Big Finish review-Torchwood: We always get out alive

In “We always get out alive,” Gwen Cooper and Rhys Williams are faced with a cataclysmic event and must flee as fast as they can. As Torchwood operatives, they’re no strangers to danger and uncertainty, but this time there’s something else in the car with them, heightening the tension and suspense.

The audio production is a testament to the perfect synergy between writer Guy Adams and director Scott Handcock. While the premise of two characters sitting in a car for 98% of the audio may sound dull, Adams and Handcock have crafted an imaginative and captivating story that is both epic and intimate in scope.

Through the course of the audio, we gain deeper insight into the personal lives of Gwen and Rhys, and their struggles to balance their duties as Torchwood operatives with their responsibilities as parents. The natural chemistry between actors Eve Myles and Kai Owen shines through, adding to the authenticity and emotional resonance of the story.

Adams skillfully uses the audio format to his advantage, leveraging the constrictive nature of the car and the medium of audio to create a gripping and immersive experience for listeners. The audio is a strong character-driven piece, with well-crafted dialogue and superb acting that draws you in and keeps you engaged.

“We always get out alive” is a must-listen for fans of the Torchwood series and audio dramas in general. It is a well-crafted and engaging production that showcases the talents of everyone involved, earning it a solid 5/5 rating.