Book review-Doctor Who:Scratchman

Roughly 40 years ago, one Thomas Stewart Baker sat in the pub with his Doctor Who co-star, Ian Marter and started writing a Doctor Who movie, Doctor Who meets the Scratchman.

Ultimately, it never secured the required funding and the un-produced film became the stuff of legend. Tom Baker later had to apologise, after kids started sending their pocket money to the BBC. After he joked that fans could fund it.

Over the years, you’d hear a rumour here and there at fan gatherings and meet ups. Some people even claimed they’d read it. It sounded bonkers, the fourth Doctor going up against the devil and at some point, pinball would be involved..

Now, after years of speculation and “what ifs” Tom Baker- with the help of James Goss, has adapted the screenplay into a novel.

The Doctor, Harry and Sarah Jane Smith arrive at a remote Scottish island, when their holiday is cut short by the appearance of strange creatures – hideous scarecrows, who are preying on the local population. The islanders are living in fear, and the Doctor vows to save them all. But it doesn’t go to plan – the time travellers have fallen into a trap, and Scratchman is coming for them.

With the fate of the universe hanging in the balance, the Doctor must battle an ancient force from another dimension, one who claims to be the Devil. Scratchman wants to know what the Doctor is most afraid of. And the Doctor’s worst nightmares are coming out to play…

Baker and Goss have taken full advantage of the novel medium. There’s a sense of freedom here, that a film probably wouldn’t allow. The story takes its time and feels like the fourth Doctor era, but it’s also clearly influenced by the big sci-fi/horror films from the 70’s. Mostly John Carpenter’s work, but I also got hints of Wicker man and the Omen. This blend makes for an intriguing read.

The first half reads very much like a standard Doctor Who story, it’s the second half that gets whacky, outlandish and high-concept. I don’t want to spoil it. It’s a bit far-out and some may feel it makes the book a bit disjointed. But it worked for me.

This is the most fun I’ve had with a book for years. Tom Baker claims this will be his last time writing a Doctor Who book, if that’s true then he’s left us with an entertaining read. However, I’m hoping he can be talked into another.

Review-Stan & Ollie

I adore Laurel and Hardy, I remember the first time I discovered them-age 10, in 1992. I was captivated, I would memorise scenes and try to get my friends to act them out with me. It’s clear that the team behind “Stan & Ollie” love them even more.

The film opens in 1937 with Stan Laurel (Steve Coogan) and Oliver Hardy (John C. Reilly) making the classic ‘Way our west’. The duo are at the height of their careers. They’re popular, happy and enjoying a good-natured chat about alimony, filming schedules and attending a party with Clark Gable.

We then flash forward 15 years with the pair reuniting after a creative break-up, hoping to use a series of live performances to generate interest in a film they want to make.

The tour doesn’t get off to a good start, they’re staying in a second-rate hotel, whilst the youngster on reception tells them how much her mum loves them, highlighting their fall from grace. The audiences is sparse and their tour manager is more interested in promoting Norman Wisdom.

Steve Coogan and John C Reilly both put in tremendous performances in this ambitious film.

Coogan has Laurel’s mannerisms down to a T, he even sounds like him. Switching between an American accent when filming and a transatlantic accent when not (Stan Laurel was originally from Yorkshire). Reilly brings a light touch to Oliver Hardy and captivates in every scene. Watching the two of them re-enact classic sketches is an absolute joy to see.

Nina Arianda and Shirley Henderson star as Laurel’s and Hardy’s wives-respectively. They hold their own throughout and are portrayed as equal partners, as well as the most important people in either man’s life.

Stan & Ollie is a wonderfully sweet film, a proper love letter to true Hollywood icons. See it on the big screen.

Stan & Ollie will be in cinemas, 11 January 2019.

DVD review-The Festival

After his girlfriend Caitlin (Tointon) dumps him at graduation, Nick (Thomas) is convinced by his best friend Shane (Animashaun) to attend a music festival, they’d previously booked tickets for-even though it means running into her.

On the train, they meet the annoying Amy (O’Doherty).

Sure enough, they run into Caitlin and after a number of humiliating situations, Nick ends up getting himself and Shane arrested, which leads to Shane’s mum’s boyfriend(Clement) bailing them out.

Whilst the cast provide enough energy to make it watchable, the film feels like it’s made from rejected jokes from The Inbetweeners. Which makes sense considering it’s written by the shows co-creator and stars Joe Thomas.

The script is packed with gags-none of which land. In fact, some of the humour is so grotesque and tasteless that it’s jarring, alienating and cringe-worthy. The filmmakers abruptly cut scenes to distract from the thin plot and random set-pieces.

Jermaine Clement gives a great performance and steals every scene he’s in. Nick Frost and Noel Fielding manage to raise a few smiles, with their cameos. But there’s little substance here. Ultimately, the film feels like that random drunk guy on a train. Chattering endlessly, but never getting to a point.

