TV review-Beyond Paradise

Creating a successful spin-off can be a daunting task. It requires striking a delicate balance between maintaining the essence of the original while introducing fresh ideas and characters that capture audiences’ attention. For every spin-off that becomes a beloved classic, like Frasier or Angel, there are others that fall short, such as Joey or Joanie Loves Chachi.

Fortunately, Beyond Paradise rises to this challenge by boldly taking beloved characters from Death in Paradise and placing them in a new setting with new challenges.

The series follows the relocation of DI Humphrey Goodman (Kris Marshall) and his fiancée, Martha Lloyd (Sally Bretton), to the small town of Shipton Abbott in Devon.

While the new show retains some of the DNA of its parent- stunning scenery, endearing local characters, and a one-mystery-per-episode format – it differs in one crucial respect: it has a much less body count. Instead, the series focuses on Humphrey’s complex cases, which involve a stolen painting, a missing family, and an arsonist who takes inspiration from the Three Little Pigs.

In Shipton Abbott, Humphrey discovers that everyone is in everyone else’s business, both figuratively and literally. His new team, including PC Kelby Hartford (Dylan Llewellyn) and DS Esther Williams (Zahra Ahmadi), take some time to warm up to their new DI, who is untidy, eccentric, and unorthodox in his methods.

Despite this, he soon wins them over, and they find themselves willingly participating in his strange physical exercise to prove a point about the case.

The team’s most pressing case involves a woman, Gwen Tyler (Montserrat Lombard), who claims to have been assaulted by the ghost of a 17th-century witch. Humphrey and Esther investigate and upgrade the case to attempted murder when they discover that Gwen was dragged across the floor and her ladder was moved.

The case leads them to uncover a web of adultery, financial mismanagement, and data tampering, which is a far cry from the witchcraft Old Mother Wheaten is famous for.

Beyond Paradise deviates from the standard detective series format by eschewing the traditional drawing-room reveal. Instead, Humphrey takes us back to the crime scene and explains in real time what happened, providing a fresh and exciting perspective on the traditional detective show.

While Beyond Paradise shares some similarities with Death in Paradise, it stands out with its unique approach to storytelling and focus on complex cases. It’s a welcome addition to the genre and is sure to keep audiences entertained.

⭐⭐⭐⭐

Big Finish review-Doctor Who: Shades of Fear

As I reflect upon the Ninth Doctor range, I am struck by how quickly time has passed since Christopher Eccleston first joined forces with Big Finish to embark on a series of exciting new journeys. Come to think of it, it is difficult to believe that 2023 marks the 20th anniversary of the show’s announcement.

Throughout the range, we were treated to a plethora of truly remarkable tales that brought together old friends and foes in unexpected ways, breathing new life into this beloved character. Of course, as with any lengthy journey, there were bumps in the road along the way, but with 24 new stories in this series, such inconsistencies are to be expected.

The latest addition to the range, Shades of Fear, is a prime example of its strengths and weaknesses. While it remains true to the erratic quality that has plagued the series, it captures the essence of the era so well, touching on the right themes and creating an atmosphere that seamlessly fits into the world that RTD established back in 2005.

One of the standout aspects of the Ninth Doctor range is the incredible performance of Christopher Eccleston. His portrayal of the Doctor on audio is just as captivating and engaging as it was on television, and he continues to bring depth and nuance to the character that is truly remarkable.

Eccleston’s ability to effortlessly switch between moments of levity and moments of profound emotion is a testament to his skill as an actor, and he imbues the Doctor with humanity and complexity that makes him one of the most compelling and memorable incarnations of the character.

It’s a real joy to hear Eccleston back in the role after so many years, and his performances in the range are a true testament to his talent as an actor. Whether you’re a longtime fan of the show or a newcomer to the world of Doctor Who, there’s no denying the power and charisma that he brings to the role.

At the time of writing, a third series with Eccleston has yet to be announced. So this could very well be our last instalment and, whilst it may not be the strongest entry in the range, it still manages to maintain the momentum of its predecessors and provides an overall enjoyable experience with Eccleston at the helm. It wouldn’t be a bad set to cap off the range.

Doctor Who – The Ninth Doctor Adventures: Shades of Fear is now available to own for just £24.99 (collector’s edition CD box set + download) or £19.99 (download only), exclusively from Big Finish.

