as a testament to the franchise’s ability to consistently deliver entertainment that resonates with its devoted fan base. It invites viewers to buckle up, let go of their inhibitions, and embrace the wild and outrageous journey it offers. So, prepare for a thrill like no other as Fast X revs up the engines and takes you on a heart-pounding adventure where anything is possible.
Launch Date, the conclusion of the Torchwood “romance trilogy,” brings Aaron Lamont’s deft writing to the forefront, with Ianto Jones, played by Gareth David-Lloyd, taking a back seat to the budding relationship between Geraint and Chrissie, played by Jonathan Hawkins and Gemma Knight Jones.
Lamont’s script is filled with witty dialogue that sets the pace for the story, with Hawkins delivering an effortless performance as the unconfident Geraint. While his Welsh accent occasionally falters, it doesn’t detract much from the overall performance.
Knight-Jones shines as the headstrong and opinionated Chrissie, delivering a performance that evokes a sense of frustration with the world. Lamont’s well-crafted story allows the listener to witness a different side of Ianto, as he plays a peripheral but pivotal role in bringing Geraint and Chrissie closer together. The duologues between the two, as well as the vignettes of their personal lives, are skillfully interspersed, with Callum Lloyd’s annoying but endearing portrayal of Joe adding a delightful touch of humour to the mix.
While the story has some light and funny moments, the climax is slightly underwhelming, as it’s evident from the beginning that Ianto is playing matchmaker. Nonetheless, the character interactions are written and played in a thoughtful and nuanced manner, with David-Lloyd’s performance being consistently on top form.
Overall, Launch Date is a solid story, with Lamont’s writing and the cast’s performances making it a fitting conclusion to the Torchwood “romance trilogy.”
⭐️⭐️⭐️
Torchwood: Launch Dateis now available to own as a collector’s edition CD + download for £10.99 or as a digital download for £8.99, exclusively from Big Finish.
In the heart of Cardiff, a new dating app has taken the city by storm, offering users the chance to find their perfect match in just 20 minutes. But there’s a twist – once the time is up, they may never see their date again.
As more and more people try out the app, something strange begins to happen. Everyone seems to be going on the same dates, with the same activities, conversation topics, and even jokes. It’s almost as if the app is controlling their every move. Normally, Sgt. Andy Davidson would be the first to investigate, but he’s busy with his own date.
Torchwood has often been praised for its dark and gritty tone, exploring themes of loss, trauma, and alien invasion. However, this particular episode takes a different approach. It’s a lighthearted romp through the world of dating apps and the strange things that can happen when people put their trust in technology.
Despite the departure from the show’s usual tone, the actors still deliver standout performances. Tom Price and Kai Owen, who play Sgt. Andy Davidson and Rhys Williams respectively, are particularly impressive in their portrayal of two men caught up in a whirlwind of romantic comedy hijinks. Their chemistry is palpable, and their lightning-fast shifts from serious to lovesick are both hilarious and heartwarming.
The supporting cast also shines, with Natalia Hinds, Sunjay Midda, and Rebecca Trehearn each bringing their unique flair to their roles. Whether they’re playing matchmakers, hard-working council workers, or hapless police officers, they all add to the story’s infectious energy and sense of fun.
Tom Price, who also stars in the adventure, shows his versatility as a writer with a fluid and brilliant script that perfectly complements his acting skills. The writing captures the humorous and whimsical aspects of the story, while also exploring deeper themes of human connection and the perils of relying too heavily on technology.
David O’Mahony’s direction keeps the story moving at a brisk pace, while Blair Mowat’s music and Shane O’Byrne’s sound design help to create an engaging atmosphere.
Overall, this is a well-crafted and enjoyable story. A must-listen for any Torchwood fan looking for a fun 45-minute adventure.
Torchwood contains material, that may not be suitable for younger audiences.
Torchwood: Thirst Trap is available for purchase from Big Finish.
Taron Egerton shines in this film that ingeniously blends nostalgia with a gripping thriller. The story opens with Henk Rogers making a pitch to a bored Japanese bank executive about the true potential of what he’s selling. As Henk narrates his globe-trotting journey to acquire the rights to a video game, the audience is treated to stunningly produced sequences that are seamlessly edited by Colin Goudie, Ben Mills, and Martin Walsh. However, the constant globe-hopping can be wearisome for some viewers.
As the story moves to Russia in 1988, director Jon S. Baird expertly slows down the pace, building tension and suspense. Written by Nick Pink, the opening portion of the film sets the stage for what happens to Henk when he seeks the sales rights from the game’s creator, Alexey Pajitnov, stumbling into a dangerous hornet’s nest where Communist Party security officials, Japanese interests, a software salesman, and Nintendo all compete against each other to acquire the rights to publish a video game that would become a worldwide smash.