Review-Nativity Rocks!

The Nativity franchise may have received its fair share of critical bashing, but one thing is for sure: it always finds its way into the hearts of its audience. Despite mixed reviews, it’s not difficult to see why people love it so much. At its core, this series is all about spreading joy and celebrating the true meaning of Christmas.

With a soft reboot, Nativity Rocks! sees Simon Lipkin take on the role of Mr Poppy’s long-lost half-brother Jerry, and he absolutely steals the show. Lipkin’s energy and commitment to his role is infectious, and he brings a fresh perspective to the franchise. His chemistry with the adorable stray dog and the charming Syrian child named Doru is heartwarming and adds an extra layer of emotion to the film.

Meanwhile, Craig Revel Horwood is a delight to watch as the pantomime villain, bringing his unique flair and charisma to the role. And while some may criticise the film’s pacing and loose plot points, it’s hard to deny the sheer fun and heart that permeates throughout the film.

Overall, Nativity Rocks! is a fun and heartwarming addition to the franchise that’s sure to put a smile on your face. It’s a testament to the power of music, love, and the spirit of Christmas. And let’s not forget the amazing performance by Simon Lipkin, who proves to be a worthy successor to Marc Wootton’s beloved character.



Review-Crayola Scoot PS4

Crayola Scoot is an exhilarating and competitive scooter game that offers solo and up to four-player modes. With customisable characters, you can personalise your gaming experience or play as a pre-set character. By taking on challenges, you can earn valuable experience and develop new skills, which will help you climb the rankings and defeat the “legends.” Whether you’re painting the park, pulling off tricks, racing, or collecting crayons, Crayola Scoot offers something for everyone in this high-energy game.

The game’s simplified progression system with quick two-minute contests and less realistic physics captures the classic arcade-style extreme sports games like Tony Hawk, while its incorporation of the ollie and trick system from the Skate series offers a more complex and authentic gameplay experience. Tricks are executed using the right analog stick, just like in Skate games.

Although Crayola Scoot has a robust turbo boost functionality, it’s unfortunate that there is no alternative way to jump or command customisation option, which can limit gameplay at times.

Nevertheless, Crayola Scoot is an engaging and accessible game for players of all skill levels. Its colourful graphics and compelling gameplay make it a great choice for fans of extreme sports games or anyone seeking a new gaming experience. While the controls may take some time to master, they are intuitive and easy to learn, and the game’s art design and graphics are elegantly simple, which adds to its overall charm.

Crayola Scoot is a fantastic game that can be enjoyed by players of all ages, making it the perfect game for the Christmas season. Get ready to scoot your way to victory!

Episode 196: The good, the bad and The Chib

Bad Wilf is back! In this exciting instalment, Martyn and Gerrod discuss life, work, holidays and the Doctor Who series 11 episodes, The woman who fell to Earth, Ghost monument and, Rosa.

The eleventh series of Doctor Who began its initial run on 7 October 2018, and will consist of ten episodes. The series is the first to be led by Chris Chibnall as head writer and executive producer, alongside executive producers Matt Strevens and Sam Hoyle.



The series introduces Jodie Whittaker as the Thirteenth Doctor, with Bradley Walsh, Mandip Gill and Tosin Cole playing her companions.

The podcast is available from all good podcast services, such as;

Audioboom, Player fm and Itunes.

If you’d like to support the show, then please check out our Ko-Fi, or shop via our Amazon link. A small percentage goes our way, at no extra cost to you.

Follow the Bad Wilf team:

Martyn – @BadWilf

Pete – @BeeblePete

Gerrod – @ingerrodsmind

Check out the Bad Wilf Vlog.

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Review-The Time Tunnel blu-ray

As a child of the nineties, I have fond memories of watching high-quality American shows from the 60s on Channel 4 during school holidays, such as Man from UNCLE, Get Smart, and The Time Tunnel. The latter show, in particular, captured my imagination and sparked my passion for sci-fi, even before I knew what sci-fi was.

Despite being extremely dated by today’s standards, The Time Tunnel remains an entertaining show that feels like a prequel to modern sci-fi classics like Quantum Leap and Stargate. Set in an imagined 1968, the near-future to when the show was made, two scientists named Tony Newman and Doug Philips find themselves traveling through time and space after testing their top-secret government project, the time tunnel.

Although the show has dodgy science, sets, and glaring plot holes, it’s precisely these elements that make it brilliant. The premise is a sandbox for any writer, with nothing off-limits and no logic to hold back the imagination. The time tunnel takes Tony and Doug to a range of different locations and time periods, from Ancient Greece to the first manned mission to Mars.

The transfer to HD is good, considering the show was not shot that way. Additionally, viewers can choose to listen to the original mono sound or the remixed 5.1, both of which work well.

Overall, The Time Tunnel is a great set that would make a perfect Christmas gift for any sci-fi fan. It’s a shame the show didn’t get a second series, given its potential for endless time-traveling adventures.

