Review-Sancho: An act of remembrance

Rather shamefully, I knew nothing about Charles Ignatius Sancho prior to this play.

Sancho was born into slavery, but went on to become a classical actor, a composer, an anti-slavery campaigner, property owner, and the first black British person to vote in a general election.

Paterson Joseph begins his one-man play, in a bold and unusual way. He comes out as himself and explains the driving force that made him write the play. He explains that after seeing his contemporaries get cast in costume dramas, he was keen to join them. However, he was constantly told he couldn’t, as there were no black Britons before the Windrush generation.

Image credit-Robert Day

It’s impossible to not be drawn in by Paterson Joseph’s charm, wit and energy. He’s an extremely characteristic man. His entrance is fantastic and a great way to launch a solo show. There is no fourth wall in this production, Sancho will lock eyes with audience members, pull them up on stage, ask why they’re laughing. The play defies theatre traditions, much like Sancho’s life defies our perception of black history in Britain.

The 70 minutes fly-by, the script is sharp, witty and political. The set and sound design are both exceptional. The backdrops are wooden and help hint and Sancho’s origin. The sounds help truly immerse the audience into the period.

Joseph fully embodies Sancho. He’s clever, witty, a raconteur and ever so slightly camp.

Image credit-Robert Day

Sancho: An act of remembrance is masterfully acted, beautifully written and reminder about the power of theatre. I left the with a greater knowledge than when I entered. Sancho’s life should be a TV series.

I hope this kick starts a re-evaluation of our history.

Sancho – An Act of Remembrance is at Wilton’s Music Hall until June 17th. For more information, click here.

Trailer-Halloween

The film will forget the last 9 films and act as a direct sequel to Halloween 2. Not only is Jamie Lee Curtis returning. But the original Michael Myers-Nick Castle is back for the first time since the 1978 original.

The film is directed by David Gordon Green, who also co-wrote the script with Danny McBride. John Carpenter is also involved, as the films creative consultant.

Halloween is realised in the UK on the 19th October.

REVIEW: BIG FINISH: JENNY — THE DOCTOR’S DAUGHTER

She’s got planets to save, civilisations to rescue, creatures to defeat… and an awful lot of running to do!

It’s difficult to believe the character of Jenny debuted in Doctor Who 10 years ago. Since then fans have wondered whatever happened to The Doctor’s daughter?

The character was rife for further exploration and it’s amazing the BBC never thought to bring her back.

Thankfully, we have Big Finish. They’ve taken the character and given her a range of her own.

The scripts are sharp, funny and perfectly honed. A lot of work and love has clearly gone into this box set. The stories are kinetic and full of real world allegories; which in lesser hands could’ve come across as clunky.

Georgia Tennant and Sean Biggerstaff have an instant chemistry as Jenny and Noah. A personal highlight, is the fact that they allow Jenny to be fun. She makes jokes, which work well and relives tension in scenes. The mystery surrounding Noah is intriguing and you finish the audios with even more questions about him.

Big Finish have done it again. The Doctor’s daughter is fantastic, a breath of fresh air. The theme music is epic. familiar but different. It perfectly encapsulates the Doctor’s nature in Jenny. The stories and the cast are engaging. The sound design is flawless.

Jenny-The Doctor’s daughter is firing on all cylinders. A perfect synergy between cast and crew. I’m practically begging for series 2.

Written By: Matt Fitton, John Dorney, Christian Brassington, Adrian Poynton

Directed By: Barnaby Edwards

Cast

Georgia Tennant (Jenny), Sean Biggerstaff (Noah), Siân Phillips (COLT-5000), Stuart Milligan (Garundel), Sarah Woodward (Vesh Taralesh), Clare Corbett (Lukaku), Arabella Weir (Angie Glazebrook), Silas Carson (Ood Leader), Rosalyn Landor (Vanessa Elledge), Olivia Darnley (Emily Cole), John Dorney (John Macguire), Pik-Sen Lim (Old Woman), Arina II (Shoon-Wei), Sara Houghton (Alitta), Paul Courtenay Hyu (Po), Adèle Anderson (Dreyda), Anthony Calf (Cal). Other parts played by members of the cast.

