Big Finish review-The Return of Jo Jones

In “The Return of Jo Jones,” the Third Doctor is reunited with one of his closest companions. The first adventure takes place on the Isle of Wight, where Jo is summoned to deal with a series of menacing bird attacks that have upset the natural balance of things. This encounter marks a profound shift in Jo’s world, setting the stage for the emotional journey that unfolds throughout the collection.

The second story sees Jo embarking on her first space-time voyage in decades, accompanying the Doctor to the planet Viltris in the 49th Century. Here, long-simmering grievances threaten to erupt into open rebellion, providing a backdrop for Jo’s own struggles with the passage of time.

The final tale takes place on the troubled planet Mercator, where Jo delves into the underlying tensions of the local community, while the Doctor finds himself in grave danger. Each story serves as a mirror for Jo’s own personal growth and the skills she has developed over the years.

Matt Fitton’s “Supernature” is a standout entry, featuring a moving and bittersweet farewell to Stewart Bevan’s character. It also offers a dose of Hitchcockian suspense as Jo grapples with loss and grief.

Felicia Barker’s “The Conservitors” explores themes of power, risk, and resilience, showcasing Jo’s formidable strength of character.

Meanwhile, Lizzie Hopley’s “The Iron Shore” pays tribute to the work of producer Philip Hinchcliffe and horror writer H.P. Lovecraft, highlighting Jo’s empathy and the Doctor’s determination.

The cast of the Third Doctor Adventures is outstanding, with Katy Manning and Tim Treloar giving standout performances. Manning expertly conveys Jo’s pain, perseverance, and spirit, while Treloar continues to impress with his portrayal of Jon Pertwee’s Doctor. Together, they make for a powerful and emotionally resonant listening experience.

Additionally, the sound design is exceptional, creating a rich and immersive atmosphere that draws the listener into each story. From the eerie and unsettling sounds of the menacing birds on the Isle of Wight, to the futuristic and otherworldly sounds, the sound effects help to transport the listener to each unique setting. The use of music also adds to the emotional impact of the stories, with each piece expertly chosen to complement the mood and tone of the scene.

Overall, “The Return of Jo Jones” is a long-awaited and much-needed closure to one of Doctor Who’s most beloved characters. Here’s hoping that we get to hear more of Jo’s adventures with the Doctor before she returns home.

⭐⭐⭐⭐⭐

Review-Doctor Who: The Third Doctor Adventures

The natural impulse for genre fans granted new material, before they’ve even enjoyed it, is to put it on the shelf. Its ability to ‘fit in’ seems so important at first but why would we want exactly what we have? What we get with these Third Doctor Adventures isn’t a lonely replay of a dusty videocassette. It’s the fresh sound of a graduate Doctor.

From Peter Davison to David Tennant we’ve seen our favourite performers return in victory laps on audio that have become regular gigs. The actors don’t sound quite like they did on telly but before long the wonder of the experience takes over. Suddenly we’re not reliving the past; we’re experiencing a special sort of future.

The occasional sibilant ‘s’ of Jon Pertwee’s Doctor, the easy confidence, that delightful vocal texture, they’re all there but so is Tim Treloar. The Welsh actor has certainly taken on the southeast England style of Jon Pertwee but most importantly, he’s gone beyond the skill of the impressionist to give us a character that fits right in with the remarkable animal that is this 21st century return to the Pertwee years.

Alongside are Katy Manning as Jo Grant and Richard Frankin as Mike Yates. Having been delighted with their performances as Iris Wildthyme and the retired Captain Yates, it was lovely to hear them cast their voices back a few decades into the characters that made them famous. Of course, we’re getting a graduate Classic Jo and a graduate Classic Yates but this should be no surprise (or worry) to regular listeners to Big Finish audio drama.

Before long, The Doctor is disturbing the room as he upbraids a bureaucrat, Jo is making battle armour out of her faith in him and Yates is, well, getting chances to be more heroic than ever. Big Finish is generous like that. And the gap in the shelf behind me is forgotten completely.



Having dropped five paragraphs on why things shouldn’t slavishly imitate our best-loved Pertwee adventures, I must mention that the music is absolutely spot on. Prisoners of the Lake has the musical style of The Sea Devils but with a very welcome melodic quality and Havoc of Empires has a Dudley Simpson style with friendly tones evocative of the Third Doctor’s first serial on TV.

The only true oddity is the narration sprinkled throughout the stories which might have been Big Finish treading carefully, couching Treloar as both narrator and Doctor. They needn’t have bothered but certain action sequences play quite well-narrated, whereas in dialogue the characters would have had to illustrate the action for us in odd sorts of ways.

Big Finish know well each era of classic Doctor Who and their output is forward-thinking, waxing creative and progressive in precisely the areas of the old series that we’d like expanded or redressed. The Third Doctor Adventures continue this trend. Roll on, Doctor Treloar!

Doctor Who: The Third Doctor Adventures at Big Finish

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