Film review-A star is born

A Star Is Born, directed by Bradley Cooper, is a powerful and self-reflexive commentary on the destructive nature of fame. Cooper expertly weaves together the themes of stardom and celebrity, as he propels his own stars into the stratosphere. Lady Gaga’s portrayal of Ally, an emergent pop star, adds to the film’s metatextual implications, as she begins to resemble herself as the story unfolds. Cooper’s film takes measured steps away from movie stars and towards musicians, culminating in a version that reflects the contemporary marketability of pop stars.

The film’s opening concert scenes showcase Cooper’s Jackson Maine performing with remarkable purity, delivering genuinely good and memorable songs. However, as Jackson’s celebrity begins to wane and Ally signs with a record label, the integrity of their soul-pouring duets is compromised. Jackson’s alcoholism takes center stage, and his support system, including his older brother and manager (played by Sam Elliot) and longtime friend (played by Dave Chappelle), are unable to save him from his self-destructive tendencies.

Ally’s journey from a struggling server to Jackson’s touring partner, lover, and eventually wife, is captivating, and the onscreen chemistry between Cooper and Gaga is palpable. However, as the film progresses in the familiar path of earlier A Star Is Borns, the destructive nature of fame takes its toll on both Jackson and Ally.

Cooper’s film is an incredibly accomplished work of filmmaking, with its expertly crafted direction, brilliant performances, and poignant themes. Gaga’s performance is a telling commentary on her own career, as she embodies the struggles and triumphs of an emergent pop star. The film’s themes and implications are undeniable, making A Star Is Born a must-see for fans of music and cinema alike.

Overall, A Star Is Born is a thought-provoking and poignant exploration of the price of fame and the toll it takes on those who seek it. Cooper’s direction and Gaga’s performance are a powerful testament to the art of filmmaking and the nature of stardom in the modern age. This film is an important addition to the canon of music-driven films, and a must-see for anyone interested in the complexities of celebrity culture.

Review-The women who lived: Amazing tales for future timelords

The Women Who Lived is a A 224 page hardcover book that features profiles of 75 women from the history of Doctor Who.

From Sarah Jane Smith to Bill Potts, from Susan Foreman to Agatha Christie, to the Thirteenth Doctor. Doctor Who has featured many heroic women, who have helped prevent alien invasions or thwarted maniacal plans. Pick a female character from Doctor Who’s rich history, she’s in here.

This book explores their adventures and celebrates their legacy.

Each profile is written by Christel Dee and Simon Guerrier and accompanied by beautiful full page art pieces. A team of female artists, at various stages in their careers were especially assembled for the project. The book includes artwork from Sophie Cowdrey, Emma Price and Rachel Smith to name a few.

The profile pieces are written with genuine affection, Dee and Guerrier have put a lot of love into this and it shows. The decision to have a team of artists work on the book, is an inspired choice. Each artist brings their own unique talent. Which brings out the uniqueness of the characters, whilst also clearly defining their era.

All of this is collected under a stunning new cover by Doctor Who artist Lee Binding.

This is a must buy for the Doctor Who fan in your life.

Big Finish review-The Diary of River Song 4

In The Diary of River Song Series 4, River Song finally encounters the legendary Fourth Doctor, after her adventures with the eighth, seventh, and sixth Doctors. Emma Reeves and Matt Fitton’s Time in a Bottle presents a fascinating story concept of a place in space where time has vanished. However, the story’s potential is limited by the box set format, which would have benefited from a longer runtime. Nevertheless, the story serves as a solid introductory adventure that introduces the main villain and pits River against her intellectual rival, showcasing her Doctor-like qualities. It’s a good old-fashioned pulp adventure with a James Bond-esque feel and receives a rating of 7/10.

Kings of Infinite Space is the strongest story in the set, featuring a well-paced, paradoxical, and fun adventure with action, humor, and great use of the vortex manipulator and time travel locations. Alex Kingston and the rest of the cast are on top form, making it feel like a Moffat-era Doctor Who story. It’s highly entertaining and rewards repeat listening, earning a rating of 8/10.

Whodunnit is an interesting story with thought-provoking philosophical discussions, well-rounded characters, and good pacing. However, it doesn’t quite fit in this box set, and given more time to explore the premise, it could have been great. It’s still an enjoyable listen with a fun take on murder mystery cliches, rating a 7/10.

The season finale, Someone I Once Knew, delivers an exciting and unexpected spin on the River/Doctor dynamic. John Dorney’s writing subverts expectations, and the chemistry between Tom Baker and Alex Kingston is natural and brilliant. It’s a promising pairing that fans will hope to see more of in the future, rating a 7/10.

Overall, Series 4 of The Diary of River Song successfully combines the unique styles of the Steven Moffat era and Big Finish originality. While not every story works perfectly and some suffer from prequel limitations, the set is an absolute joy to listen to and leaves listeners eager for Series 5.