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Big Finish review- Doctor Who: The Doctor Chronicles: The Eleventh Doctor: All of Time and Space

The Doctor Chronicles range from Big Finish has had a mixed reception, with some fans ridiculing the entire range. However, ‘Geronimo!’ stands out as one of the best box sets of 2022, receiving widespread praise for its imaginative and enjoyable stories. Jake Dudman and Safiyya Ingar also established themselves as a new fan-favourite TARDIS team. Now, we are treated to a reunion with the Eleventh Doctor and his cybernetically-enhanced companion in ‘All of Time and Space’.

‘All of Time & Space’ provides a mind-bending experience that offers insightful commentary on the art of creative writing. This gripping story centers around a character who gains sentience inside an unfinished story and must complete a quest that involves erasing the Doctor’s biography. The unknown writer behind this script has shown tremendous potential, and I would love to see more from them.

‘The Yearn’ by Angus Dunican is a true gem of an episode. The gestalt collective is at war with itself, with one side desiring individuality and the other preferring to remain a hive mind. What sets this story apart is the unique depiction of the Yearn as angry, bestial energy panthers. It’s a standout episode and might even be my favorite Eleventh Doctor audio adventure.

‘Curiosity Shop’ is a character-driven piece that showcases the talents of James Goss. The Doctor believes he is a junkyard owner, and it’s up to Val to bring him back to reality as she gives up her cybernetics. The pacing of this dialogue-heavy story is impeccable, making it a brilliant way to wrap up the box set.

Finally, it’s worth noting what a revelation Safiyya Ingar is as the new TARDIS team member. Their performance as Val is nuanced and engaging, and their chemistry with Jake Dudman’s Eleventh Doctor is fantastic. They continue to impress as a versatile actor, and I can’t wait to see where their career takes them.

Overall, ‘All of Time and Space’ is another fantastic box set that lives up to the high bar set by ‘Geronimo!’. The writers deserve kudos for their imaginative and enjoyable stories, and Jake Dudman and Safiyya Ingar continue to impress as the new TARDIS team. I eagerly anticipate what’s in store for the Doctor and Val in their next adventure.

⭐⭐⭐⭐

Film review-Cocaine Bear

“Cocaine Bear” is a riotous horror-comedy that delivers on its promise of a big bear on cocaine wreaking havoc in the woods. Directed by Elizabeth Banks, the film is set in 1985, when the actual events that inspired the movie took place. Banks and screenwriter Jimmy Warden infuse the characters with identifiable quirks and needs, making them more likable and relatable. Even the film’s villain, drug dealer Syd, played by the legendary Ray Liotta in one of his final roles, has recognisable resentments and fears.

Banks keeps the proceedings light and entertaining, balancing the gore and violence with humor and heart. The script sets several groups in motion, sometimes at cross-purposes, all heading towards the bear. Once the threat is established, we get to know the threatened. The performances are uniformly solid, with Keri Russell, O’Shea Jackson Jr., Alden Ehrenreich, Margo Martindale, and Jesse Tyler Ferguson all delivering strong turns.

Banks’ affection for the bear is evident throughout the film, even as it wreaks havoc on the hapless humans. The tension-filled sequences that have little to do with the bear add to the film’s overall sense of fun and unpredictability. The film has the structure of a slasher movie from the ’80s, but it owes a lot to the animals-attack subgenre of the ’70s. “Cocaine Bear” is a winning mix of heart and gore, skillfully threaded by Banks, who proves herself to be a deft hand at comedy and horror. The film’s success at the box office is a testament to its word-of-mouth appeal, as audiences flock to see the film again and again. With “Cocaine Bear,” Banks has earned her place as a director to watch, and I can’t wait to see what she does next.

⭐⭐⭐⭐

Film review-Ant-Man and the Wasp: Quantumania

Ant-Man and the Wasp: Quantumania, the latest installment in the Marvel Cinematic Universe, attempts to continue the saga of Scott Lang, aka Ant-Man, and his allies as they venture into the Quantum Realm. However, the film struggles to find its footing, suffering from a lack of narrative direction and inconsistent pacing. While the movie retains some of the humor that made the first two Ant-Man films so enjoyable, it also becomes bogged down in attempts to tie into previous Marvel movies and remind viewers of past events.