With multiple layers of legitimate business dealings cloaked in duplicitous and criminal activity, it is challenging to decipher how much of this “inspired by a true story” movie is, in fact, true and how much is pumped-up artifice. However, by the end of the movie, you won’t care because the story and the characters are that compelling.
Taron Egerton portrays a good-hearted family man who is married to a loving and supportive wife, played by Ayane Nagabuchi, with multiple adorable children. Henk’s desire to secure his family’s financial future is palpable, and his loyalty to his employees and his small software company in Japan is commendable. The supporting cast is equally colourful, and the film moves at a pace that slowly picks up speed, resembling a good video game that is irresistible to play.
Overall, the film is a nostalgic and thrilling ride that expertly blends both genres into a captivating story.
Tetris will be available to stream from Apple TV+ on March 31st.
The Last of Us television adaptation is a triumph in every sense of the word, exceeding expectations in every way. Not only does it successfully translate the beloved game into a television series, but it also delivers exceptional performances from its talented cast.
Pedro Pascal delivers a soulful and nuanced portrayal of the protagonist Joel, showcasing the character’s complex inner turmoil and his journey of redemption. Meanwhile, Bella Ramsey’s portrayal of Ellie is a revelation, injecting the character with fierce independence and a dangerous edge that perfectly captures her spirit.
But the exceptional acting doesn’t stop with the leads. The series also boasts standout performances from supporting actors such as Melanie Lynskey, Storm Reid, and Lamar Johnson. In the poignant third episode, which stands out as a beautiful and emotionally resonant piece of television. Nick Offerman and Murray Bartlett deliver unforgettable performances that anchor the show.
The pacing is masterful, with individual character studies that add depth to the narrative. It manages to capture the essence of the acclaimed video game. Expertly. It’s clear that the creative team behind it poured their hearts and souls into the project.
The marriage between the game and HBO is a match made in heaven, with the network’s penchant for depth over spectacle and the game’s sophisticated storytelling. The result is a work of art that sets a new standard for video game adaptations.
Overall, The Last of Us is a stunning showcase of acting talent, bringing to life complex characters and their emotional journeys in a world of moral ambiguity and constant danger.
The Last of us is available to watch on Sky and Now TV.
Last year’s installment of the Scream franchise did not impress me much, as the approach taken by directors Matt Bettinelli-Olpin and Tyler Gillett, known as “Radio Silence,” felt like a mere repetition of 2011’s Scream 4. Nonetheless, the movie had its merits, particularly in its endeavor to uphold the legacy of the late Wes Craven. However, Scream VI, also directed by Radio Silence and written by James Vanderbilt and Guy Busick, seems to have no new ideas to present, apart from one significant exception. Nevertheless, the sixth part of the series is exceptionally enjoyable as it presents a masterful and thrilling puzzle, even if it isn’t particularly groundbreaking.
The setting of the film has now moved to New York City, where Sam Carpenter (Melissa Barrera), her sister Tara (Jenna Ortega), and their best friends Mindy (Jasmin Savoy Brown) and Chad Meeks-Martin (Mason Gooding) are starting college. Sam accompanies Tara to look after her, hoping that a bigger city means that they are safe from Ghostface’s deadly attacks.
However, this proves not to be the case, as a new Ghostface appears, exhibiting an obsession with the previous nine killers. The FBI, led by Agent Kirby Reed (Hayden Panettiere), gets involved in the case, while Gale Weathers (Courteney Cox) returns as a Ghostface expert. Sidney Prescott, the previous final girl, is absent from the story.
The exclusion of Sidney’s character turns out to be a good thing, as it forces the writers to focus on the other characters. Sam, Tara, Mindy, and Chad take the center stage, and they are given enough time to make an impression. Melissa Barrera shines as Sam, and her portrayal brings depth to the character. Jenna Ortega, Jasmin Savoy Brown, and Mason Gooding are also noteworthy in their performances. Hayden Panettiere’s return as Kirby is a pleasant surprise, and she adds an extra layer to the plot.
While the film’s plot is cleverly crafted, it is not particularly challenging to guess who the killer is. However, the direction by Radio Silence elevates the movie. The suspense, danger, and action sequences are spectacular, particularly the ones set in a neighborhood grocery store and a ladder between apartment complexes. The climactic sequence may not break many rules, but it is executed with precision.
Neve Campbell’s absence from Scream VI is certainly a loss for fans of the franchise, but it’s also a reminder of the ongoing issues of pay equity and fair compensation in the entertainment industry. Hopefully, her decision to turn down the role will contribute to a larger conversation about the value of women’s contributions in film and television and the need for greater representation and equality.
In conclusion, Scream VI may not have much new to offer, but it is a thrilling and entertaining addition to the franchise. The film’s focus on the four main characters, along with the brilliant direction, make it a worthwhile watch for fans of the series.
⭐⭐⭐
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