Over the past few weeks, we’ve heard a few names thrown around in regards to James Bond. Ladbrokes have now added a “odds-on” favourite for the role.
Irish actor Aidan Turner (Poldark, Being Human), is now the top contender. A spokesperson for Ladbrokes said:
“Money talks, and it’s the Poldark man that punters want as their next Bond. Turner’s been shaking and stirring the betting for the last week and it’s not a huge surprise to see he’s been backed into odds-on.”
I interviewed Aidan at the recent MCM Expo, interestingly, the press were banned from asking him about James Bond…
Sam Raimi’s Spider-Man 4 has fallen into the same category, with the likes of Tim Burton’s Superman Lives. Fans have discussed “what if…” on various forums and podcasts.
Sony started plans for a fourth movie featuring Toby MaGuire as the infamous web-Crawler, shortly after the release of Spider-Man 3, but creative differences led to a falling out between the director and studio. In the years since, we”ve had conformation that the Vulture would have been the villain. Recently, artist Jeffrey Henderson has revealed some of his own artwork that shows Mysterio would have also appeared.
In which Martyn and Gerrod, along with 1o other journalists interview Tom Mison from Sleepy Hollow.
Thomas Mison is an English film, television, and theatre actor, voice artist, and writer. He has had leading and supporting roles in a variety of British theatre, television, and radio productions, as well as independent and mainstream studio films and film shorts.
Martyn and I attended the screening of Gladiator at The Royal Albert Hall. The event was electric, we had such a great time. Thanks to The Royal Albert Hall for the invite. Please check out the Vlog below,
In which Martyn, along with 15 other journalists interview the cast of Being Human. Russell Tovey talks about waking up to find an Italian woman in his house, Aidan talks about Poldark and what we can expect from series 2. Lenora Critchlow talks about the joys of living alone and her favourite memory of Being Human.
Being Humanwas a supernaturalcomedy-dramatelevision series. It was created and written byToby Whithouse.
Big Finish’s audio rendition of one of the best and most thrilling horror stories ever written, “Dracula,” is a peculiar release. The majority of the tale is conveyed through letters, second-hand stories, log entries, and other sources, many of which are not actually witnessed or seen in the main storyline. Bram Stoker’s original story, written in 1897, does not lend itself well to a faithful audio drama translation. However, this adaptation, directed by Scott Handcock and adapted by Jonathan Barnes, gives it a good shot, and the outcome is something recognisable, yet feels entirely fresh and new.
Of course, Barnes is no stranger to adapting famous horror stories for Big Finish, having recently released the critically praised ‘Frankenstein,’ so it’s no surprise that he boldly plays with the structure to retain the listener’s attention.
Over the course of three discs, the plot follows Jonathan Harker (Joseph Kloska) as he is sent to Transylvania to meet the infamous Count Dracula, played spectacularly by Mark Gatiss. He is left behind as the Count and his entourage of female vampires migrate to England to prey on its people, including many of Jonathan’s friends and family.
In the meantime, a prisoner in Dr John Seward’s (Rupert Young) institution, Renfield (Ian Hallard) is seeing visions from his Master, a diabolical creature with crimson eyes.
Jonathan’s fiancée is Mina Murray, but it is her friend Lucy Westenra (Rosanna Miles) who feeds the Count as she fades away, much to the chagrin of her three suitors, Dr John Seward, Arthur Holmwood (Alex Jordan), and Quincy P Morris (David Menkin). The cast is rounded off, with Nigel Betts playing Professor Abraham van Helsing.
The action shifts from Whitby to London and back to Transylvania after all the parts are in place. There are deaths, visions, blood-suckings, stakes, and every other detail that has become synonymous with Dracula lore.
The soundscape and direction are atmospheric and tense, the cast one of Big Finish’s best to date, and the scares subtle and well-crafted, which is a refreshing change from the excessive gore and jump scares that Hollywood has become so fond of.
This is a rich, impressive, and assured production of a classic Gothic tale, that should be consumed in one sitting for maximum chills and thrills.
Yesterday, I attended the press conference, followed by the press screening of the new Shane Black movie ‘Nice Guys’.
I’ve been a fan of Shane Black since Lethal Weapon so I felt honoured to be asked to attend this. Below is the footage from the conference, as well as my Vlog on the event.
For the past year Big Finish has released a number of audios connected to the modern series of Doctor Who, with the likes of Torchwood, The Churchill years , The War Doctor and The diaries of River Song. However, this is probably the most highly anticipated audio of 2016. Not only does it see the return of the extremely popular David Tennant, as the Tenth Doctor. It sees the return of fan favourite Catherine Tate, as Donna Noble. It also marks the first time Big Finish have been allowed to use a Doctor from ‘Nu-Who’.
Technophobia by Matt Fitton
It’s 2010 and The Doctor and Donna are in London to visit the Technology Museum. Things don’t go to plan and the TARDIS duo quickly find themselves in the thick of it.
Exhibits are attacking visitors, and people across London are running scared of technology. The most brilliant mind in the UK, can no longer work a pencil. Below the streets of London, the Koggnossenti are plotting and waiting, poised to attack.
Long-time Big Finish writer, Matt Fitton has done it again. This is another outstanding audio from him. It must have been a daunting prospect, to pen the first new story for Tennant and Tate, and he bought his A-game.
Of the three, this is the most remiescent of the Russell T Davies era. Technophobia has the essence, wit, style and emotional substance of Series 4. But rather than try to sound like an episode from that era, Big Finish have found a way to take everything that worked in 2008 and craft it into their own vision.
Fitton also manages to subvert the “technology going wrong” genre. You think the story is going one way, when it goes an unexpected route. This has engaging supporting characters, witty dialogue and a captivating story. Fitton perfectly manages to capture the relationship between the Doctor and Donna.
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