The film’s reliance on green screen technology to create its fantastical worlds is unfortunately marred by poor editing, resulting in distracting inconsistencies and uncanny character renderings. Despite this, the movie does have its moments of charm and heart, particularly in the subplot involving Scott’s relationship with his daughter Cassie. However, the broader narrative struggles to find a balance between the intimate family drama and the larger-than-life action sequences.

Perhaps the strongest aspect of Ant-Man and the Wasp: Quantumania is the introduction of Kang the Conquerer, played with menacing brilliance by Jonathan Majors. Majors’ portrayal of the villain injects a much-needed dose of gravitas and terror into the Marvel Cinematic Universe, making Kang a worthy adversary for the heroes to face off against.

Overall, while Ant-Man and the Wasp: Quantumania may please diehard fans of the Marvel Cinematic Universe, it falls short of the high expectations set by its predecessors. The film’s attempts to expand beyond its titular hero and its reliance on callbacks to previous movies ultimately detract from the potential for a standalone adventure.

⭐⭐

Big Finish review-Torchwood: The Last Love Song of Suzie Costello

The Torchwood range from Big Finish is a triumphant return to the beloved sci-fi franchise.

Led by the talented Indira Varma in the role of Suzie Costello, “The Last Love Song of Suzie Costello” is a slow-burning romance that gradually builds to a satisfying conclusion.

Rafaella Marcus’s writing is sharp and insightful, bringing out a softer side of Suzie that we haven’t seen before. Director Steven Kavuma’s deliberate pacing allows the characters to breathe and shine, while the sound design by Shane O’Byrne and score by Blair Mowat add depth and dimension to the story.

Indira Varma’s performance as Suzie Costello in “The Last Love Song of Suzie Costello” is a true highlight of this Torchwood trilogy. Varma effortlessly captures the character’s complexities and nuances, delivering a layered and compelling portrayal that is a joy to listen to.

On audio, Varma’s voice carries a weight and richness that adds a new dimension to her character. She expertly navigates the emotional highs and lows of the story, conveying a sense of vulnerability and strength that makes Suzie all the more relatable and sympathetic. Varma’s chemistry with James Backway, who plays the captain of the crashed spaceship, is palpable. Their exchanges are charged with a simmering tension that makes their burgeoning romance all the more engaging and believable.

This is a must-listen for Torchwood fans, and a testament to the enduring appeal of the franchise.

The Last Love Song of Suzie Costello is available on CD or as a download from Big Finish.

⭐⭐⭐⭐

The Return of the Time Lord:
Exploring the Brilliance of
Doctor Who’s ‘Rose’

In this episode, we take a deep dive into the very first episode of the modern revival – “Rose”. Join us as we revisit this groundbreaking episode and explore its significance in the world of Doctor Who. We start by discussing the episode’s plot and characters, including the introduction of the Ninth Doctor, played by Christopher Eccleston, and his companion, Rose Tyler, played by Billie Piper.

We analyse the dynamic and the chemistry between the two actors, and how their relationship sets the tone for the rest of the series. Next, we examine the episode’s themes, including the concept of change and the Doctor’s role as a protector of Earth. We also discuss the episode’s use of humour, action, and drama, and how it balances these elements to create a thrilling and engaging viewing experience. But that’s not all – we also explore the impact that “Rose” had on the wider Doctor Who franchise.

From the revival of the show’s popularity to the introduction of new fans to the franchise, “Rose” set the stage for the modern era of Doctor Who. So join us for a trip down memory lane as we celebrate one of the most important episodes in the history of Doctor Who. Whether you’re a fan of the classic series or a newcomer to the franchise, this episode is a must-listen!

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Big Finish review-The Secret Diary of a Rhodian Prince

The Doctor Who spin-off, Class, returns in audio form with Big Finish’s latest release, Secret Diary of a Rhodian Prince. While there are limitations to the storytelling, due to licensing restrictions, writer Blair Mowat has managed to craft a compelling narrative that will thrill fans of the series.

The story is largely told through Charlie’s diary, with a focus on his relationship with Matteusz, as they navigate the dangerous world of Coal Hill Academy. While the scattered approach to retelling events from the series may be confusing for newcomers, Mowat’s script manages to balance the need for recap with the desire for new material. He adds depth and complexity to existing characters and concepts, while also introducing new twists and surprises that keep the story exciting and unpredictable.