Producer: David Richardson
Associate Producer:Georgia Tennant
Script Editor:John Dorney, Matt Fitton
Executive Producers: Jason Haigh-Ellery and Nicholas Briggs

REVIEW: Star Trek in concert

As part of the Royal Albert Hall’s Films in Concert, two showings of Star Trek were shown over the weekend. Saturday showed 2009’s Star Trek. Sunday showed Star Trek:Beyond.

Both screenings were accompanied by the Royal Philharmonic Concert Orchestra and conducted by Ernst van Tiel.

We attended the Saturday event.

Image credit-Penny Smallshire

I’ve attended concerts like this at The Royal Albert Hall, many times. But some how each time feels like the first.

For those who are unfamiliar with these concerts, the films are played on a suspended screen, above the musicians. The dialogue is intact, with the Orchestra performing the soundtrack and sound effects live.

Not only are these amazing musicians a sight to behold on stage, but the evening provided a phenomenal audio experience that no Blu-Ray can possibly live up to.

My personal highlight of the evening was the Orchestras performance of the Star Trek theme, over Leonard Nimoy’s “space the final frontier” speech. They received a seven minute standing ovation for this.

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What I took away from this event, is just how beautiful and timeless Gene Roddenberry’s vision is. This is an experience I will cherish for a life time.

I highly recommend attending one of these screenings. Click here to find out information about the next one.

Class is back in session

Class is back in session – on audio, from Big Finish.

Some readers may know, that this weekend I was lucky enough to interview three of the cast members, whom hinted to me they had signed up to reprise their roles on Big Finish.

The news has now been confirmed, after subscription copies of the new Doctor Who Magazine were sent out early.

The Class range will comprise of two new box sets of adventures.

The original cast; Grey Austin, Fady Elsayed, Sophie Hopkins, Vivian Oparah, Jordan Renzo and, Katherine Kelly will all be reprising their roles. However, they’ll be joined by Sophie Aldred as Ace. They will also face off against some Daleks.

The six stories are by Roy Gill, Jenny T Colgan, Scott Handcock, Tom Foley, Guy Adams, and Tom Leng.

The series will be directed by Scott Handcock. Music will be by the series’ TV composer Blair Mowat.

These audios will be set during the series and will not be resolving the cliffhanger.

I wasn’t really a fan of Class on TV, I felt it didn’t truly live up to its potential. However, I’m excited for this. Big Finish have proved themselves time and time again, I’m confident they’ll make Class the series it should’ve been.

Episode 191:Class interview

In which Martyn attends the MCM expo and interviews the cast of Class.

Check out our interview with Sylvester McCoy.

The podcast can be accessed via different places, including Audioboom, Player fm and Itunes.

Follow the Bad Wilf team:

Martyn – @BadWilf

Pete – @BeeblePete

Gerrod – @gerrod_edward

Also check out the official Bad Wilf Vlog.

REVIEW:BIG FINISH-Torchwood-The Last Beacon

In Torchwood: The Last Beacon. A signal in a Welsh mountain is calling an ancient battlefleet to Earth. Owen Harper and Ianto Jones head up into the Brecons to stop it.

This story is lighter in tone, than most of the Torchwood stories, in the Big Finnish range. It’s also probably the funniest. This is a buddy comedy. The pairing of Owen and Ianto is an inspired idea. The story pits them against each other, they’re in a small Welsh community-Ianto is in his element. These are his people, whilst Owen is a fish out of water, the locals take an instant distrust to him. Having Owen on the ropes, allows for some deeper character exploration for this mis-matched pair.

Torchwood on Big Finish, is Torchwood at its best and The Last Beacon is quintessentially Big Finish Torchwood.

This is a fun story, which further develops the relationship of its leads. It’s difficult to believe this is Gareth David-Lloyd’s first foray into writing an audio play, the story flows like it’s written by a seasoned pro. Let’s hope he writes another. Highly recommended.