Review-Torchwood: The Crown

The Ferryman stands in shadow and waits. The Ferryman giggles, hungers and hates. The Ferryman comes to carry away all who behold the crown and disobey.
Christmas Eve. Dr Gideon Parr is summoned to an asylum to check on a patient. A patient who claims to be haunted by a terrible curse. A patient who claims to be Queen Victoria.




The 45th release in the range also happens to be the final Torchwood release of 2020. Following on from “Fortitude” and “Save our souls” we once again follow the adventures of Rowena Cooper’s Queen Victoria.

It’s Christmas Eve and a young doctor (Derek Riddell) has been called away from his alleging wife to diagnose a new arrival at the local asylum, who claims to be the Queen herself.

With The Crown, Johnathan Barnes has crafted another incredibly atmospheric and immersive audio, that makes good use of its Victorian setting. This combined with Rowena Cooper’s outstanding performance as Queen Victoria levitate this above a standard ghost story. The supporting cast is amazing in their respective roles and, used expertly, which allows the story to breathe. This is all backed wonderfully by Joe Meiners flawless sound design and Blair Mowat’s musical score, which all makes for a claustrophobic soundscape. I felt cold and confined whilst listening.

This is a strong character piece that allows the listener to explore the early and darker days of Torchwood and its founder. I don’t know if it’s intentional or not, but this release feels very at home over the festive period. Maybe it’s because Charles Dickens’ “A Christmas Carol” has become so entrenched in our DNA, that the Victorian era, spooky stories and Christmas just go hand-in-hand together.

I say this on every review, but Torchwood on Big Finish is Torchwood at its best. The Crown is no different, this is a highly recommended morality tale, that would be the perfect stocking filler this Christmas.

Check out our other Big Finish reviews.

Torchwood contains adult material and may not be suitable for younger listeners.

Torchwood: The Crown is avalible to purchase directly from Big Finish.



Review-Torchwood: Fortitude

Queen Victoria is stranded with Maharaja Duleep Singh on a mysterious fort in the middle of the ocean.
The fort has been ravaged by storms since it was built. There are ghosts inside and there’s something alien outside. It’ll do anything to get its release.

Fortitude is a very small scale and character-driven piece. It takes place on a fort, just off Portsmouth. Queen Victoria, Dnleep Singh and Colonel Crackenthorpe are trapped as a storm rages outside. This makes the audio incredibly atmospheric, Lee Adams’ soundscape helps convey the tension and isolation the characters are feeling. It’s a relatively small cast, consisting of three leads and a monster. This allows us to truly get to know the characters. One thing Doctor Who has always done well is mixing real historical figures with works of complete fiction. This audio follows suit. Maharajah Duleep Singh is a real historical figure, with an absolutely heartbreaking life and a very interesting, dark and complex relationship with Queen Victoria. It’s amazing his tale hasn’t been turned into a film. Paul Bazely does an incredible job portraying the former maharajah. He perfectly encapsulates the rage and loss he must’ve felt.

After years of seeing Queen Victoria played as a sweet old lady, it’s refreshing to hear her portrayed as a ruthless, cold and calculating character, who is in complete control in any situation. She uses her knowledge to manipulate everything.
All the performances here are excellent. Nobody in this adventure is a good person, but the actors do an excellent job of showing how complicated people are. You empathise with all of them, on some level. The monster is the weakest part of the story, but that’s fine because the story really isn’t about the monster. It’s about the characters and how they develop.

Fortitude has an intriguing script and great performances. If you love the history of Torchwood lore, or just love a pure historical episode of Doctor Who, I think you’ll love this.

Torchwood contains adult material and may not be suitable for younger listeners.

Torchwood: Fortitude is available to buy directly from Big Finish.

James Marsters returns to Big Finish

James Marsters, the star of cult television shows Buffy The Vampire Slayer and, Angel. Is set to reprise his role as Captain John Hart, in a series of his own adventures in the Torchwood audio universe.

The rambunctious, deadly and ever-so charming captain will be back at the helm in a new four-story box set, The Sins of Captain John, created by Big Finish Productions in association with BBC Studios.

Captain John Hart made his audio debut in The Death of Captain Jack, released in March 2018. In this story he killed the entire Torchwood team – including John Barrowman’s supposedly immortal Captain Jack Harkness.

He also married Queen Victoria and had no less than three ‘relationships’ with characters from history. Who knows what he’ll get up to in this next box set of adventures!

James Marsters said:

“Doing The Death of Captain Jack was incredible! I have missed doing Torchwood so much. Beyond being proud of playing a part in it, the character itself is a blast to play, and those two episodes just weren’t enough.”

Set for release in January 2020, The Sins of Captain John will see Captain John Hart leading the universe into rack and ruin in four new adventures…

The Restored
Escape from Nebazz
Peach Blossom Heights
Darker Purposes

In these stories we’ll find the villainous anti-hero thriving in Restoration London, exploring gas planets, playing ‘Stepford wife’ and kissing (then killing) countless victims… Just a day in the life of a rogue Time Agent!

Writer, David Llewellyn added:

“Writing The Death of Captain Jack was a total blast, and both James Goss (producer of the Torchwood range) and I realised we could have a lot more fun with Captain John Hart, providing James Marsters was happy to return. Captain John is this chaotic, disruptive, insubordinate force of nature; completely amoral and unpredictable, so that gave me a lot of freedom! Writing is often a case of knowing when to hold back, when to tread a more subtle line, but with Captain John it’s the complete opposite. And setting it before Torchwood on television meant we were able to go to places where Torchwood can’t.”

Torchwood fans will also find answers to some of the questions and plot points that have so far been left hanging from the beginning of the television show. More details on this in the future…

Big Finish review-Torchwood: We always get out alive

Gwen Cooper and Rhys Williams are on the run from a cataclysm. They’re the only survivors, and they’re driving away from the disaster as fast as they can. They’ve got to get away, they’ve got to warn the authorities, and they just can’t be late for the babysitter, again.

Dim problem. After all, they’re Torchwood and they always get out alive. But this time there’s something in the car with them. Isn’t there?

This is actually a difficult audio to review, it’s an absolute joy to listen to. But, I really don’t want to reveal too much about the storyline.

We always get out alive, is another example of perfect synergy between writer and director.

Guy Adams and Scott Handcock have crafted an imaginative story, which in lesser hands could’ve been very boring. 98% of it is just Rhys and Gwen sitting in a car, but it’s gripping and epic-but at the same time keeping it a small, intimate story.

This is a strong character-driven piece, in which we get to know more about Gwen and Rhys’ family life.

Guy Adams truly delivers here, he uses the natural chemistry between Eve Myles and Kai Owen, the constrictive nature of being in a car and, the medium of audio, to the stories full advantage.

Once more the monthly Torchwood range delivers, this is a must-listen.

10/10.