Mowat’s ability to capture the essence of Class is what makes Secret Diary of a Rhodian Prince such a standout release. As a writer who has been involved with the world of Doctor Who in various capacities over the years, Mowat brings a unique perspective to the story of Class that feels both familiar and fresh. His focus on character development allows listeners to better understand the progression of Charlie and Matteusz’s relationship, and his use of Charlie’s diary as a framing device is particularly effective, as it allows for a personal and introspective look at the events of the series.

The final scenes of the play are particularly exciting and surprising, with twists and hidden secrets that cast everything that’s gone before in a whole new light. While reviewers have been requested not to reveal anything about these scenes, they are enough to get your heart beating faster at the sheer audacity of what’s happening.

It’s also worth noting the excellent production values of Secret Diary of a Rhodian Prince. The sound design and music are top-notch, immersing listeners in the world of Coal Hill Academy and adding to the overall sense of tension and drama.

The Secret Diary of a Rhodian Prince is an essential purchase for anyone invested in the goings-on at Coal Hill Academy. Mowat has set the stage for any future Class sets and promises a thrilling ride for fans.

Class: Secret Diary of a Rhodian Prince, written by the original TV series’ music composer, Blair Mowat, is now available to own for just £10.99 (CD + download) or £8.99 (download only) from www.bigfinish.com. The exclusive audio will be strictly limited to a pressing of 1,000 CDs.

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Why ChatGPT thinks Aaron Taylor-Johnson should be James Bond

There have been a lot of news articles recently, regarding the use of ChatGPT. So I thought I’d ask it the question everyone wants to know. Who should be the next James Bond? The below was written entirely by ChatGPT.

The idea of a James Bond film sparks excitement and anticipation around the world, as the series has become a beloved cultural institution, the only question on fans lips now is “who will take up the iconic role?”.

Out of all the names speculated, there’s only one that stands out. Aaron Taylor-Johnson. He’s the perfect choice for Bond. Known for his impressive range as an actor, Johnson has showcased his talent in both leading and supporting roles over the years. He is equally capable of portraying action, drama, and comedy.

As a character actor, Johnson is skilled in creating believable characters, with a vulnerability and charm that has captivated audiences around the world. He is adept at subtle character nuances, which will be an important skill to bring to playing Bond.

In addition to his exceptional acting abilities, Johnson is also an action star. He brings to the role a physicality that can handle the demands of a Bond movie. He is an expert in martial arts and stunt work.

He has the classic features of a James Bond that have become iconic through a wide range of interpretations of the character. His strong jawline and piercing green eyes give him the equivalent of Bond’s trademark masculinity. His physical stature are a requirement for any actor who takes on the coveted role. Additionally, Taylor-Johnson has an athletic build that enables him to handle more action-oriented roles, something that any actor taking on the role of James Bond must do.

Beyond physicality, Taylor-Johnson has the right experience to take on the role. He certainly has the pedigree of a capable action star, as seen in roles in action-packed films such as Kick-Ass, Bullet Train and Avengers: Age of Ultron. More importantly, Taylor-Johnson has demonstrated the psychological depth of a classically trained character actor.

With his proven acting chops and a track record of producing some of the biggest blockbusters of recent years, he has the star power and charisma to make the role his own. He is also in peak physical condition, allowing him to effectively explore the physically demanding action sequences that come with being James Bond. His natural charm, wit and confidence all fit perfectly with the Bond persona, making him an ideal choice for the role.

Film Review-Clerks III

Kevin Smith, the once-indie film-making prodigy, has made his entire career not from his film Clerks, but from the tale of its production. In 1993, Smith famously used multiple credit cards and raised $27,575 to create a charming, dialogue-driven film during his off-hours at the New Jersey convenience store where he worked during the day. 

As a fan of Clerks and Clerks II, I gave Kevin Smith’s latest film, Clerks III, a chance despite his recent lacklustre output. While it is marginally better than Tusk and Yoga Hosers, it falls short in many ways. The movie is a meta-comedy that heavily relies on references and recreations of scenes from the original film, which can be expected, but the execution is so lazy and uninspired that it left me in disbelief. The film fails to expand on the source material in any meaningful way, making it one of the laziest sequels I have ever seen.

Kevin Smith seems to have made a deliberate decision to cater solely to his podcast subscribers, which I am, and alienate everyone else, which is unfortunate. The movie is filled with callbacks and references to the original, but the way it was written — by simply rehashing old material — ensures that it will never be as quotable as its predecessor. While the original film was endlessly quotable, this one falls short due to its lack of originality.

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